Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry最新文献_第2页

Repositorios de poder: la poesía visual en México colonial / Repositories of Power: Visual Poetry in Colonial Mexico 权力的宝库:墨西哥殖民时期的视觉诗歌

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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2022-10-01 DOI: 10.5325/caliope.27.2.0203

A. R. Mañas

{"title":"Repositorios de poder: la poesía visual en México colonial / Repositories of Power: Visual Poetry in Colonial Mexico","authors":"A. R. Mañas","doi":"10.5325/caliope.27.2.0203","DOIUrl":"https://doi.org/10.5325/caliope.27.2.0203","url":null,"abstract":"abstract:This work reviews the interventions of visual poetry in the colonies' lettered world. From the visual exercises with educational and practical value to the visual poems that appeared in poetry contests, these poetic practices reorganize the categories of masculine/feminine readership and authorship as well as the circulation of poetry. Through a contextualized analysis of the uses of visual poetry, this article shows some of the ways in which colonial writers conquered and generated new forms of \"authorized word\" in the colonies and how these disputes would create a much more diverse and complex reality for the lettered world.resumen:En este trabajo me propongo revisar las intervenciones de la poesía visual en la configuración de lo letrado en la colonia. Desde los ejercicios visuales con valor educativo y práctico hasta los poemas visuales de los certámenes, este tipo de producción poética llevará consigo una reordenación de categorías como las de escritor/escritora lector/lectora así como de la propia circulación de lo poético. A través de un análisis contextualizado de los usos y contextos de la poesía visual, pretendo mostrar algunas de las maneras con las que se intentó conquistar o generar nuevas formas de palabra autorizada en la colonia y cómo estas disputas o ejercicios escriturales devendrían en una realidad mucho más diversificada y compleja para lo letrado.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"218 1","pages":"203 - 230"},"PeriodicalIF":0.1,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75620580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Salmos apócrifos de la Relación de las antigüedades deste reino del Pirú de Joan de Santa Cruz Pachacuti / Apocryphal Psalms in the Relación de las antigüedades deste reino del Pirú by Joan de Santa Cruz Pachacuti 伪诗篇de la relacion de las antiedades de this reino del piru de Joan de Santa Cruz Pachacuti /伪诗篇in the relacion de las antiedades de this reino del piru by Joan de Santa Cruz Pachacuti

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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2022-10-01 DOI: 10.5325/caliope.27.2.0177

Joaquín Zuleta Carrandi

{"title":"Salmos apócrifos de la Relación de las antigüedades deste reino del Pirú de Joan de Santa Cruz Pachacuti / Apocryphal Psalms in the Relación de las antigüedades deste reino del Pirú by Joan de Santa Cruz Pachacuti","authors":"Joaquín Zuleta Carrandi","doi":"10.5325/caliope.27.2.0177","DOIUrl":"https://doi.org/10.5325/caliope.27.2.0177","url":null,"abstract":"abstract:This article analyzes the role of the famous \"Hymn of Creation\" inserted by Joan Santa Cruz Pachacuti in his version of the history of the Incas. The comparative analysis of the prayer in three different chronicles allows readers to observe the historical and political proposal of Santa Cruz Pachacuti about the Andean past, where Manco Cápac is depicted as a wise king and poet. The chronicler attributes the prayer's authorship to Manco Cápac, a fact that would reinforce the inca king's monotheistic devotion, which stands very close to Christianity.resumen:En el presente artículo analizo el papel del famoso \"Himno de la creación\" que inserta el cronista Joan de Santa Cruz Pachacuti en su particular versión de la historia de los incas. Hago un seguimiento de la oración en al menos tres crónicas distintas y analizo los modelos literarios, tradiciones culturales, tópicos, y recursos estéticos que se encuentran en la Relación de las antigüedades. A partir de esas ideas, reviso la propuesta histórica y política de Santa Cruz Pachacuti respecto del pasado andino y su cristalización en el ámbito literario, que consiste básicamente en la propuesta de Manco Cápac como rey sabio y poeta, a quien se le atribuye la autoría del \"Himno de la creación,\" hecho que reforzaría documentalmente su supuesta devoción monoteísta y cercana al cristianismo.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"9 1","pages":"177 - 202"},"PeriodicalIF":0.1,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84370688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Male Gaze and Phallic Aggression in Góngora's "¿Son de Tolú …?" Góngora“¿Son de Tolú…?”中的男性凝视与生殖器攻击

