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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry最新文献

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Hearing Voices: Aurality and New Spanish Sound Culture in Sor Juana Inés de la Cruz by Sarah Finley (review) 《幻听:胡安娜·伊萨梅斯·德拉克鲁兹的听觉与新西班牙声音文化》，莎拉·芬利著(评论)
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2020-03-01 DOI: 10.5325/caliope.25.1.0112
Leo Cabranes-Grant
{"title":"Hearing Voices: Aurality and New Spanish Sound Culture in Sor Juana Inés de la Cruz by Sarah Finley (review)","authors":"Leo Cabranes-Grant","doi":"10.5325/caliope.25.1.0112","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0112","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78875983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Une épopée ibérique. Alonso de Ercilla et Jerónimo Corte-Real (1569–1589) by Aude Plagnard (review) 伊比利亚史诗。阿隆索·德·埃西拉和jeronimo Corte-Real(1569 - 1589)，奥德·普拉纳德(评论)
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2020-03-01 DOI: 10.5325/caliope.25.1.0098
P. Pérez
{"title":"Une épopée ibérique. Alonso de Ercilla et Jerónimo Corte-Real (1569–1589) by Aude Plagnard (review)","authors":"P. Pérez","doi":"10.5325/caliope.25.1.0098","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0098","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89644489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Spanish Disquiet: The Biblical Natural Philosophy of Benito Arias Montano by María M. Portuondo (review) 西班牙的不安:贝尼托·阿里亚斯·蒙塔诺的圣经自然哲学María M.葡萄牙多(评论)
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2020-03-01 DOI: 10.5325/caliope.25.1.0109
Luis Rodríguez-Rincón
{"title":"The Spanish Disquiet: The Biblical Natural Philosophy of Benito Arias Montano by María M. Portuondo (review)","authors":"Luis Rodríguez-Rincón","doi":"10.5325/caliope.25.1.0109","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0109","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74051310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Immaculate Conceptions: The Power of the Religious Imagination in Early Modern Spain by Hernández Rosilie (review) 《纯洁的观念:近代早期西班牙宗教想象的力量》作者:Hernández Rosilie
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2020-03-01 DOI: 10.5325/caliope.25.1.0105
Stacey Schlau
{"title":"Immaculate Conceptions: The Power of the Religious Imagination in Early Modern Spain by Hernández Rosilie (review)","authors":"Stacey Schlau","doi":"10.5325/caliope.25.1.0105","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0105","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75502168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Staging Habla de Negros: Radical Performances of the African Diaspora in Early Modern Spain by Nicholas R. Jones (review) 《黑衣人的舞台:近代早期西班牙非洲侨民的激进表演》作者:尼古拉斯·r·琼斯(评论)
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2020-03-01 DOI: 10.5325/caliope.25.1.0103
Víctor Sierra Matute
{"title":"Staging Habla de Negros: Radical Performances of the African Diaspora in Early Modern Spain by Nicholas R. Jones (review)","authors":"Víctor Sierra Matute","doi":"10.5325/caliope.25.1.0103","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0103","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82215963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El Inca Garcilaso en su Siglo de Oro by Fernando Rodríguez Mansilla (review)
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2020-03-01 DOI: 10.5325/caliope.25.1.0114
Silvia Stefan
{"title":"El Inca Garcilaso en su Siglo de Oro by Fernando Rodríguez Mansilla (review)","authors":"Silvia Stefan","doi":"10.5325/caliope.25.1.0114","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0114","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80357009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ut musica pictura: Góngora y la retórica sonoro-visual en unas anotaciones inéditas de Angulo y Pulgar al Polifemo Ut音乐图片:gongora和声音-视觉修辞在一个未出版的注释的角度和拇指的Polifemo
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2020-01-01 DOI: 10.5325/caliope.25.1.0044
F. Borrego
{"title":"Ut musica pictura: Góngora y la retórica sonoro-visual en unas anotaciones inéditas de Angulo y Pulgar al Polifemo","authors":"F. Borrego","doi":"10.5325/caliope.25.1.0044","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0044","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81827856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Un poeta a las puertas del Parnaso: Diego Félix de Quijada y Riquelme: A poet at the gates of the Parnassus: Diego Félix de Quijada y Riquelme 帕纳索斯门口的诗人:迭戈felix德基哈达y里克尔梅:帕纳索斯门口的诗人:迭戈felix德基哈达y里克尔梅
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2019-10-19 DOI: 10.5325/caliope.24.2.0148
Gema Balaguer Alba
