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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry最新文献

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From Garcilaso to Argensola: The Cosmos Reordered 从加尔西拉索到阿根索拉:重新排序的宇宙
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2017-11-06 DOI: 10.5325/CALIOPE.10.1.0055
Howard B. Wescott
{"title":"From Garcilaso to Argensola: The Cosmos Reordered","authors":"Howard B. Wescott","doi":"10.5325/CALIOPE.10.1.0055","DOIUrl":"https://doi.org/10.5325/CALIOPE.10.1.0055","url":null,"abstract":"Few exercises illustrate the shattering of imperial aristocratic confidence brought on by the scientific revolution of the sixteenth and seventeenth centuries so well as a comparison between Garcilaso de la Vega’s eclogues, and the sonnet “A una muger que se afeitaba y estaba hermosa,” attributed to one of the Argensola brothers, usually Lupercio. Taken together these two works reveal clearly the trust in a vision of a well-ordered cosmos that unified Garcilaso’s world, and the extent to which the Baroque aesthetic reflects a cosmic vision founded on ideas of deceit and deception. Two Italians, Castiglione and Galileo, play important roles in this transition and this study seeks also to illuminate their influence on the course of Spanish poetry in the Siglo de Oro. Until the last two decades of the twentieth century many Garcilaso interpreters read his works, especially the eclogues, as poemes a clef, autobiography disguised in pastoral dress. Most recently this problem, which is also one of “sincerity,” has been discussed clearly and thoroughly by Daniel Heiple, who locates the poetic yo in a Petrarchan rhetoric of emotion rather than in the person of the poet (3-27). In spite of dedicating his attention primarily to Garcilaso’s sonnets, Heiple observes of the eclogues, “Garcilaso’s late poems show a self-awareness of style and a conscious distancing of the authorial voice . . . the poet consciously removes the poetic voice from the person who suffers to that of a disinterested narrator” (23).","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"13 1","pages":"55 - 67"},"PeriodicalIF":0.1,"publicationDate":"2017-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81862885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
In Memoriam: Elias L. Rivers (September 19, 1924–December 21, 2013) 纪念:伊莱亚斯·里弗斯(1924年9月19日- 2013年12月21日)
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2017-11-06 DOI: 10.5325/caliope.19.1.0007
E. Bergmann
{"title":"In Memoriam: Elias L. Rivers (September 19, 1924–December 21, 2013)","authors":"E. Bergmann","doi":"10.5325/caliope.19.1.0007","DOIUrl":"https://doi.org/10.5325/caliope.19.1.0007","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"36 1","pages":"7 - 9"},"PeriodicalIF":0.1,"publicationDate":"2017-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83142319","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Blanco pequeño de ambos mundos: Una lectura del “Agasajo” de Hernando Domínguez Camargo 两个世界的小白色:对Hernando dominguez Camargo的“Agasajo”的解读
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2017-11-06 DOI: 10.5325/CALIOPE.18.2.0139
Juan M. Vitulli
{"title":"Blanco pequeño de ambos mundos: Una lectura del “Agasajo” de Hernando Domínguez Camargo","authors":"Juan M. Vitulli","doi":"10.5325/CALIOPE.18.2.0139","DOIUrl":"https://doi.org/10.5325/CALIOPE.18.2.0139","url":null,"abstract":"RESÚMENES: Este ensayo analiza el poema del neogranadino Hernando Domínguez Camargo titulado “Al agasajo con que Cartagena recibe a los que vienen de España” señalando cuáles son los elementos que crean el espacio enunciativo diferencial de este poeta barroco virreinal. Esta lectura del poema estudia el espacio textual desde donde el poeta produce su enunciado, relacionándolo tanto con las distintas variantes poéticas metropolitanas como así también creando un marco de producción cultural inédita que lo vincula con su espacio transatlántico. Esta interpretación reflexiona en torno al modo particular en que el poeta neogranadino construye, a partir de un discurso celebratorio de la ciudad de Cartagena de Indias, el marco de representación epistemológica que sustenta su autoridad intelectual como letrado criollo. El ensayo propone que la construcción del espacio de enunciación poético (y su tácita defensa del grupo letrado criollo) no se crea en tanto radical oposición a la autoridad peninsular, ni a partir de una identificación con los grupos subalternos del territorio virreinal, sino que su autoridad letrada surge a partir de la relación entre los significantes conocimiento y reconocimiento que operan como base para construir su espacio enunciativo criollo.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"2 1","pages":"139 - 160"},"PeriodicalIF":0.1,"publicationDate":"2017-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75490274","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“No es de condenar porque parezca enigmático”: Lope’s commentary on the sonnet ‘La calidad elementar resiste’ “它不是谴责，因为它看起来很神秘”:洛普对十四行诗《基本品质抵抗》的评论
