Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry最新文献

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El Encomio de los ingenios sevillanos, en la fiesta de los santos Inacio de Loyola y Francisco Javier (1623), de Juan Antonio de Ibarra 1623年,胡安·安东尼奥·德·伊巴拉(Juan Antonio de Ibarra)在圣伊纳西奥·德·洛约拉(Inacio de Loyola)和弗朗西斯科·哈维尔(Francisco Javier)的盛宴上对塞维利亚工厂的赞美
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2020-11-10 DOI: 10.5325/caliope.25.2.0233
I. Osuna
{"title":"El Encomio de los ingenios sevillanos, en la fiesta de los santos Inacio de Loyola y Francisco Javier (1623), de Juan Antonio de Ibarra","authors":"I. Osuna","doi":"10.5325/caliope.25.2.0233","DOIUrl":"https://doi.org/10.5325/caliope.25.2.0233","url":null,"abstract":"abstract:Encomio de los ingenios sevillanos is a collection of poems from a poetic contest honoring Saint Ignatius of Loyola and Saint Francis Xavier, promoted in Seville by an influential corporation in the commercial field. Juan Antonio de Ibarra’s presentation of the poems in this collection has several meta-literary considerations. The celebration of the contest by the initiative of this civil corporation, several editorial details in the book or its author’s literary links and interests allows us to contextualize the prominence of this meta-literary component and its main purpose: the exaltation of current local poets, continuing with the brilliant trajectory in Seville.resumen:El Encomio de los ingenios sevillanos recoge un certamen poético en honor de san Ignacio de Loyola y san Francisco Javier, promovido en Sevilla por una influyente corporación en el ámbito comercial. Juan Antonio de Ibarra presenta los poemas dentro de un discurso con numerosas consideraciones metaliterarias. La celebración del certamen por iniciativa de esa corporación civil, varios detalles editoriales del libro o los contactos e intereses literarios de su autor permiten contextualizar el protagonismo de ese componente metaliterario y su principal propósito: la exaltación de los poetas locales del momento, en continuidad con la brillante trayectoria sevillana previa.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"307 2 1","pages":"233 - 255"},"PeriodicalIF":0.1,"publicationDate":"2020-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77356409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Luque Fajardo y la beatificación de san Ignacio de Loyola (1610): campo cultural e imagen autorial / Luque Fajardo and the beatification of Saint Ignatius of Loyola (1610): cultural field and authorial image 卢克·法哈尔多与罗耀拉圣依纳爵的宣福礼(1610年):文化领域与作者形象
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2020-11-10 DOI: 10.5325/caliope.25.2.0149
Tania Padilla Aguilera
{"title":"Luque Fajardo y la beatificación de san Ignacio de Loyola (1610): campo cultural e imagen autorial / Luque Fajardo and the beatification of Saint Ignatius of Loyola (1610): cultural field and authorial image","authors":"Tania Padilla Aguilera","doi":"10.5325/caliope.25.2.0149","DOIUrl":"https://doi.org/10.5325/caliope.25.2.0149","url":null,"abstract":"abstract:The Relación de la fiesta que se hizo en Sevilla a la beatificación del glorioso san Ignacio... (Seville, 1610) is an occasional text that clearly reflects the propaganda mechanisms of the time. Luque Fajardo’s description of the festivals and the event held create the appropriate context for a text that bears many similarities with some of its previous models. However, its unifying character is novel and will serve as a model for subsequent religious celebrations. Precisely because of its particular circumstantial character, an approach from the point of view of the sociology of literature is especially pertinent.resumen:La Relación de la fiesta que se hizo en Sevilla a la beatificación del glorioso san Ignacio… (Sevilla, 1610) es un texto circunstancial que refleja claramente los mecanismos propagandísticos de la época. La descripción de las fiestas realizada por Luque Fajardo y el certamen celebrado crean el contexto propicio para un texto que guarda numerosas semejanzas con algunos de sus referentes precedentes. Sin embargo, su carácter aglutinador resulta novedoso y servirá como referente para posteriores celebraciones religiosas. Precisamente por su particular naturaleza circunstancial, una aproximación desde el punto de vista de la sociología de la literatura resulta especialmente pertinente.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"180 1","pages":"149 - 184"},"PeriodicalIF":0.1,"publicationDate":"2020-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81638914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Poesía y ciudad: la Sevilla del primer Barroco / Poetry and city: the Seville of the first Baroque Poesía y ciudad: la Sevilla del primer Barroco /诗歌与城市:第一个巴洛克时期的塞维利亚