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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2022-04-01 DOI: 10.5325/caliope.27.1.0046

M. J. Kelley

{"title":"The Male Gaze and Phallic Aggression in Góngora's \"¿Son de Tolú …?\"","authors":"M. J. Kelley","doi":"10.5325/caliope.27.1.0046","DOIUrl":"https://doi.org/10.5325/caliope.27.1.0046","url":null,"abstract":"abstract:This article examines Góngora's sonnet \"¿Son de Tolú…?\" from the point of view of the male gaze and exposes the aggressive, and ultimately violent, reaction resulting from a frustrated gaze. The epigraph explains how don Luis traveled to Cuenca where he was offered two ugly criadas. The sight prompts the poet to first animalize and racialize the women by describing them as monkeys and to then invite the men of Cuenca to sexually assault them. Finally, the poet introduces a parrot as surrogate in order to perpetuate the male gaze and its resulting attempt to dominate and control.resumen:Este artículo examina el soneto gongorino \"¿Son de Tolú… ?\" desde el punto de vista de la mirada masculina para revelar la reacción agresiva, y hasta violenta, que resulta de la mirada masculina frustrada. El epígrafe explica que don Luis fue a Cuenca, donde salieron a entretenerle dos criadas feas. La fealdad incita al poeta a animalizar y racializarlas además de invitar a los conquenses al abuso sexual contra ellas. Finalmente, el poeta introduce un papagayo como suplente para continuar la mirada masculina que intenta dominar y controlar.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"252 1","pages":"46 - 62"},"PeriodicalIF":0.1,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75819369","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Tres epístolas y un comienzo teóricamente silencioso (Garcilaso, Mendoza, Boscán y Herrera)/Three Epistles and a Theoretically Silent Beginning (Garcilaso, Mendoza, Boscán, and Herrera) 三封信和一个理论上沉默的开始(Garcilaso, Mendoza, boscan和Herrera)/三封信和一个理论上沉默的开始(Garcilaso, Mendoza, boscan和Herrera)

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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2022-04-01 DOI: 10.5325/caliope.27.1.0001

J. I. Díez

{"title":"Tres epístolas y un comienzo teóricamente silencioso (Garcilaso, Mendoza, Boscán y Herrera)/Three Epistles and a Theoretically Silent Beginning (Garcilaso, Mendoza, Boscán, and Herrera)","authors":"J. I. Díez","doi":"10.5325/caliope.27.1.0001","DOIUrl":"https://doi.org/10.5325/caliope.27.1.0001","url":null,"abstract":"abstract:The genre or subgenre of the Spanish epistle in verse spreads in a printed volume that collects Las obras de Boscán y algunas de Garcilaso but also an epistle of Mendoza. Of the two options offered to adapt Horace's epistle, only one of them triumphs, the one entrusted to the tercet and the long extension. The differences between the two models are examined and the notes that favor the triumph of Mendoza-Boscán. The generic limits with the satire and with the elegy are also discussed, and Herrera's eloquent silences in his Anotaciones are tried to be explained.resumen:El género o subgénero en España de la epístola en verso se difunde en un volumen impreso que recoge Las obras de Boscán y algunas de Garcilaso, pero también una epístola de Mendoza. De la doble opción que se ofrece para adaptar la epístola de Horacio solo triunfa una de ellas, la que se confía al terceto y a la larga extensión. Se examinan las diferencias de los dos modelos y las notas que privilegian el triunfo de Mendoza-Boscán. También se incide en los límites genéricos (con la sátira y con la elegía) y se intentan explicar los elocuentes silencios de Herrera en sus Anotaciones.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"15 1","pages":"1 - 21"},"PeriodicalIF":0.1,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87844750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Cervantes y Avellaneda, la poesía interpolada: el romancero by Magdalena Altamirano (review) 塞万提斯和阿韦亚内达，插入诗歌:玛格达莱娜·阿尔塔米拉诺的小说(评论)