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2017-11-06 DOI: 10.5325/CALIOPE.18.3.0007
Gary Brown
{"title":"“No es de condenar porque parezca enigmático”: Lope’s commentary on the sonnet ‘La calidad elementar resiste’","authors":"Gary Brown","doi":"10.5325/CALIOPE.18.3.0007","DOIUrl":"https://doi.org/10.5325/CALIOPE.18.3.0007","url":null,"abstract":"SUMMARY: Lope’s sonnet La calidad elementar resiste and its self-commentary published in La Circe has traditionally been conceived as a pedantic rejoinder to his gongorist critics. But the importance of the sonnet for Lope, witnessed by its publication on three separate occasions, invites a re-reading of the sonnet and its commentary as more than mere posturing against the vogue of gongorism. A closer analysis of the content of Lope’s commentary points to a personal, pyscho-erotic stake veiled in the language of Neoplatonism and the underlying scholastistic conceptions of amor and eros, relying not only on the Heptaplus of Pico della Mirandola but more significantly on Pseudo-Dionysius the Areopagite and Ficino’s translations of Plato.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"26 1","pages":"32 - 7"},"PeriodicalIF":0.1,"publicationDate":"2017-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84001702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Musaeus to Parnassus: Poetry, Modernity, and Method in the Seventeenth Century 从Musaeus到Parnassus: 17世纪的诗歌，现代性和方法
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2017-11-06 DOI: 10.5325/CALIOPE.18.1.0026
L. Middlebrook
{"title":"From Musaeus to Parnassus: Poetry, Modernity, and Method in the Seventeenth Century","authors":"L. Middlebrook","doi":"10.5325/CALIOPE.18.1.0026","DOIUrl":"https://doi.org/10.5325/CALIOPE.18.1.0026","url":null,"abstract":"SUMMARY: This essay focuses on iterations of the modern origin story as I trace the stages by which primordial powers associated with poetry are deployed to anchor a “new” modernity in Spain and the Americas. I also demonstrate that by the late baroque poetry loses that power as modern institutions gain primacy over poetic energies. It is my contention here that for late-sixteenth and early seventeenth-century writers, the narrative of poetry’s subordination exercised a certain kind of daemonic force that was drawn from associations with prophecy and the divine that were invoked as much as they were suppressed, subordinated or excluded in their accounts.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"32 1","pages":"26 - 41"},"PeriodicalIF":0.1,"publicationDate":"2017-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74108754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La doctrina agustiniana de doce sonetos de las Rimas sacras de Lope de Vega 洛普·德·维加神圣押韵的十二首十四行诗的奥古斯丁教义
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2017-11-06 DOI: 10.5325/CALIOPE.15.1.0039
J. M. Hidalgo
{"title":"La doctrina agustiniana de doce sonetos de las Rimas sacras de Lope de Vega","authors":"J. M. Hidalgo","doi":"10.5325/CALIOPE.15.1.0039","DOIUrl":"https://doi.org/10.5325/CALIOPE.15.1.0039","url":null,"abstract":"Con el titulo de Rimas sacras (1614) aparece un conjunto de poemas religiosos de variado estrofismo y extension dispar dentro de los textos canonicos de la lirica de Lope de Vega, de los que cien sonetos forman una coleccion de singular y variada composicion.1 De esta centena poetica sesenta y dos de ellos se agrupan bajo una tematica de marcado signo introspectivo-penitencial, mientras que los treinta y ocho restantes tratan de un asunto hagiografico, tema que da pie a cuestiones marianas, dogmaticas y a la mencion testamentaria. Lo interesante con respecto a los sesenta y dos sonetos es que doce de ellos rompen la secuencia numerica y aparecen sueltos a partir del soneto L hasta el C: LI, LIV, LXXII, LXXIII, LXXXV, LXXXVI, LXXXVII, LXXXIX, XC, XCI, XCIV, XCIX.2 La critica lopesca ha desatendido esta agrupacion desordenada de sonetos debido a la mayor atencion prestada a