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2020-10-01 DOI: 10.5325/caliope.25.2.00iv
Carlos M. Collantes Sánchez, Carlos M. Clara Marías
{"title":"Poesía y ciudad: la Sevilla del primer Barroco / Poetry and city: the Seville of the first Baroque","authors":"Carlos M. Collantes Sánchez, Carlos M. Clara Marías","doi":"10.5325/caliope.25.2.00iv","DOIUrl":"https://doi.org/10.5325/caliope.25.2.00iv","url":null,"abstract":"Preludiar una obra monográfica acerca de la poesía sevillana de finales del siglo XVI y prin­ cipios del XVII es transitar por una ciudad y una lírica aún en su esplendor: una Sevilla todavía bañada por el oro indiano y coronada como “la capital intelectual y económica de la nación” (Domínguez Ortiz 16), y una poesía bajo la influencia del lenguaje poético del “Divino” Herrera y abierta al influjo del horacianismo que ganaba terreno por entonces. La crítica ha iluminado este paisaje de la historiografía literaria desde una multitud de perspectivas. La erudición decimonónica de Quintana y Menén­ dez Pelayo sentó las bases, pero fue a partir del ensayo chauvinista de Lasso de la Vega (“Historia y juicio crítico”) cuando se acuñó el marbete de “Escuela poética sevillana”, concepto posteriormente superado por Bonnaville (“Sobre la poesía”) y, en tiempos más cercanos, por Begoña López Bueno (“Las es­ cuelas poéticas españolas”). A través de los Encuentros internacionales que tradicionalmente organiza el Grupo P.A.S.O. (Poesía Andaluza del Siglo de Oro) se ha clarificado y definido el concepto de la “Idea” de la poesía áurea se­ villana, principalmente en tres de ellos: en el de 1996 dedicado a “Las Anotaciones de Fernando de Herrera”; en el 2010 referido al mencionado concepto de la “Idea” de la poesía sevillana; y en el último Encuentro celebrado en 2019, en el que se retomó el pulso a este tema con motivo del “IV centenario de los Versos de Herrera (1619). 50 años de poesía sevillana (1580–1630)”. Como una consecuencia inherente a la luz cuando un cuerpo se opone a su trayectoria, los estudios de la crítica que han iluminado este camino han creado sombras que todavía están por explorar. El cometido de los trabajos que aquí se presentan es transitar unos géneros poéticos y unos autores que se encuentran en la periferia del campo literario entre los siglos XVI y XVII. La historia aquí contenida no aborda la centralidad de la problemática de la poé­ tica del momento dirimida entre escuelas y polémicas, sino esa otra realidad más olvidada por la historiografía literaria, centrada en una poesía circuns­ tancial creada para llegar al gran público. Del mismo modo que el esplendor de la Sevilla del primer tercio del siglo XVII se vio oscurecido por el azote de la peste y por otras enfermedades en­ démicas a la monarquía española como la corrupción y el despilfarro, la poesía sevillana a la sazón se encontraba en un momento de tránsito. Frente a un CARLOS M. COLLANTES SÁNCHEZ Y CLARA MARÍAS","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"31 1","pages":"iv - xiv"},"PeriodicalIF":0.1,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82027387","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Honesto y entretenido sarao (Primera y segunda parte) ed. by Julián Olivares (review) 诚实和娱乐的sarao(第一部分和第二部分)julian Olivares编辑(评论)
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2020-10-01 DOI: 10.5325/caliope.25.2.0260
Emre Özmen
{"title":"Honesto y entretenido sarao (Primera y segunda parte) ed. by Julián Olivares (review)","authors":"Emre Özmen","doi":"10.5325/caliope.25.2.0260","DOIUrl":"https://doi.org/10.5325/caliope.25.2.0260","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"71 1","pages":"260 - 264"},"PeriodicalIF":0.1,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84139761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Escritoras monjas. Autoridad y autoría en la escritura conventual femenina de los Siglos de Oro by Julia Lewandowska (review) 作家尼姑。朱莉娅·莱万多夫斯卡《黄金时代女修道院写作中的权威和作者身份》(评论)
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2020-10-01 DOI: 10.5325/caliope.25.2.0270
Anna Działak-Szubińska
{"title":"Escritoras monjas. Autoridad y autoría en la escritura conventual femenina de los Siglos de Oro by Julia Lewandowska (review)","authors":"Anna Działak-Szubińska","doi":"10.5325/caliope.25.2.0270","DOIUrl":"https://doi.org/10.5325/caliope.25.2.0270","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"3 1","pages":"270 - 273"},"PeriodicalIF":0.1,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91297081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Logodaedalus: Word Histories of Ingenuity in Early Modern Europe by Alexander Marr et al. (review) 《Logodaedalus:近代早期欧洲独创性的文字历史》作者:亚历山大·马尔等人(书评)
