Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry最新文献

{"title":"\"May Your Holy Inspiration Call Me in the Desert\": New Jewish and Baroque Identity in the Poetry of João Pinto Delgado","authors":"Matthew D. Warshawsky","doi":"10.5325/CALIOPE.24.1.0029","DOIUrl":"https://doi.org/10.5325/CALIOPE.24.1.0029","url":null,"abstract":"ABSTRACT:The poetry of João Pinto Delgado, a Portuguese converso, adopted Baroque literary conventions to express the viewpoint of a New Christian demonstrating in Spanish a Jewish identity. This article studies the influence of the Spanish Golden Age on poems that Pinto Delgado published in France in 1627 to show how these works express a \"New Jewish,\" or heretofore forbidden Jewish voice. By analyzing texts that treat themes from the books of Esther, Lamentations, and Exodus, the article explores how Pinto Delgado communicated Jewish themes, regardless of his ability to live openly as a Jew. Additionally, by comparing his poetry with works of Jorge Manrique, Fray Luis de León, and Luis de Góngora, the article proposes that the Jewish perspective of Pinto Delgado coexisted with a Spanish literary one.RESUMEN:La poesía de João Pinto Delgado, un judeoconverso portugués, adoptó las convenciones literarias del Barroco para expresar el punto de vista de un cristiano nuevo quien estaba demostrando en castellano una identidad judía. Este artículo estudia la influencia del Siglo de Oro español en los poemas que Pinto Delgado publicó en Francia en 1627 para mostrar cómo estas obras revelan una voz \"nuevo-judía\" anteriormente prohibida. Por analizar los textos que tratan los temas de los libros de Esther, Lamentaciones y Éxodo, el artículo explora cómo Pinto Delgado comunicó los temas judíos, independientemente de su habilidad de vivir como judío. Además, al comparar su poesía con las obras de Jorge Manrique, Fray Luis de León y Luis de Góngora, el artículo propone que la perspectiva judía de Pinto Delgado coexistió con una identidad literaria española.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88008441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Nota del editor / Editor's Note","authors":"Ignacio López Alemany","doi":"10.5325/caliope.24.1.000v","DOIUrl":"https://doi.org/10.5325/caliope.24.1.000v","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84394763","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Material Poetry and the Compiler's Textual Self: Compilation and Textual Agency in Hernando Del Castillo and Garcia De Resende","authors":"Ana M. Gómez-Bravo","doi":"10.5325/CALIOPE.23.2.0021","DOIUrl":"https://doi.org/10.5325/CALIOPE.23.2.0021","url":null,"abstract":"ABSTRACT:This article analyzes some of the strategies involved in the compilation of such multi-authored cancioneros as Hernando del Castillo's Cancionero General and Garcia de Resende's Cancioneiro geral, published under the aegis of a compiler with a strong textual presence. The compilational process was riddled with tensions among the different agents involved in textual production and resulted in the creation of a supra-authorship that involved a narrative of the self as a powerful textual agent. A strong compiler was characterized by poetic competence, authorial abilities, pervasive exhaustivity, and textual access and control.RESUMEN:En este artículo se analizan algunas de las estrategias relacionadas con la compilación de cancioneros colectivos tales como el Cancionero General de Hernando del Castillo y el Cancioneiro geral de Garcia de Resende, donde los compiladores establecen una fuerte presencia textual. El proceso compilatorio fomentaba tensiones entre los diferentes individuos que participaban en la producción textual, lo que resultó en la imposición de una supra-autoría apoyada en la poderosa habilidad textual del compilador. El compilador se caracterizaba por su competencia poética y habilidades autoriales, así como una total exhaustividad y un acceso y control textuales privilegiados.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81306682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"\"Flores De Adulterada Elocuencia\": Poesía, Predicación Y Materialidad En El Barroco = \"Flores De Adulterada Elocuencia\": Poetry, Preaching, and Materiality in the Baroque Era","authors":"Vitulli Juan","doi":"10.5325/CALIOPE.23.2.0119","DOIUrl":"https://doi.org/10.5325/CALIOPE.23.2.0119","url":null,"abstract":"ABSTRACT:Scholarship has yet to study in full the relationship between poetry and preaching in the Baroque. So far studies have connected both discursive practices exclusively in terms of language and style. In my essay I examine a number of preaching treatises in which, curiously enough, their authors reflect on the role of poetry and the material space of preaching. Specifically, I analyze how the link between the materiality of the pulpit (shape, size, location, materials, acoustics) and that of the poetic word becomes a space in which we can better understand the relationships between subject, materiality, language, and power in the