Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry最新文献

{"title":"Conceptismo, epigramatismo y devoción pública en la Sevilla inmaculista: una aproximación al Escuadrón humilde (1616) de Rodrigo Fernández de Ribera / Conceptism, epigramatism and public devotion in immaculist Seville: an approach to Rodrigo Fernández de Ribera’s Escuadrón humilde (1616)","authors":"Juan Manuel Daza","doi":"10.5325/caliope.25.2.0185","DOIUrl":"https://doi.org/10.5325/caliope.25.2.0185","url":null,"abstract":"abstract:The immaculist movement was one of the most suggestive episodes of the Baroque Seville. Literature, and especially poetry, shows the importance given to the arts in the development of this religious and sociological phenomenon, as can be seen in Rodrigo Fernández de Ribera’s work Escuadrón humilde (humble squad). This work evinces how poetry was not only a festive and apologetic instrument of the faith, but how it could also become a divulgative vehicle with a great doctrinal charge of the ideas that were being debated in literary circles.resumen:El movimiento inmaculista constituyó uno de los episodios más proteicos y sugestivos de la Sevilla del primer Barroco. La literatura, y en concreto la poesía, no quedó al margen de la importancia concedida a las artes en el desarrollo de este fenómeno religioso y sociológico, como queda patente en el Escuadrón humilde de Rodrigo Fernández de Ribera; la obra parece testimoniar que la poesía no sólo fue un instrumento festivo y apologético en favor de la piadosa creencia, sino que también pudo convertirse en vehículo divulgador con una gran carga doctrinal y en altavoz en clave estética de las corrientes de opinión que se debatían en los círculos letrados.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84018945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Luque Fajardo y la beatificación de san Ignacio de Loyola (1610): campo cultural e imagen autorial / Luque Fajardo and the beatification of Saint Ignatius of Loyola (1610): cultural field and authorial image","authors":"Tania Padilla Aguilera","doi":"10.5325/caliope.25.2.0149","DOIUrl":"https://doi.org/10.5325/caliope.25.2.0149","url":null,"abstract":"abstract:The Relación de la fiesta que se hizo en Sevilla a la beatificación del glorioso san Ignacio... (Seville, 1610) is an occasional text that clearly reflects the propaganda mechanisms of the time. Luque Fajardo’s description of the festivals and the event held create the appropriate context for a text that bears many similarities with some of its previous models. However, its unifying character is novel and will serve as a model for subsequent religious celebrations. Precisely because of its particular circumstantial character, an approach from the point of view of the sociology of literature is especially pertinent.resumen:La Relación de la fiesta que se hizo en Sevilla a la beatificación del glorioso san Ignacio… (Sevilla, 1610) es un texto circunstancial que refleja claramente los mecanismos propagandísticos de la época. La descripción de las fiestas realizada por Luque Fajardo y el certamen celebrado crean el contexto propicio para un texto que guarda numerosas semejanzas con algunos de sus referentes precedentes. Sin embargo, su carácter aglutinador resulta novedoso y servirá como referente para posteriores celebraciones religiosas. Precisamente por su particular naturaleza circunstancial, una aproximación desde el punto de vista de la sociología de la literatura resulta especialmente pertinente.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81638914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Poesía y ciudad: la Sevilla del primer Barroco / Poetry and city: the Seville of the first Baroque","authors":"Carlos M. Collantes Sánchez, Carlos M. Clara Marías","doi":"10.5325/caliope.25.2.00iv","DOIUrl":"https://doi.org/10.5325/caliope.25.2.00iv","url":null,"abstract":"Preludiar una obra monográfica acerca de la poesía sevillana de finales del siglo XVI y prin­ cipios del XVII es transitar por una ciudad y una lírica aún en su esplendor: una Sevilla todavía bañada por el oro indiano y coronada como “la capital intelectual y económica de la nación” (Domínguez Ortiz 16), y una poesía bajo la influencia del lenguaje poético del “Divino” Herrera y abierta al influjo del horacianismo que ganaba terreno por entonces. La crítica ha iluminado este paisaje de la historiografía literaria desde una multitud de perspectivas. La erudición decimonónica de Quintana y Menén­ dez Pelayo sentó las bases, pero fue a partir del ensayo chauvinista de Lasso de la Vega (“Historia y juicio crítico”) cuando se acuñó el marbete de “Escuela poética sevillana”, concepto posteriormente superado por Bonnaville (“Sobre la poesía”) y, en tiempos más cercanos, por Begoña López Bueno (“Las es­ cuelas poéticas españolas”). A través de los Encuentros internacionales que tradicionalmente organiza el Grupo P.A.S.O. (Poesía Andaluza del Siglo de Oro) se ha clarificado y definido el concepto de la “Idea” de la poesía áurea se­ villana, principalmente en tres de ellos: en el de 1996 dedicado a “Las Anotaciones de Fernando de Herrera”; en el 2010 referido al mencionado concepto de la “Idea” de la poesía sevillana; y en el último Encuentro celebrado en 2019, en el que se retomó el pulso a este tema con motivo del “IV centenario de los Versos de Herrera (1619). 