Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry最新文献

{"title":"Manuel de Faria e Sousa y la maldición de los Corte-Real / Manuel de Faria e Sousa / and the Curse on the Corte-Real","authors":"Hélio J. S. Alves","doi":"10.5325/caliope.28.1.0097","DOIUrl":"https://doi.org/10.5325/caliope.28.1.0097","url":null,"abstract":"ABSTRACT:The seats of Portuguese power emerging from the Restauração right up to the present day were built on confiscated property belonging to the Corte-Real family. Manuel de Faria e Sousa had an early and decisive role in the accursed family’s destiny, when he denounced D. Manuel de Moura Corte-Real as a thief, forgerer, sodomite, and traitor, and when he put his edition of Camões’s Lusiads at the service of those who had made his denunciation successful. As a source of this confrontational discourse, Faria’s interpretations of Camões have sealed high and low fates of men throughout literary history.RESUMEN:Las sedes del poder portugués que surgieron a partir de la Restauração hasta la actualidad se construyeron en propiedades confiscadas a la familia Corte-Real. Manuel de Faria e Sousa tuvo un papel temprano y decisivo en el destino de la familia maldita, cuando denunció a D. Manuel de Moura Corte-Real como ladrón, falsificador, sodomita y traidor, y cuando puso su edición de Os Lusiadas de Camões al servicio de quienes habían hecho triunfar su denuncia. Como fuente de este discurso de confrontación, las interpretaciones de Faria sobre Camões han sellado los destinos altos y bajos de los hombres a lo largo de la historia literaria.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79195934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Algunas observaciones en torno a un poema hagiográfico virreinal: El Angélico de Adrián de Alecio, 1645 / An Approach to a Colonial Latin American Hagiography in Verse: Adrián Alecio’s El Angélico, 1645","authors":"Sara Pezzini","doi":"10.5325/caliope.28.1.0184","DOIUrl":"https://doi.org/10.5325/caliope.28.1.0184","url":null,"abstract":"ABSTRACT:The article explores a lengthy poem about the life of St. Thomas Aquinas written in Lima and published in Spain by the Dominican friar Adrián de Alecio (El Angélico, 1645). It starts by describing the author and his milieu. The following is an evaluation of the extent to which the text takes up and adapts the writing models and hagiographic sources from the centre of the Empire. Finally, the article aims to place the poem in the axis formed by the poetic figures of Lope de Vega and Luis de Góngora.RESUMEN:El artículo se ocupa de un extenso poema poco conocido sobre la vida de Santo Tomás de Aquino escrito en Lima y publicado en España por el fraile criollo Adrián de Alecio (El Angélico 1645). En un primer momento se presenta a su autor y su entorno. A continuación, se evalúa en qué medida el texto acoge y adapta los modelos de escritura y las fuentes hagiográficas provenientes desde el centro del Imperio, para finalmente situarlo en el eje que forman las figuras poéticas de Lope de Vega y Luis de Góngora.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87319559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ecos globales: los mundos de la poesía hispánica de la Modernidad temprana / Global Echoes: The Worlds of Early Modern Spanish Poetry","authors":"Jessica Hagley, Carlos Iglesias-Crespo","doi":"10.5325/caliope.28.1.v","DOIUrl":"https://doi.org/10.5325/caliope.28.1.v","url":null,"abstract":"This paper traces the related, though not uniform images of poetic birth and textual health. From generalized depictions of poems as children (born of the poet directly or of the poet’s soul or wit) to metaphors of hurried or badly written poems as premature births, abortions or miscarriages, ideas of poetic creation often turn to the bodily. The comparisons to childbirth, I suggest, highlight the efforts of writing and claims to literary lineage, while laments of “abortos” (found in Sor Juana, Juan de Jáuregui, and Cristóbal Suárez de Figueroa) evoke the challenges of polishing a poem to perfection and dangers of sending it into the world too soon. Moreover, assessments of good and bad poetry often draw on the language of health and proper bodily proportions. A weak poem might be simply “desmayado,” as Cervantes criticizes twice in the Viaje del Parnaso , but it could also, more graphically, have bodily defects. These deformities could be congenital or acquired due to detrimental edits. For instance, Gabriel Lobo Lasso de la Vega complains that others printed versions of his romances so changed that “unos vienen patituertos.” Even if the idea of the poem as body was commonplace, the specifics of its anatomy and health offered handy tools for criticism and for rendering theory more concrete. Bodily metaphors were hardly limited to poetics, but I find their use in these contexts especially interesting precisely because poems often differed from whole “cuerpos de libros” in terms of circulation and physical heft. of limeño literary scene. the of the on the dynamics of classical culture of the transatlantic book trade stage an intriguing gender(ed) performance designed to on both sides of the Atlantic thematise the transatlantic dynamic itself. reinscribing the possibility of a non-female Discurso us about the literary dynamics of the global Iberian world. This paper examines the poetic language of Soledades and explores how it incorporates the practices of silversmithing and jewelry production. By relating the materiality of Góngora’s language to the material environment of luxury at the court since the sixteenth century, this paper demonstrates how craftsmanship is embedded in the creation of Soledades . At the same time, by turning to Góngora’s commentators such as Martín Vázquez Siruela, author of “Discurso sobre el estilo de don Luis de Góngora” and an enthusiastic antiquarian, I will show how the poet’s seventeenth-century critics interpreted his works as an exquisite craft. Moreover, this paper echoes the discussion on whether the genre of Soledades is bucolic or epic. While Mercedes Blanco has convincingly explained the cultural obsession with epic and the poet’s intention to emulate Tasso, I choose to reconsider the pastoral poetics in Soledades . I argue that the bucolic since Virgil is a mixed genre characterized by exploring language's materiality. Thus defined, the bucolic itself represents an expression of the intimate relationship bet","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74427303","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ovidio global: variaciones ovidianas en la edad de Góngora / Global Ovid: Ovidian Echoes in the Age of Góngora","authors":"M. Blanco","doi":"10.5325/caliope.28.1.0001","DOIUrl":"https://doi.org/10.5325/caliope.28.1.0001","url":null,"abstract":"ABSTRACT:The writers of Góngora’s age found in Ovid the quintessential master of poetic art. This article examines three properties of the Sulmona poet’s writing that could explain his position of supremacy: his wit and humor, his invention of a political fiction that dresses the monarch and his court with the attributes of the Olympian gods, and finally, the elegiac subjectivity that permeates all his creations.RESUMEN:Los escritores de la edad de Góngora encuentran en Ovidio al maestro por excelencia del arte poética. Este ensayo examina tres propiedades de la escritura del poeta de Sulmona que contribuyen a explicar su posición de supremacía: su ingenio y humorismo, su invención de una ficción política que reviste al monarca y a su corte de los atributos de los dioses olímpicos y por último, la subjetividad elegíaca que impregna todas sus creaciones.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77455411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Apuntes sobre el fenómeno editorial de la “Floresta latina” (México, 1623) / Notes on the Editorial Phenomenon of the “Floresta latina” (México, 1623)","authors":"Elizabeth Treviño","doi":"10.5325/caliope.28.1.0140","DOIUrl":"https://doi.org/10.5325/caliope.28.1.0140","url":null,"abstract":"ABSTRACT:The Floresta latina, culta en honra y alabanza de dos bellísimas plantas y santísimas vírgines Lucía y Petronila (México, Juan Blanco de Alcázar, 1623) is a brief poetic anthology about which very little is known. It is made up of a series of poetic compositions written in Latin and Spanish, all of them from New Spain authors, most of them unknown. This article analyzes aspects about the publication of the volume, the actors involved in the process and, especially, the role of the printer.RESUMEN:La Floresta latina, culta en honra y alabanza de dos bellísimas plantas y santísimas vírgines Lucía y Petronila (México, Juan Blanco de Alcázar, 1623) es una breve antología poética de la cual se sabe muy poco. La conforman una serie de composiciones poéticas escritas en latín y castellano, todas de ingenios novohispanos, en su mayoría, desconocidos. Se analizan aspectos sobre la publicación del volumen, los actores involucrados en el proceso y, especialmente, el papel del impresor.