seventeenth century. Following Agamben's ideas on liturgy, I show that it is possible to reconstruct the (unfinished and unconcluded) process of creation of the Baroque preacher by studying the unexpected resistances that authors of preaching treatises find when reflecting on the materiality of the pulpit and the poetic language.RESUMEN:La relación entre poesía y predicación en el Barroco es un aspecto no del todo explorado por la crítica. Los estudios dedicados a este vínculo conectaron estas dos prácticas discursivas exclusivamente a través del lenguaje y del estilo. En mi ensayo examino un grupo de tratados de predicación donde, curiosamente, se reflexiona de manera similar sobre el rol de la poesía y el espacio material de la prédica. Específicamente, analizo cómo el vínculo entre la materialidad del púlpito (forma, tamaño, ubicación, materiales, sonoridad) y de la palabra poética se presenta como un espacio donde entender las relaciones entre sujeto, materialidad, lenguaje y poder en el siglo XVII. Siguiendo los postulados de Giorgio Agamben en torno a la liturgia, demuestro que es posible reconstruir el proceso (inacabado e inconcluso) de formación del predicador barroco estudiando las resistencias inesperadas que los tratadistas encuentran al reflexionar en torno a la materialidad del púlpito y del lenguaje poético.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79770638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Un Impresor Seducido Por Sor Juana: Los Textos De Las Sueltas Novohispanas Publicados Por JosÉ Llopis En Poemas (1691) = A Printer Seduced by Sor Juana: The Texts of New Spain Sueltas Published by Joseph Llopis in Poemas (1691)","authors":"David Galicia Lechuga, Jorge Gutiérrez Reyna","doi":"10.5325/CALIOPE.23.2.0217","DOIUrl":"https://doi.org/10.5325/CALIOPE.23.2.0217","url":null,"abstract":"ABSTRACT:This paper focuses on the three series of villancicos and the auto sacramental titled El divino Narciso that were first published in Spain in a reedition of the first volume of the works of sor Juana Inés de la Cruz (Barcelona: Joseph Llopis, 1691). These texts had circulated in New Spain as sueltas and were published again with changes in the Segundo volumen (Sevilla: Tomás Lopez de Haro, 1692). In order to determine the sources from which Llopis took these texts and his intentions in bringing them to the press, this paper aims, firstly, to underscore the textual differences among witnesses in order to establish relationships among them; secondly, to interpret relevant information regarding book trade and the dissemination of books in New Spain, as well as Llopis's own editorial practices.RESUMEN:El presente trabajo busca centrarse en las tres series de villancicos y el auto sacramental El divino Narciso, publicados en España por primera vez en una reedición del primer tomo de las obras de sor Juana Inés de la Cruz (Barcelona: Joseph Llopis, 1691). Estos textos circulaban en sueltas novohispanas y volvieron a publicarse con cambios en el Segundo volumen (Sevilla: Tomás López de Haro, 1692). Para elucidar de dónde tomó Llopis los textos aludidos y cuáles fueron sus intenciones al publicarlos, el artículo perseguirá dos objetivos: el primero, señalar las divergencias textuales con el fin de establecer la relación entre los testimonios; el segundo, analizar datos relacionados con el comercio de libros y la difusión de impresos novohispanos en España, así como las prácticas editoriales de Llopis.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72883855","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Porno Blando, Política Dura: Los Cadernos De Curiosidades De Catarina De Bragança = Soft Porn, Hard Politics: Catherine of Bragança's Cadernos De Curiosidades","authors":"J. M. Torrejón","doi":"10.5325/CALIOPE.23.2.0189","DOIUrl":"https://doi.org/10.5325/CALIOPE.23.2.0189","url":null,"abstract":"ABSTRACT:A study of two Curiosity chapbooks that bring together most disparate elements articulated only in relation to Queen Catherine of Bragança (1638-1705): her wedding to Charles II of England justify the presence of the epitalamic components (celebratory poems on the political dimensions of the event, erotic and eschatologic poetry); documents relative to the destitution of her brother, Afonso VI of Portugal; poetry and documents on the queen's support for Portuguese Jews and converts; formulae and instructions of interest to decorative arts, pastimes and plays with words. By been yuxtaposed, all these elements engage in a dialogue that allow readings different from the meanings each entry has separately.RESUMEN:Estudio de dos Cadernos de curiosidades donde se acumulan elementos dispares que sólo se articulan en su relación con la reina Catarina de Bragança (1638-1705): sus bodas con Carlos II de Inglaterra explican el componente epitalámico (que amalgama a su vez poemas celebratorios de la dimensión política del casamiento con abundante poesía erótica y escatológica); documentos sobre la destitución de su hermano Afonso VI de Portugal; poesía y documentos sobre el apoyo de la reina a los judeoconversos portugueses; recetas de interés para las artes decorativas, reglas para pasatiempos y juegos de palabras. La yuxtaposición de estos elementos se hace de modo que entran en diálogo, produciendo lecturas distintas de las que tienen por separado.