sus sonetos iniciales (Novo 1998; Grieve 1992) y la tendencia por presentar una estructura de conjunto de las RS (Garcia 1994; Novo 1990). A este olvido se le suma el interes por rastrear la presencia de los ejercicios espirituales de San Ignacio de Loyola (Sanchez 2004), el influjo literario de Boccacio (McGrady 1992), la influencia pictorica de Rubens (Vosters 1981) junto con planteamientos sobre la transformacion de la tradicion de la palinodia (Garrison 1996) y un paralelismo con el poeta John Donne (Kaplis 1995). Yolanda Novo propone para el desencajamiento de estos doce sonetos una deuda con la alternancia del Canzoniere o la inhabilidad del poeta para concederles una funcion dentro de su conjunto (1990, 54).3 Posteriormente, la critica arguira que no es necesario la existencia","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"233 1","pages":"39 - 62"},"PeriodicalIF":0.1,"publicationDate":"2017-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75006696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
A Note on the Prologue to Sor Juana’s Sueño 关于胡安娜的序言的注解Sueño
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2017-11-06 DOI: 10.5325/CALIOPE.14.2.0087
E. Rivers, Paul Carranza
{"title":"A Note on the Prologue to Sor Juana’s Sueño","authors":"E. Rivers, Paul Carranza","doi":"10.5325/CALIOPE.14.2.0087","DOIUrl":"https://doi.org/10.5325/CALIOPE.14.2.0087","url":null,"abstract":"The prologue to Sor Juana Ines de la Cruz s Primero Sueno is a clearly delimited unit of 150 lines, entitled “Noche y sueno del cosmos” in the Sabat-Rivers edition (pp. 435-39). It begins with a baroque scientific evocation of night as the shadow, shaped like an Egyptian pyramid or group of obelisks, that is cast by the dark side of the Earth upon the Moon and into stellar space by a revolving Ptolomaic Sun. The narrative focus quickly shifts from astronomy to the sub-lunar world of our Earth, where nocturnal birds and bats still flit in growing silence as fish and animals and birds everywhere go to sleep. The 146 hendecasyllables and heptasyllables in silva form, with their complex syntax and run-on lines, lead up to these four simple lines, without enjambment, that serve as a remate or coda:","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"47 1","pages":"87 - 89"},"PeriodicalIF":0.1,"publicationDate":"2017-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89388509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
La academia zaragozana que se reunía en casa de los condes de Lemos y Andrade: Nuevos aportes a su historia 萨拉戈萨学院在莱莫斯和安德拉德伯爵家中会面:对其历史的新贡献
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2017-11-06 DOI: 10.5325/CALIOPE.17.2.0103
Ted E. McVay
{"title":"La academia zaragozana que se reunía en casa de los condes de Lemos y Andrade: Nuevos aportes a su historia","authors":"Ted E. McVay","doi":"10.5325/CALIOPE.17.2.0103","DOIUrl":"https://doi.org/10.5325/CALIOPE.17.2.0103","url":null,"abstract":"Las academias poeticas en la Espana de los siglos de oro han atraido la atencion de estudiosos que quieren entender mejor sus contribuciones al desarrollo de este arte. Jose Sanchez con su libro, Academias literarias del Siglo de Oro espanol, en 1961, y Willard F. King dos anos mas tarde con el suyo, Prosa novelistica y academias literarias en el siglo XVII, establecieron este tema como campo de investigacion, abriendo paso para varios otros que han hecho estudios valiosos. Entre ellos se encuentran estudios de Esther Lacadena y Calero y Maria Soledad Carrasco Urgoiti sobre la influencia de la oralidad en las reuniones; un libro de Giovanni Cara sobre los vejamenes de la primera mitad del siglo VII y otro estudio de Carrasco sobre los vejamenes de la segunda mitad del siglo XVII; dos estudios de Anne J. Cruz sobre la relacion entre los academicos y la politica; y un estudio largo de Jeremy Robbins sobre la poesia amorosa entre los academicos. Otro aspecto de estas reuniones es la variedad geografica del fenomeno: habia academias en Madrid, Sevilla, Valencia, Granada, Salamanca, entre otros lugares, las cuales se han investigado. Las de Zaragoza han sido tratadas en estudios de Ricardo del Arco (1934, 1950), Jose Maria Castro y Calvo (1937), extensivamente por Aurora Egido (1984), y mas recientemente por Jesus Duce Garcia (2006). Estos autores han establecido la existencia de varios grupos de poetas que se reunian durante el siglo diecisiete en la ciudad augusta—la Academia Pitima contra la Ociosidad bajo el patrocinio del conde de Guimera; la Academia de los Anhelantes, liderada por Juan Francisco Andres de Uztarroz; una que se congrego en casa del marques de Osera; otra en la casa del conde de Lemos y del conde de Andrade, su hijo; una del","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"49 1","pages":"103 - 118"},"PeriodicalIF":0.1,"publicationDate":"2017-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78768300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Georgina Sabat-Rivers Lamento Y Celebración 乔治娜·萨巴-里弗斯悲叹和庆祝