50 años de poesía sevillana (1580–1630)”. Como una consecuencia inherente a la luz cuando un cuerpo se opone a su trayectoria, los estudios de la crítica que han iluminado este camino han creado sombras que todavía están por explorar. El cometido de los trabajos que aquí se presentan es transitar unos géneros poéticos y unos autores que se encuentran en la periferia del campo literario entre los siglos XVI y XVII. La historia aquí contenida no aborda la centralidad de la problemática de la poé­ tica del momento dirimida entre escuelas y polémicas, sino esa otra realidad más olvidada por la historiografía literaria, centrada en una poesía circuns­ tancial creada para llegar al gran público. Del mismo modo que el esplendor de la Sevilla del primer tercio del siglo XVII se vio oscurecido por el azote de la peste y por otras enfermedades en­ démicas a la monarquía española como la corrupción y el despilfarro, la poesía sevillana a la sazón se encontraba en un momento de tránsito. Frente a un CARLOS M. COLLANTES SÁNCHEZ Y CLARA MARÍAS","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82027387","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Honesto y entretenido sarao (Primera y segunda parte) ed. by Julián Olivares (review)","authors":"Emre Özmen","doi":"10.5325/caliope.25.2.0260","DOIUrl":"https://doi.org/10.5325/caliope.25.2.0260","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84139761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Escritoras monjas. Autoridad y autoría en la escritura conventual femenina de los Siglos de Oro by Julia Lewandowska (review)","authors":"Anna Działak-Szubińska","doi":"10.5325/caliope.25.2.0270","DOIUrl":"https://doi.org/10.5325/caliope.25.2.0270","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91297081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Logodaedalus: Word Histories of Ingenuity in Early Modern Europe by Alexander Marr et al. (review)","authors":"Bradley J. Nelson","doi":"10.5325/caliope.25.2.0256","DOIUrl":"https://doi.org/10.5325/caliope.25.2.0256","url":null,"abstract":"Logodaedalus is an enlightening and often surprising historical and cultural lexicography of ingenuity and genius in early modern Europe. The express intent of the four authors is to provide an “antiteleological” prehistory of the Romantic concept of “genius” by following the uneven and unpredictable— contradictory even—development of meanings and functions of terms such as ingenuity, genius, wit, ingenio, ésprit, ingegno, Sinn, and the like. By focusing on the “particularity,” “peculiarity,” and “dynamism” of language and practices related to and emanating from the Latin ingenium, Marr, Garrod, Marcaida and Oosterhoff demonstrate the creative power of a philological method that maps the historical situatedness and complexity of etymological, artistic-literary, and philosophical instantiations of the terms in question: “It is a kind of philology that seeks to show how significant words produced meaning in history and as history” (2). At the same time, the lexicographical framework successfully challenges statistically driven, “big data” conclusions through its intraand intercultural analyses of distinct iterations in a wide array of texts. In fact, the entire enterprise could itself be called ingenious, since dividing the lexical terrain between “keywords” that display a “family resemblance” and other verba that are merely “neighbors” requires judgment rather than brute numbers, which places the scholarship of the authors inside the realm of ingenuity (5). One of the central plot lines of Logodaedalus is that the Romantic understanding of genius can be traced back to the lexicography of ingenium rather than genius. The cultural-semantic field of ingenuity moves around and through a changeable group of specific characteristics that normally includes “natural inclination, creative potential, craft talent, or mental agility” (5) and organizes itself around “four axes of meaning: moral, cognitive, presentational, and artificial” (7). When different characteristics are considered in light of these B O O K R E V I E W S","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83637011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"On Sandoval Zapata’s Lyric Transformations","authors":"Christopher D. Johnson","doi":"10.5325/caliope.25.1.0001","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0001","url":null,"abstract":"abstract:This article examines