{"title":"From Musaeus to Parnassus: Poetry, Modernity, and Method in the Seventeenth Century","authors":"L. Middlebrook","doi":"10.5325/CALIOPE.18.1.0026","DOIUrl":null,"url":null,"abstract":"SUMMARY: This essay focuses on iterations of the modern origin story as I trace the stages by which primordial powers associated with poetry are deployed to anchor a “new” modernity in Spain and the Americas. I also demonstrate that by the late baroque poetry loses that power as modern institutions gain primacy over poetic energies. It is my contention here that for late-sixteenth and early seventeenth-century writers, the narrative of poetry’s subordination exercised a certain kind of daemonic force that was drawn from associations with prophecy and the divine that were invoked as much as they were suppressed, subordinated or excluded in their accounts.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"32 1","pages":"26 - 41"},"PeriodicalIF":0.3000,"publicationDate":"2017-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/CALIOPE.18.1.0026","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 0
Abstract
SUMMARY: This essay focuses on iterations of the modern origin story as I trace the stages by which primordial powers associated with poetry are deployed to anchor a “new” modernity in Spain and the Americas. I also demonstrate that by the late baroque poetry loses that power as modern institutions gain primacy over poetic energies. It is my contention here that for late-sixteenth and early seventeenth-century writers, the narrative of poetry’s subordination exercised a certain kind of daemonic force that was drawn from associations with prophecy and the divine that were invoked as much as they were suppressed, subordinated or excluded in their accounts.