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2017-11-06 DOI: 10.5325/caliope.14.2.0091
Electa Arenal
{"title":"Georgina Sabat-Rivers Lamento Y Celebración","authors":"Electa Arenal","doi":"10.5325/caliope.14.2.0091","DOIUrl":"https://doi.org/10.5325/caliope.14.2.0091","url":null,"abstract":"Hemos perdido el 7 de mayo de 2008 a una gran figura de la crítica y la academia iberoamericanas, a una gran amiga, maestra, consejera y colega. Desde hacía un año y pocos días había sufrido una hemorragia cerebral que la dejó paralizada y sin habla. Su esposo Elías Rivers la visitaba todos los días. Atenta a todo, Georgina conocía a casi todas las personas y grupos del campo letrado. Había servido, además, en puestos de liderazgo de varias organizaciones y editoriales. Manteniéndose al tanto de las antiguas y modernas corrientes metodológicas y teóricas, con un ritmo de trabajo constante y productivo, esta erudita sin aires llegó a destacarse a nivel internacional. No dejó nunca de compartir el producto de sus esfuerzos. Fue generosa con varias generaciones de hispanistas. Junto a su amado compañero Elías, Georgina ayudó a un sin fin de personas. Recomendaba, aconsejaba, invitaba, escuchaba, informaba, retaba y mimaba. Aún al discrepar mostraba interés y respeto por las ideas de los demás. La profesora Sabat-Rivers fue educadora modelo y guía, en especial pero no exclusivamente de los y las que investigan la época virreinal o","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"46 1","pages":"91 - 94"},"PeriodicalIF":0.1,"publicationDate":"2017-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90626665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Materia crítica: Formas de ocio y de consumo en la cultura áurea ed. by Enrique García Santo-Tomás (review) 批评材料:黄金文化中的休闲和消费形式，恩里克garcia - tomas编辑(评论)
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2017-11-06 DOI: 10.31819/9783865279682
Amanda Wunder
{"title":"Materia crítica: Formas de ocio y de consumo en la cultura áurea ed. by Enrique García Santo-Tomás (review)","authors":"Amanda Wunder","doi":"10.31819/9783865279682","DOIUrl":"https://doi.org/10.31819/9783865279682","url":null,"abstract":"hidalgo pobre Quijano y el ocioso hidalgo rico Miranda) y la mujer (el ama y la sobrina como figuras no maternales cómplices de formas represivas de control del Estado y de la Inquisición). Este monográfico es el primero que intenta conceptualizar de manera sistemática la domesticidad masculina en el ámbito de las literaturas hispánicas de la temprana modernidad, alejándose con ello de una tradición que se ha enfocado en la mujer, y que incluye aproximaciones tan diversas como La mujer, la casa y la moda (en la España del rey poeta) de José Deleito y Piñuela (Espasa-Calpe, 1946), la primera parte de El ángel del hogar: Galdós and the Ideology of Domesticity in Spain de Bridget Aldaraca (U of North Carolina P, 1991) y Perfect Wives, Other Women: Adultery and Inquisition in Early Modern Spain de Georgina Dopico Black (Duke UP, 2001). La virtud principal del volumen es su convicción de que la domesticidad no es una subdisciplina esclava de la historia de la vida privada y que, consecuentemente, merece un estudio independiente que rescate sus múltiples dimensiones discursivas e ideológicas. Por eso, el libro busca interpretar la domesticidad como una noción tanto material como discursiva, tanto individual como colectiva, tanto identitaria como económica. La variedad genérica que incorpora es igualmente elogiable porque permite palpar la distancia entre la idealización del ámbito interior ejercida por la ideología estamental, manifiesta especialmente en los manuales, y las diversas apropiaciones culturales de ese ideal en otras expresiones textuales de la España del Renacimiento.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"11 1","pages":"242 - 246"},"PeriodicalIF":0.1,"publicationDate":"2017-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74413205","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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