From Musaeus to Parnassus: Poetry, Modernity, and Method in the Seventeenth Century

IF 0.3 0 LITERATURE, ROMANCE
L. Middlebrook
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引用次数: 0

Abstract

SUMMARY: This essay focuses on iterations of the modern origin story as I trace the stages by which primordial powers associated with poetry are deployed to anchor a “new” modernity in Spain and the Americas. I also demonstrate that by the late baroque poetry loses that power as modern institutions gain primacy over poetic energies. It is my contention here that for late-sixteenth and early seventeenth-century writers, the narrative of poetry’s subordination exercised a certain kind of daemonic force that was drawn from associations with prophecy and the divine that were invoked as much as they were suppressed, subordinated or excluded in their accounts.
从Musaeus到Parnassus: 17世纪的诗歌,现代性和方法
摘要:这篇文章的重点是现代起源故事的迭代,因为我追踪了与诗歌相关的原始力量被部署到西班牙和美洲的“新”现代性的各个阶段。我也证明了在巴洛克晚期诗歌失去了这种力量因为现代制度获得了诗歌能量的首要地位。我的观点是,对于16世纪晚期和17世纪早期的作家来说,诗歌从属的叙述运用了一种恶魔般的力量,这种力量来自于与预言和神的联系,这些联系在他们的叙述中被压制,被从属或被排除在外。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
10
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