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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry最新文献

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Imágenes de la osadía en la lírica de Fernando de Herrera: Images of daring in the poetry of Fernando de Herrera 费尔南多·德·埃雷拉抒情中的大胆形象:费尔南多·德·埃雷拉诗歌中的大胆形象
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2019-10-19 DOI: 10.5325/caliope.24.2.0109
Javier Álvarez
{"title":"Imágenes de la osadía en la lírica de Fernando de Herrera: Images of daring in the poetry of Fernando de Herrera","authors":"Javier Álvarez","doi":"10.5325/caliope.24.2.0109","DOIUrl":"https://doi.org/10.5325/caliope.24.2.0109","url":null,"abstract":"abstract:Daring is a key concept in Fernando de Herrera's poetry. Thus, it is present throughout his work as a whole; it especially appears in the background in a great part of his lyrical work, especially in his evocations of mythological characters. The majority of them share the fate of suffering torture in the shame in pain of their sacrilegious daring. Since the Sevillian poet usually compares himself with them, a comparative reading of these compositions is essential to determine what, exactly, Herrera's daring consists of.resumen:El concepto de osadía es nuclear en la poesía de Fernando de Herrera. Como tal, aparece en el trasfondo de gran parte de su producción lírica y, señaladamente, en sus evocaciones de determinados referentes mitológicos. La mayoría de ellos comparte el sino de sufrir suplicios en el averno en pena de sus sacrílegos atrevimientos. Puesto que el sevillano acostumbra a asimilarse a ellos, es imprescindible la lectura comparada de las composiciones en cuestión para determinar en qué consiste, exactamente, la osadía de Fernando de Herrera.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"15 1","pages":"109 - 127"},"PeriodicalIF":0.1,"publicationDate":"2019-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82087141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Esther in Early Modern Iberia and the Sephardic Diaspora: Queen of the Conversas by Emily Colbert Cairns (review) 《近代早期伊比利亚的以斯帖与西班牙裔散居者:谈话女王》艾米丽·科尔伯特·凯恩斯著(书评)
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2019-10-01 DOI: 10.5325/caliope.24.2.0194
Matthew D. Warshawsky
{"title":"Esther in Early Modern Iberia and the Sephardic Diaspora: Queen of the Conversas by Emily Colbert Cairns (review)","authors":"Matthew D. Warshawsky","doi":"10.5325/caliope.24.2.0194","DOIUrl":"https://doi.org/10.5325/caliope.24.2.0194","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"6 1","pages":"194 - 196"},"PeriodicalIF":0.1,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86224571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beyond Sight: Engaging the Senses in Iberian Literatures and Cultures, 1200–1750 ed. by Ryan D. Giles and Steven Wagschal (review) 超越视线:参与伊比利亚文学和文化的感官，1200-1750年，瑞安D.贾尔斯和史蒂文Wagschal编辑(评论)
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2019-10-01 DOI: 10.5325/caliope.24.2.0191
M. Quinn
{"title":"Beyond Sight: Engaging the Senses in Iberian Literatures and Cultures, 1200–1750 ed. by Ryan D. Giles and Steven Wagschal (review)","authors":"M. Quinn","doi":"10.5325/caliope.24.2.0191","DOIUrl":"https://doi.org/10.5325/caliope.24.2.0191","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"13 3","pages":"191 - 193"},"PeriodicalIF":0.1,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72480438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
CHORUS A Surfeit of Baroque 合唱:过量的巴洛克风格
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2019-06-20 DOI: 10.30965/9783846764008_006
P. Burgard
{"title":"CHORUS A Surfeit of Baroque","authors":"P. Burgard","doi":"10.30965/9783846764008_006","DOIUrl":"https://doi.org/10.30965/9783846764008_006","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"102 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88976809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
MODELS Art and Architecture: Bernini, Borromini, Velázquez, Rubens, Fracanzano, De Hooch, et al. 模特艺术与建筑:Bernini, Borromini, Velázquez, Rubens, Fracanzano, De Hooch等。
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2019-06-20 DOI: 10.30965/9783846764008_003
P. Burgard
{"title":"MODELS Art and Architecture: Bernini, Borromini, Velázquez, Rubens, Fracanzano, De Hooch, et al.","authors":"P. Burgard","doi":"10.30965/9783846764008_003","DOIUrl":"https://doi.org/10.30965/9783846764008_003","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"34 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82989692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
PRELUDE Opitz and the Play of Poetics 序曲:奥匹茨与诗学戏剧
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2019-06-20 DOI: 10.30965/9783846764008_004
P. Burgard
{"title":"PRELUDE Opitz and the Play of Poetics","authors":"P. Burgard","doi":"10.30965/9783846764008_004","DOIUrl":"https://doi.org/10.30965/9783846764008_004","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"59 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82996004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
POSTLUDE The Echo of Opitz 插曲:奥皮茨的回音
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2019-06-20 DOI: 10.30965/9783846764008_007
P. Burgard