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2020-10-01 DOI: 10.5325/caliope.25.2.0256
Bradley J. Nelson
{"title":"Logodaedalus: Word Histories of Ingenuity in Early Modern Europe by Alexander Marr et al. (review)","authors":"Bradley J. Nelson","doi":"10.5325/caliope.25.2.0256","DOIUrl":"https://doi.org/10.5325/caliope.25.2.0256","url":null,"abstract":"Logodaedalus is an enlightening and often surprising historical and cultural lexicography of ingenuity and genius in early modern Europe. The express intent of the four authors is to provide an “antiteleological” prehistory of the Romantic concept of “genius” by following the uneven and unpredictable— contradictory even—development of meanings and functions of terms such as ingenuity, genius, wit, ingenio, ésprit, ingegno, Sinn, and the like. By focusing on the “particularity,” “peculiarity,” and “dynamism” of language and practices related to and emanating from the Latin ingenium, Marr, Garrod, Marcaida and Oosterhoff demonstrate the creative power of a philological method that maps the historical situatedness and complexity of etymological, artistic-literary, and philosophical instantiations of the terms in question: “It is a kind of philology that seeks to show how significant words produced meaning in history and as history” (2). At the same time, the lexicographical framework successfully challenges statistically driven, “big data” conclusions through its intraand intercultural analyses of distinct iterations in a wide array of texts. In fact, the entire enterprise could itself be called ingenious, since dividing the lexical terrain between “keywords” that display a “family resemblance” and other verba that are merely “neighbors” requires judgment rather than brute numbers, which places the scholarship of the authors inside the realm of ingenuity (5). One of the central plot lines of Logodaedalus is that the Romantic understanding of genius can be traced back to the lexicography of ingenium rather than genius. The cultural-semantic field of ingenuity moves around and through a changeable group of specific characteristics that normally includes “natural inclination, creative potential, craft talent, or mental agility” (5) and organizes itself around “four axes of meaning: moral, cognitive, presentational, and artificial” (7). When different characteristics are considered in light of these B O O K R E V I E W S","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"7 1","pages":"256 - 260"},"PeriodicalIF":0.1,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83637011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On Sandoval Zapata’s Lyric Transformations 论桑多瓦尔·萨帕塔的抒情变换
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2020-04-08 DOI: 10.5325/caliope.25.1.0001
Christopher D. Johnson
{"title":"On Sandoval Zapata’s Lyric Transformations","authors":"Christopher D. Johnson","doi":"10.5325/caliope.25.1.0001","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0001","url":null,"abstract":"abstract:This article examines how the lyric poetry of Luis de Sandoval Zapata transforms different kinds of matter: literary, natural, and spiritual. It shows how Sandoval Zapata’s verse converges with novohispano festive culture, even as it serves as a subtle vehicle for pondering questions concerning mortality, temporality, and the mutable nature of substance. His sonnet dedicated to the Virgen de Guadalupe is read as resolving these questions. It is also compared to efforts by Miguel Sánchez, Carlos de Sigüenza y Góngora, and Sor Juana Inés de la Cruz to represent María. Lyric distillation and encyclopedic dilation thus form a polarity that fuels seventeenth-century creole thought and expression.resumen:Este artículo examina cómo la poesía lírica de Luis de Sandoval Zapata transforma diferentes tipos de materia: literaria, natural y espiritual. Muestra cómo el verso de Sandoval Zapata converge con la cultura festiva Novohispana, a la vez que sirve como un vehículo sutil para reflexionar sobre cuestiones relacionadas con la mortalidad, la temporalidad y la naturaleza mutable de la sustancia. Su soneto dedicado a la Virgen de Guadalupe se lee como la resolución de estas preguntas. También se compara con los esfuerzos de Miguel Sánchez, Carlos de Sigüenza y Góngora y Sor Juana Inés de la Cruz para representar a María. Así, la destilación lírica y la dilatación enciclopédica forman una polaridad que alimenta el pensamiento y la expresión criolla del siglo XVII.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"18 1","pages":"1 - 23"},"PeriodicalIF":0.1,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87327088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Beauty of Holiness: Architectural Representations of the Temple of Jerusalem in Spanish Golden Age Poetry 神圣之美:西班牙黄金时代诗歌中耶路撒冷神庙的建筑表现