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80340871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“Ícaros de discursos racionales”: The Comet of 1680–1681, Sor Juana’s Neptuno alegórico, and the Enduring Function of Myths in an Age of Enlightenment","authors":"Luis Rodríguez-Rincón","doi":"10.5325/caliope.28.1.0159","DOIUrl":"https://doi.org/10.5325/caliope.28.1.0159","url":null,"abstract":"ABSTRACT:Stark differences have been noted in the ways Sor Juana Inés de la Cruz and Carlos de Sigüenza y Góngora responded in 1680 to the arrival in New Spain of both a new viceroy as well as a great comet. Such comparisons have tended to hinge on the question of which of the two colonial Spanish-American writers was more “modern” versus “traditional.” Such valuative contrasts between Sor Juana and Sigüenza y Góngora implicitly evoke a commonplace but erroneous historical narrative that privileges the advent of modern science at the expense of poetry and myth. It is by acknowledging the shared affective goal of myth and early modern science in regulating human fears of natural forces, as Hans Blumenberg has done, that scholars can better assess the enduring function of Neptune for a poet like Sor Juana in an Age of Enlightenment. This reappraisal of myth’s function permits in turn a more dialogic reading of Sor Juana and Sigüenza y Góngora’s respective arches and their shared Neptunian response to the debates that raged in seventeenth-century Mexico City over flood control efforts and the value of indigenous hydraulic knowledge. In this reading, Neptune represents a European mythographic discourse of power over nature that serves to both assuage criollo fears of flooding while also displacing the challenge posed by indigenous hydraulic knowledge to Spanish intellectual hegemony in New Spain in part by replacing the Mexica god Tlaloc with Neptune.RESUMEN:Se han notado grandes diferencias entre sor Juana Inés de la Cruz y Carlos de Sigüenza y Góngora en sus respuestas a la llegada en Nueva España de tanto un gran cometa como un nuevo virrey en 1680. Tales comparaciones entre los dos autores coloniales suelen implicar la valorización de uno como más “moderno” que el otro denominado más “tradicional.” Estos contrastes se basan en una narrativa histórica común pero equívoca que privilegia el ascenso de la ciencia moderna sobre la función intelectual de la poesía y los mitos. Es al reconocer la meta colectiva de tanto la ciencia como los mitos de modular el miedo humano de las fuerzas naturales, como indica Hans Blumenberg, que se puede mejor entender la función del dios Neptuno para sor Juana. Una reevaluación de la función de los mitos permite una lectura más dialógica de los arcos triunfales de Sor Juana y Sigüenza y Góngora y su compartida respuesta neptuniana a los debates del siglo XVII sobre la prevención de inundaciones y el valor del conocimiento hidráulico del pueblo indígena mexicano. En esta lectura, Neptuno representa un discurso mitográfico europeo de poder sobre la naturaleza que alivia el miedo de las inundaciones a la vez que desplaza la amenaza del conocimiento hidráulico indígena para la hegemonía intelectual española al remplazar el dios mexica Tlaloc con Neptuno.