{"title":"Un poeta a las puertas del Parnaso: Diego Félix de Quijada y Riquelme: A poet at the gates of the Parnassus: Diego Félix de Quijada y Riquelme","authors":"Gema Balaguer Alba","doi":"10.5325/caliope.24.2.0148","DOIUrl":"https://doi.org/10.5325/caliope.24.2.0148","url":null,"abstract":"abstract:Diego Felix de Quijada y Riquelme is a barely known Sevillian poet who belongs to the Spanish Golden Age and he is the author of a collection of love poems entitled Soliadas. This ill-fated poet achieved a promising position in the Spanish literary scene of the early 17th century thanks to the support of Juan de Arguijo and Lope de Vega and his participation in literary jousts. The preserved testimonies of his relationship with Arguijo and Lope are the primary sources for the reconstruction of the failed editorial process of his only work.resumen:Diego Félix de Quijada y Riquelme es un desconocido poeta sevillano de los Siglos de Oro, autor de un cancionero amoroso titulado Soliadas. Este malogrado poeta contó con una prometedora posición en el panorama literario español de principios del siglo XVII gracias al apoyo de Juan de Arguijo y Lope de Vega, así como por su participación en distintas justas literarias. Los testimonios que han llegado hasta nosotros constituyen fuentes primarias para la reconstrucción del frustrado proceso editorial de su única obra.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86916179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Una atribución compartida: Camões y Hurtado de Mendoza: A shared attribution: Camões and Hurtado de Mendoza 共享属性:camoes和Hurtado de Mendoza:共享属性:camoes和Hurtado de Mendoza
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2019-10-19 DOI: 10.5325/caliope.24.2.0162
Soledad Pérez-Abadín Barro
{"title":"Una atribución compartida: Camões y Hurtado de Mendoza: A shared attribution: Camões and Hurtado de Mendoza","authors":"Soledad Pérez-Abadín Barro","doi":"10.5325/caliope.24.2.0162","DOIUrl":"https://doi.org/10.5325/caliope.24.2.0162","url":null,"abstract":"abstract:The recently discovered Cancioneiro Verdelho contains a gloss (\"Todo el mal se hace blando\") attributed to Camões. Another version appears in the Obras of Diego Hurtado de Mendoza (1610), within the Quintillas \"Ya no más casos pasados\", also inserted in \"Veo tener a mi enemiga\" (BNF VII, 354). This recurrence reveals a process of expansion in three phases, resulting in a poem that is composed of independent sections. Although the contradictory information from the testimonies does not allow for the authorship to be determined, this textual convergence demonstrates the dynamic cultural exchange between Spain and Portugal during the sixteenth century.resumen:El Cancioneiro Verdelho, recientemente descubierto, contiene una glosa (\"Todo el mal se hace blando\") atribuida a Camões. Otra versión aparece en las Obras de Diego Hurtado de Mendoza (1610), dentro de las Quintillas \"Ya no más casos pasados\", también insertas en \"Veo tener a mi enemiga\" (BNF VII, 354). Dicha recurrencia revela un proceso de expansión en tres fases, que da como resultado un poema integrado por secciones autónomas. Aunque la información contradictoria de los testimonios no permite determinar la autoría, esta convergencia textual demuestra un dinámico intercambio cultural entre España y Portugal durante el siglo XVI.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74349629","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El despertar sexual de don Quijote: construcción literaria y parodia erótica en el romance de Altisidora: Don Quixote's sexual awakening: literary construction and erotic parody in Altisidora's ballad 《堂吉诃德的性觉醒:阿尔蒂西多拉浪漫中的文学建构与情色戏仿》:《堂吉诃德的性觉醒:阿尔蒂西多拉民谣中的文学建构与情色戏仿》
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2019-10-19 DOI: 10.5325/caliope.24.2.0128
Alicia Gallego Zarzosa
{"title":"El despertar sexual de don Quijote: construcción literaria y parodia erótica en el romance de Altisidora: Don Quixote's sexual awakening: literary construction and erotic parody in Altisidora's ballad","authors":"Alicia Gallego Zarzosa","doi":"10.5325/caliope.24.2.0128","DOIUrl":"https://doi.org/10.5325/caliope.24.2.0128","url":null,"abstract":"abstract:The ballad Altisidora sings in chapter XLIV is a seduction song full of erotic references that has not been studied under this light yet. This work covers the existing literary critic about Altisidora, and then places the erotic context for the ballad within the episode of sexual harassment the damsel plays for don Quijote. The core of this work is a detailed analysis of the erotic references to the romancero, popular poetry and erotic literature in the ballad. The article shows that, beyond the literary parody, Altisidora's ballad is the most powerful resource for the young lady to erotically siege don Quijote.resumen:El romance de Altisidora en el capítulo XLIV es un canto de seducción plagado de referencias eróticas que no ha sido estudiado como tal. Este trabajo repasa la literatura crítica sobre Altisidora y, a continuación, pone en contexto erótico el romance dentro del episodio de asedio sexual de la doncella a don Quijote. El centro del trabajo lo constituye un detallado análisis de las referencias eróticas al romancero, a la lírica popular y a la literatura erótica utilizadas en el romance. El artículo demuestra que, además de una parodia literaria, el romance de Altisidora es el arma más poderosa de la joven para llevar a cabo su agresión erótica contra don Quijote.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83296563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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