how the lyric poetry of Luis de Sandoval Zapata transforms different kinds of matter: literary, natural, and spiritual. It shows how Sandoval Zapata’s verse converges with novohispano festive culture, even as it serves as a subtle vehicle for pondering questions concerning mortality, temporality, and the mutable nature of substance. His sonnet dedicated to the Virgen de Guadalupe is read as resolving these questions. It is also compared to efforts by Miguel Sánchez, Carlos de Sigüenza y Góngora, and Sor Juana Inés de la Cruz to represent María. Lyric distillation and encyclopedic dilation thus form a polarity that fuels seventeenth-century creole thought and expression.resumen:Este artículo examina cómo la poesía lírica de Luis de Sandoval Zapata transforma diferentes tipos de materia: literaria, natural y espiritual. Muestra cómo el verso de Sandoval Zapata converge con la cultura festiva Novohispana, a la vez que sirve como un vehículo sutil para reflexionar sobre cuestiones relacionadas con la mortalidad, la temporalidad y la naturaleza mutable de la sustancia. Su soneto dedicado a la Virgen de Guadalupe se lee como la resolución de estas preguntas. También se compara con los esfuerzos de Miguel Sánchez, Carlos de Sigüenza y Góngora y Sor Juana Inés de la Cruz para representar a María. Así, la destilación lírica y la dilatación enciclopédica forman una polaridad que alimenta el pensamiento y la expresión criolla del siglo XVII.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87327088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Beauty of Holiness: Architectural Representations of the Temple of Jerusalem in Spanish Golden Age Poetry","authors":"Laurie Kaplis-Hohwald","doi":"10.5325/caliope.25.1.0078","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0078","url":null,"abstract":"abstract:This essay is a comparative analysis of three texts of major poets of Spain’s Golden Age: Luis de Góngora, Lope de Vega, and Juan de Jáuregui. The poets worked with a common trope, sharing a worldview that blended themes of Hebrew kingship with the Spanish Habsburg dynasty. The poems are based on the concept of Spanish Solomonism, and are related by inventive, and very different, evocations of the Temple of Jerusalem as the seat of Christian monarchy, holiness, and visual beauty.resumen:Este ensayo compara textos de tres maestros poéticos del Siglo de Oro: Luis de Góngora, Lope de Vega y Juan de Jáuregui. Cada poeta partió de un tropo común, compartiendo una perspectiva que asociaba la monarquía hebrea de la antigüedad con la dinastía Habsburgo. Los poemas se basan en el concepto del Salomonismo español pero presentan evocaciones muy distintas del Templo de Jerusalén como sede de la monarquiía cristiana y fuente de belleza y santidad.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74681231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Sounding the Feminine in Sor Juana’s Villancicos to St. Catherine of Alexandria (1691)","authors":"Sara Finley","doi":"10.5325/caliope.25.1.0024","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0024","url":null,"abstract":"abstract:This article attends to intersections of auditory and feminine tropes in Sor Juana’s villancicos for St. Catherine. The purpose is to draw out resonances among sonori-ties related to the Alexandrine saint and representations of learned women elsewhere in the poet’s writing. My central argument is that aurality in the St. Catherine cycle deepens the defense of women’s learning and also relates to female exemplarity and agency. Broadly, the study engages the auditory turn in literary and cultural studies and lends a sonorous perspective to discussions of knowledge and gender in Sor Juana’s oeuvre.resumen:El presente ensayo examina las intersecciones de tropos auditivos y femeninos en los villancicos a Santa Catarina de Sor Juana Inés de la Cruz. El propósito es subrayar resonancias entre los sonidos asociados a la santa alejandrina y representaciones de mujeres letradas en otros escritos sorjuaninos. Mi planteamiento central es que referencias al sonido en este ciclo extienden la defensa del aprendizaje de la mujer y también se relacionan con la ejemplaridad y agencia femeninas. En un terreno más extenso, la interpretación responde a la corriente auditiva en los estudios culturales y literarios y aporta una perspectiva sonora a debates sobre la intersección de conocimiento y género en la obra de Sor Juana.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75033563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El «Cancionero de la Corte de Carlos V» y su autor, Luis de Ávila y Zúñiga by Nancy F. Marino (review)","authors":"Ignacio García Aguilar","doi":"10.5325/caliope.25.1.0120","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0120","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82972515","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}