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87990007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Introducción: Poesía Y Materialidad = Introduction: Poetry and Materiality","authors":"A. Lloret, Miguel A. Martínez","doi":"10.5325/CALIOPE.23.2.0007","DOIUrl":"https://doi.org/10.5325/CALIOPE.23.2.0007","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84300573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Fashioning Fame: Fernando De Herrera's Anotaciones as a Space of Knowledge","authors":"Guy Lazure","doi":"10.5325/CALIOPE.23.2.0069","DOIUrl":"https://doi.org/10.5325/CALIOPE.23.2.0069","url":null,"abstract":"ABSTRACT:The 1580 edition of Fernando de Herrera's Anotaciones a Garcilaso marked the entrance of a new protagonist in the literary landscape of Golden Age poetry. Contrasting the notions of \"academies\" and \"spaces of knowledge\", this article focuses on how Herrera and the group of Sevillian literati who collaborated on the project took advantage of this publication to make a name for themselves within the Spanish republic of letters. Their efforts are examined through the different strategies for authority elaborated in the book's paratextual material, as well as the various critical responses and reactions to the Anotaciones.RESUMEN:La edición de las Anotaciones a Garcilaso (1580) de Fernando de Herrera supuso la aparición de un nuevo protagonista en el campo literario de la poesía del Siglo de Oro. A través de los conceptos de \"academia\" y \"espacio de conocimiento\", este artículo analiza la manera en que Herrera y el grupo de eruditos sevillanos que colaboraron en el proyecto aprovecharon la publicación de las Anotaciones para hacerse un nombre en la república de las letras española. En este trabajo se estudian los esfuerzos llevado a cabo por el grupo sevillano en esta dirección tanto a través de las diferentes estrategias de autoridad elaboradas en los paratextos del libro como mediante las varias respuestas y lecturas críticas de las Anotaciones.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75088666","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Dictiones Inacabadas: Los Manuscritos De El Desierto Prodigioso Y Prodigio Del Desierto = Unfinished Dictions: The Manuscripts of El Desierto Prodigioso Y Prodigio Del Desierto","authors":"María Piedad Quevedo Alvarado","doi":"10.5325/CALIOPE.23.2.0143","DOIUrl":"https://doi.org/10.5325/CALIOPE.23.2.0143","url":null,"abstract":"ABSTRACT:This article approaches the two manuscripts of El desierto prodigioso y prodigio del desierto from their unfinished and incomplete condition, and the way their materiality reshape and deepen our understanding of aspects such as authorship, poetic authority, and visuality, which are central in the construction of the text as much as in the complexity of the colonial experience of the New Kingdom of Granada.RESUMEN:Este artículo aborda las dos redacciones de El desierto prodigioso y prodigio del desierto desde su condición inacabada e incompleta, y la manera en que la materialidad de estos manuscritos redimensiona instancias como la autoría, la autoridad poética y la visualidad, claves en la construcción del texto tanto como en la experiencia colonial del Nuevo Reino de Granada.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84835579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Tres Versiones De Petrarca: Modelos Poéticos Y Modelos Editoriales En El Siglo De Oro Español = Three Versions of Petrarch: Poetic and Editorial Models in Spanish Golden Age","authors":"I. Aguilar","doi":"10.5325/CALIOPE.23.2.0093","DOIUrl":"https://doi.org/10.5325/CALIOPE.23.2.0093","url":null,"abstract":"ABSTRACT:This article offers, from the perspective of material bibliography, a comparative analysis of Spanish translations from Petrarca's Canzoniere by Usque Hebreo (1567), Enrique Garcés (1591) and Trenado de Ayllón (1595). From their study it can be concluded that particularities of every single Canzoniere version are related to the existence of different editorial models having codified functions and senses in sixteenth-century Spanish poetry books.RESUMEN:Este artículo ofrece, desde la perspectiva de la bibliografía material, un análisis comparativo de las traducciones españolas del Canzoniere de Petrarca realizadas por Usque Hebreo (1567), Enrique Garcés (1591) y Trenado de Ayllón (1595). De su estudio se puede concluir que las particularidades de cada una de las versiones del Canzoniere están relacionadas con la existencia de diferentes modelos editoriales que tenían funciones y sentidos codificados en los libros de poesía del siglo XVI español.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75817893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}