{"title":"POSTLUDE The Echo of Opitz","authors":"P. Burgard","doi":"10.30965/9783846764008_007","DOIUrl":"https://doi.org/10.30965/9783846764008_007","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"266 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73649159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
PERFORMANCE Gryphius: Drama of Indecision and Tragedy of the Transitory 格里菲斯:优柔寡断的戏剧和短暂的悲剧
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2019-06-20 DOI: 10.30965/9783846764008_005
P. Burgard
{"title":"PERFORMANCE Gryphius: Drama of Indecision and Tragedy of the Transitory","authors":"P. Burgard","doi":"10.30965/9783846764008_005","DOIUrl":"https://doi.org/10.30965/9783846764008_005","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"7 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84823580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Poet of the Sun: Lope de Vega's Appropriation of Apollo 太阳诗人:洛佩·德·维加对阿波罗的挪用
IF 0.1
Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2019-06-18 DOI: 10.5325/CALIOPE.24.1.0054
Mark J. Mascia
{"title":"Poet of the Sun: Lope de Vega's Appropriation of Apollo","authors":"Mark J. Mascia","doi":"10.5325/CALIOPE.24.1.0054","DOIUrl":"https://doi.org/10.5325/CALIOPE.24.1.0054","url":null,"abstract":"ABSTRACT:This study examines the different ways in which Lope de Vega appropriates the mythological figure of Apollo throughout his lyric poetry, a topic often overlooked by scholars. Initially, in the Rimas humanas, Lope uses Apollo to serve somewhat traditional needs, such as offering praise, highlighting female beauty, or retelling the Apollo–Daphne myth. Yet, within the same Rimas, Lope begins to use Apollo in order to present himself as a poetic authority. Later, in La Filomena, Lope attacks his rivals through Apollo. Finally, in the Burguillos collection, Lope inverts standard myths involving Apollo and uses him for other functions, such as parodying Petrarchism. In sum, Lope reinvents Apollo and in some ways presents himself as his own figurative and self-styled \"god\" of poetry.RESUMEN:Este estudio examina las distintas maneras en que Lope de Vega se apropia de la figura mitológica de Apolo a lo largo de su lírica, un tema menos estudiado por la crítica. Al principio, en las Rimas humanas, Lope usa a Apolo para servir funciones tradicionales, por ejemplo alabar a ciertos personajes, presentar la belleza femenina, o contar el mito de Apolo y Dafne. Sin embargo, en las mismas Rimas, Lope empieza a usar Apolo para presentarse como autoridad poética. Luego, en La Filomena, Lope ataca a sus rivales por la figura de Apolo. Finalmente, en las Rimas de Burguillos, Lope invierte los mitos normativos de Apolo usándolo para otros propósitos, como parodiar el petrarquismo. En resumen, Lope reinventa a Apolo y de varias maneras lo usa para presentarse como un \"dios\" figurativo y de estilo propio de la poesía.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"91 1","pages":"54 - 77"},"PeriodicalIF":0.1,"publicationDate":"2019-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83434250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hernando de Acuña, casos de imitatio de Ausiàs March en el petrarquismo hispánico del Quinientos = Hernando de Acuña: Cases of imitatio of Ausiàs March in the Hispanic Petrarchism of the 1500s
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2019-06-18 DOI: 10.5325/caliope.24.1.0001
M. Rísquez
{"title":"Hernando de Acuña, casos de imitatio de Ausiàs March en el petrarquismo hispánico del Quinientos = Hernando de Acuña: Cases of imitatio of Ausiàs March in the Hispanic Petrarchism of the 1500s","authors":"M. Rísquez","doi":"10.5325/caliope.24.1.0001","DOIUrl":"https://doi.org/10.5325/caliope.24.1.0001","url":null,"abstract":"ABSTRACT:Ausiàs March (1400–1459) was imitated in the Hispanic Renaissance. It is already visible in Garcilaso de la Vega's (1501–1535) poetry as well as in Juan Boscán's (1487/92–1542). Hernando de Acuña (1518–1580/82) was their follower. Previous research accounts for the exclusive imitation of some of March's lesser-known poems in Acuña's Varias poesías (1591). First, this paper offers other examples that had been unperceived. Second, it sheds new light on these already known imitation cases, and it justifies their existence in the context of the imitatio of March in the first half of the sixteenth century.RESUMEN:Ausiàs March (1400–1459) fue muy imitado durante el Renacimiento hispánico. Puede apreciarse ya en poesías de Garcilaso de la Vega (1501–1535) y Juan Boscán (1487/92–1542). Hernando de Acuña (1518–1580/82), más joven, se cuenta entre sus seguidores. Estudios anteriores mencionan la imitación exclusiva que Acuña hizo en sus sonetos de algunas poesías marquianas no especialmente conocidas. Este trabajo, en primer lugar, presenta casos de imitatio que habían pasado desapercibidos. En segundo lugar, evalúa de nuevo los sonetos ya señalados como imitación para ahondar en ellos y justificar su aparición en el contexto de la imitatio de March en la primera mitad del Quinientos.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"80 1","pages":"1 - 28"},"PeriodicalIF":0.1,"publicationDate":"2019-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74511721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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