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79878965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Discurso cortesano, afectos y fortuna en sor Juana Inés de la Cruz. Sobre el romance 36, \"Salud y gracia. Sepades\" / Courtly Discourse, Affects, and Fortune in Sor Juana Inés de la Cruz. On Ballad 36, \"Salud y gracia. Sepades\"","authors":"Beatriz Colombi","doi":"10.5325/caliope.27.2.0157","DOIUrl":"https://doi.org/10.5325/caliope.27.2.0157","url":null,"abstract":"abstract:This work analyzes the poetry of Sor Juana Inés de la Cruz in the light of court discourse, considering the contributions of Norbert Elias, Barbara Rosenwein, Amedeo Quondam, and Fernando Rodríguez de la Flor, among others. Courtly behaviors, gender, affects, and fortune intersect in romance 36, \"Salud y gracia. Sepades\". In this text, as in other poems of her production, the Mexican author is inscribed in a courtly tradition and, at the same time, in an anti-courtly one, by identifying herself with courtly regulations, but, also distancing herself from them. This tension reflects the adoption of metropolitan literature, where both modalities coexist, but also reveals its particular place of enunciation, on the margins of the Spanish empire. The poem goes over the stereotypes regarding female representation through three courtly figurations: the ladies, the Fortune, and the enunciator herself.resumen:En este trabajo analizamos la poesía de sor Juana Inés de la Cruz a la luz del discurso cortesano, para lo que tenemos en cuenta los aportes de Norbert Elias, Barbara Rosenwein, Amedeo Quondam, y Fernando Rodríguez de la Flor, entre otros. Tomamos como caso de estudio el romance 36, \"Salud y gracia. Sepades,\" donde se entrecruzan la representación de conductas cortesanas, el género, los afectos, y la fortuna. Sostenemos que, en este texto, como en otros de su producción, la autora mexicana se inscribe en una tradición áulica y, a la vez, antiáulica, al identificarse con las normativas cortesanas, pero, al mismo tiempo, tomar irónica distancia de las mismas. Esta tensión refleja la adopción de la literatura metropolitana, donde ambas modalidades coexisten, pero también revela su particular lugar de enunciación, en los márgenes del imperio español. Sugerimos que el poema revisa estereotipos respecto a la representación femenina a través de tres figuraciones cortesanas: las damas, la Fortuna, y la propia enunciadora.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89070208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Vuelo y caída del héroe en la épica de Arauco: constancia y metamorfosis de una imagen mnémica / Flight and Fall of the Hero in the Epic of Arauco: Constancy and Metamorphosis of a Mnemic Image","authors":"S. Carneiro","doi":"10.5325/caliope.27.2.0133","DOIUrl":"https://doi.org/10.5325/caliope.27.2.0133","url":null,"abstract":"abstract:During the early modern period, the flight and fall of the hero, encrypted in figures such as Icarus and Phaethon, represented not only excessive recklessness and its fatal outcome, but also the value of audacity whose reward would be immortal fame. This article examines the development of this mnemic image in cantos XIX and XX of La Araucana by Alonso de Ercilla (Segunda parte, Madrid, 1578) and cantos V and VI of Arauco domado by Pedro de Oña (Lima, 1596). The importance of allusive art and figurative culture in the invention of these fragments is highlighted.resumen:En los albores de la modernidad, el vuelo y la caída del héroe, cifrados en figuras como Faetón e Ícaro, representaron no solo la temeridad excesiva y su desenlace funesto sino también el valor de una audacia cuya recompensa sería la fama inmortal. Este artículo aborda la reelaboración de esta imagen mnémica aplicada a los guerreros araucanos en los cantos XIX y XX de La Araucana de Alonso de Ercilla (Segunda parte, Madrid, 1578) y los cantos V y VI de Arauco domado de Pedro de Oña (Lima, 1596). Se destaca el relieve del arte alusivo y de la cultura figurativa en la invención de estos fragmentos.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73496084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Calíope en el Nuevo Mundo / Calliope in the New World","authors":"Martina Vinatea","doi":"10.5325/caliope.27.2.000v","DOIUrl":"https://doi.org/10.5325/caliope.27.2.000v","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88076802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Trevor J. Dadson (1947–2020)","authors":"Isabel Torres","doi":"10.5325/caliope.27.2.0269","DOIUrl":"https://doi.org/10.5325/caliope.27.2.0269","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82381220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}