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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2022-04-01 DOI: 10.5325/caliope.27.1.0128

A. Sáez

引用次数: 0

Idolatry and the Construction of the Spanish Empire by Mina García Soormally (review) 偶像崇拜与西班牙帝国的建设米娜García索洛尔(复习)

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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2022-04-01 DOI: 10.5325/caliope.27.1.0122

Juan Vitulli

引用次数: 0

Micuc Isutu Cuiuc Utusi Cucim: The Sator Square and Martín de Murua's Quechua Palindrome Poem Micuc Isutu Cuiuc Utusi Cucim:萨特广场和Martín de Murua的盖丘亚回文诗

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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2022-04-01 DOI: 10.5325/caliope.27.1.0082

L. Schoepflin

{"title":"Micuc Isutu Cuiuc Utusi Cucim: The Sator Square and Martín de Murua's Quechua Palindrome Poem","authors":"L. Schoepflin","doi":"10.5325/caliope.27.1.0082","DOIUrl":"https://doi.org/10.5325/caliope.27.1.0082","url":null,"abstract":"abstract:The friar Martín de Murua (1566?-1615) composed a Quechua palindrome poem as part of an illustrated Andean legend in his first manuscript version (1590) of his chronicle (Historia general del Perú [1616]). The poem faces a depiction by the Andean artist, don Felipe Guaman Poma de Ayala (c. 1560s-c. 1616), of a woman sitting in the middle of a four-cornered, enchanted Inca fountain. Murua reimagined Guaman Poma's image in a form reminiscent of the Latin Rotas-Sator Square. This article considers the confluence of Andean sacredness with early Christian occult beliefs, leaving multiple and divergent interpretations determined by the viewer/reader's perspective.resumen:El fraile Martín de Murua (1566?-1615) compuso un poema palíndromo quechua como parte de una leyenda andina ilustrada en su primera versión manuscrita (1596) de su crónica (Historia general del Perú [1616]). El poema sigue una representación del artista andino, Felipe Guaman Poma de Ayala (c. 1560s-c. 1616), de una mujer sentada en medio de una fuente inca encantada, de cuatro esquinas. Murua reinventó la imagen de Guaman Poma en una forma que recuerda al cuadrado latino Rotas-Sator. Este artículo considera en el poema la confluencia de nociones sagradas andinas con creencias del ocultismo cristiano primitivo, aportando así múltiples interpretaciones divergentes que dependerán de la perspectiva del receptor.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"114 1","pages":"117 - 82"},"PeriodicalIF":0.1,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79454873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Elusión de palabras viles y sonetos retrógrados en las Rimas humanas de Tomé de Burguillos/Avoidance of Vile Words and Retrograde Sonnets in the Rimas humanas de Tomé de Burguillos 在tome de Burguillos的人类押韵中避免卑鄙的词和倒退的十四行诗/在tome de Burguillos的人类押韵中避免卑鄙的词和倒退的十四行诗

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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2022-04-01 DOI: 10.5325/caliope.27.1.0022

Gaspar Garrote Bernal

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Ecos y reflejos de la polémica por la Spongia (1617) en las aprobaciones y dedicatorias de Lope de Vega / Echoes and Reflections of the Spongia's (1617) Controversy in Lope de Vega's Approvals and Dedications 《海绵争议》(1617)《洛普·德·维加的批准和奉献》/《海绵争议》(1617)《洛普·德·维加的批准和奉献》中的争议