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2020-04-08 DOI: 10.5325/caliope.25.1.0078
Laurie Kaplis-Hohwald
{"title":"The Beauty of Holiness: Architectural Representations of the Temple of Jerusalem in Spanish Golden Age Poetry","authors":"Laurie Kaplis-Hohwald","doi":"10.5325/caliope.25.1.0078","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0078","url":null,"abstract":"abstract:This essay is a comparative analysis of three texts of major poets of Spain’s Golden Age: Luis de Góngora, Lope de Vega, and Juan de Jáuregui. The poets worked with a common trope, sharing a worldview that blended themes of Hebrew kingship with the Spanish Habsburg dynasty. The poems are based on the concept of Spanish Solomonism, and are related by inventive, and very different, evocations of the Temple of Jerusalem as the seat of Christian monarchy, holiness, and visual beauty.resumen:Este ensayo compara textos de tres maestros poéticos del Siglo de Oro: Luis de Góngora, Lope de Vega y Juan de Jáuregui. Cada poeta partió de un tropo común, compartiendo una perspectiva que asociaba la monarquía hebrea de la antigüedad con la dinastía Habsburgo. Los poemas se basan en el concepto del Salomonismo español pero presentan evocaciones muy distintas del Templo de Jerusalén como sede de la monarquiía cristiana y fuente de belleza y santidad.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"28 1","pages":"78 - 97"},"PeriodicalIF":0.1,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74681231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sounding the Feminine in Sor Juana’s Villancicos to St. Catherine of Alexandria (1691) 索尔·胡安娜写给亚历山大的圣凯瑟琳的《维拉西科斯》中的女性发音(1691年)
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2020-04-08 DOI: 10.5325/caliope.25.1.0024
Sara Finley
{"title":"Sounding the Feminine in Sor Juana’s Villancicos to St. Catherine of Alexandria (1691)","authors":"Sara Finley","doi":"10.5325/caliope.25.1.0024","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0024","url":null,"abstract":"abstract:This article attends to intersections of auditory and feminine tropes in Sor Juana’s villancicos for St. Catherine. The purpose is to draw out resonances among sonori-ties related to the Alexandrine saint and representations of learned women elsewhere in the poet’s writing. My central argument is that aurality in the St. Catherine cycle deepens the defense of women’s learning and also relates to female exemplarity and agency. Broadly, the study engages the auditory turn in literary and cultural studies and lends a sonorous perspective to discussions of knowledge and gender in Sor Juana’s oeuvre.resumen:El presente ensayo examina las intersecciones de tropos auditivos y femeninos en los villancicos a Santa Catarina de Sor Juana Inés de la Cruz. El propósito es subrayar resonancias entre los sonidos asociados a la santa alejandrina y representaciones de mujeres letradas en otros escritos sorjuaninos. Mi planteamiento central es que referencias al sonido en este ciclo extienden la defensa del aprendizaje de la mujer y también se relacionan con la ejemplaridad y agencia femeninas. En un terreno más extenso, la interpretación responde a la corriente auditiva en los estudios culturales y literarios y aporta una perspectiva sonora a debates sobre la intersección de conocimiento y género en la obra de Sor Juana.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"69 1","pages":"24 - 43"},"PeriodicalIF":0.1,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75033563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Hearing Voices: Aurality and New Spanish Sound Culture in Sor Juana Inés de la Cruz by Sarah Finley (review) 《幻听:胡安娜·伊萨梅斯·德拉克鲁兹的听觉与新西班牙声音文化》,莎拉·芬利著(评论)
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Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry Pub Date : 2020-03-01 DOI: 10.5325/caliope.25.1.0112
Leo Cabranes-Grant
{"title":"Hearing Voices: Aurality and New Spanish Sound Culture in Sor Juana Inés de la Cruz by Sarah Finley (review)","authors":"Leo Cabranes-Grant","doi":"10.5325/caliope.25.1.0112","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0112","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"8 1","pages":"112 - 113"},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78875983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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