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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2021-06-22 DOI: 10.5325/CALIOPE.26.1.0058

Ignacio García Aguilar

{"title":"Ecos y reflejos de la polémica por la Spongia (1617) en las aprobaciones y dedicatorias de Lope de Vega / Echoes and Reflections of the Spongia's (1617) Controversy in Lope de Vega's Approvals and Dedications","authors":"Ignacio García Aguilar","doi":"10.5325/CALIOPE.26.1.0058","DOIUrl":"https://doi.org/10.5325/CALIOPE.26.1.0058","url":null,"abstract":"abstract:The volume of the Expostulatio Spongiae consists of eighteen parts. The best known and most studied of all of them is that one written by Fonseca y Figueroa that entitles the volume, in which Lope is defended and Torres Rámila's Spongia is fiercely criticized. The remaining seventeen parts of the printed book are paratexts of a very different nature, which serve the same purpose and act as or more effectively than the Expostulatio Spongiae text itself. This paper analyzes the function and meaning of these paratexts in the defense of Lope and in the attack on Torres Rámila.resumen:El volumen de la Expostulatio Spongiae se compone de dieciocho partes. La más conocida y estudiada de todas ellas es el texto de Fonseca y Figueroa que da título al volumen, en el cual se defiende a Lope y se critica ferozmente la Spongia de Torres Rámila. Las diecisiete partes restantes del libro impreso son paratextos de muy variada naturaleza, los cuales sirven al mismo propósito y actúan con tanta o más eficacia que el propio texto de la Expostulatio Spongiae. El presente trabajo analiza la función y el sentido que cumplen estos paratextos en la defensa de Lope y en el ataque a Torres Rámila, relacionándolos con las estrategias de autorrepresentación que por estos mismos años estaba empleando Lope de Vega en las aprobaciones y dedicatorias de sus obras impresas.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"53 1","pages":"58 - 80"},"PeriodicalIF":0.1,"publicationDate":"2021-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86706522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Fecha, contextualización y explicación de la "carta echadiza" atribuida a Lope de Vega / Date, Contextualization and Explanation of the "carta echadiza" Attributed to Lope de Vega Lope de Vega的“echadiza宪章”的日期、背景和解释/ Lope de Vega的“echadiza宪章”的日期、背景和解释

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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2021-06-22 DOI: 10.5325/CALIOPE.26.1.0036

M. Elvira

{"title":"Fecha, contextualización y explicación de la \"carta echadiza\" atribuida a Lope de Vega / Date, Contextualization and Explanation of the \"carta echadiza\" Attributed to Lope de Vega","authors":"M. Elvira","doi":"10.5325/CALIOPE.26.1.0036","DOIUrl":"https://doi.org/10.5325/CALIOPE.26.1.0036","url":null,"abstract":"abstract:This article offers an explanation of various details of the so-called \"carta echadiza\" attributed to Lope, and arguments are provided for dating it to November 1616, by putting it in relation with the comedia El Capellán de la Virgen, which was performed before the king in October 1616, during the Toledo festivities for the \"transfer of Our Lady to her new chapel.\" The comedy contains a series of taunts against Góngora, which are analyzed for the first time and whose clarification allows us to understand correctly Lope de Vega's position in the carta echadiza.resumen:En este trabajo se ofrece una explicación de varios detalles de la llamada \"carta echadiza\" atribuida a Lope, y se aportan argumentos para fecharla en noviembre de 1616, poniéndola en relación con la comedia del Capellán de la Virgen, que se representó ante el rey en octubre de 1616, durante las fiestas de Toledo para la \"traslación de Nuestra Señora a su nueva capilla\". La comedia contiene una serie de pullas contra Góngora que se analizan por primera vez y cuya aclaración permite a su vez entender correctamente el posicionamiento de Lope de Vega en la carta echadiza.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":" 6","pages":"36 - 57"},"PeriodicalIF":0.1,"publicationDate":"2021-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72499860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0