Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry最新文献

{"title":"Luis de Góngora and Lope de Vega, Masters of Parody by Lindsay G. Kerr (review)","authors":"R. J. McCaw","doi":"10.1353/mlr.2019.0204","DOIUrl":"https://doi.org/10.1353/mlr.2019.0204","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77953146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Rebolledo, Un Poeta Ante La Imprenta = Rebolledo, A Poet at the Printing Press","authors":"P. R. Pérez","doi":"10.5325/CALIOPE.23.2.0165","DOIUrl":"https://doi.org/10.5325/CALIOPE.23.2.0165","url":null,"abstract":"RESUMEN:El aristócrata y diplomático Bernardino de Rebolledo frecuentó regularmente la imprenta para dar cauce a sus versos y materialidad a su articulación en libros. De manera más singular, revisa el proceso para conformar unas obras completas, caso de gran novedad en España. Para un escritor de perfil amateur, el horizonte de la imprenta y de un mercado sin la presión de las necesidades económicas muestra, con las distintas opciones editoriales y su regularidad, la distancia entre la práctica oral y cortesana del verso y su materialización en libro de poesía, un obstáculo y un trampolín para el desarrollo de la noción de poeta y la conciencia autorial.ABSTRACT:Aristocrat and diplomat Bernardino de Rebolledo regularly resorted to the printing press to disseminate his verses and materially shape them in books. More idiosyncratically, indeed a novelty in Spain at the time, he also reviewed the process that lead to the publication of his complete works. As an amateur writer, his use of the printing press and his entering the book market were remarkably free of economic reasons. The publication of Rebolledo's works illustrates the distance between the oral, courtly practice of poetry and its materialization in a book, a process that stands both as an obstacle and a springboard in the development of authorial conscience and of the idea of poet.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74597978","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Francisco de Castilla, Boethius and the Search for True Happiness","authors":"Ricardo Huamán","doi":"10.5325/CALIOPE.23.1.0035","DOIUrl":"https://doi.org/10.5325/CALIOPE.23.1.0035","url":null,"abstract":"ABSTRACT:Francisco de Castilla published his treatise on the virtues, Teórica de virtudes, in 1518. The influence of Boethius' most famous work, De consolatione philosophiae, on medieval literature and imagery is well known. The connection of the four poems in Teórica to Boethius has not been studied. This lack of attention may be due solely to an ignorance of Castilla's poetic output. Castilla's case is noteworthy because he mentions Boethius by name several times, recreates De consolatione philosophiae in \"Diálogo entre la Miseria humana y el Consuelo\" and includes Lady Philosophy as a character in \"Inquisición de la felicidad.\" This work investigates the relationship between De consolatione and Teórica and how Castilla learns to express the finding of true happiness in Boethian terms.RESUMEN:Francisco de Castilla editó su tratado sobre las virtudes, Teórica de virtudes, en 1518. La influencia de la obra más famosa de Boecio, De consolatione philosophiae, en la literatura e imaginería medieval es bien conocida. La conexión entre los cuatro poemas de Teórica con Boecio no se ha estudiado. Esta falta de atención tal vez se deba solamente a una ignorancia de las obras poéticas de Castilla. El caso de Castilla es notable porque él nombra a Boecio varias veces, recrea De consolatione philosophiae en \"Diálogo entre la Miseria humana y el Consuelo\" e incluye a Filosofía como personaje en \"Inquisición de la felicidad.\" Este trabajo investiga la relación entre De consolatione y Teórica y cómo Castilla aprende a expresar la localización de la verdadera felicidad en términos boecianos.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88671203","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Un soneto de Cervantes a san Francisco = A Sonnet by Cervantes to St. Francis","authors":"J. Palomares","doi":"10.5325/CALIOPE.23.1.0061","DOIUrl":"https://doi.org/10.5325/CALIOPE.23.1.0061","url":null,"abstract":"ABSTRACT:Among poetic compositions dedicated to St. Francis of Assisi in Jardín espiritual (1585) of Pedro de Padilla, there is, as is known, a sonnet by Miguel de Cervantes (\"Muestra su ingenio el que es pintor curioso\"), that has been little studied from a pictorial perspective. Indeed, the inventio of Cervantean composition derives from the Horatian dictum \"ut pictura poesis\" (Ad Pis., 361), applied to the topic of Deus pictor, but the originality of the laudatio is that does not remark platitudes of the Franciscan hagiography but that urges the saint as a pictura traced by ars divina and, by extension, as a microcosmic imago of Christ. In this paper we focus on the elocutive analysis of the poem, and we try to demonstrate his rhetorical design. The pictorial vocabulary is also related to several texts of the Augustinian Fray Luis de León, whose presence in the poem is postulated as a hypothesis. In the sonnet, in brief, \"la historia, la poesía y la pintura simbolizan entre sí\" (Persiles, III, 14).RESUMEN:Entre las composiciones poéticas dedicadas a san Francisco de Asís en el Jardín espiritual (1585) del carmelita linarense fray Pedro de Padilla, figura, como es sabido, un soneto de Miguel de Cervantes (\"Muestra su ingenio el que es pintor curioso\") que apenas ha sido abordado desde una perspectiva pictórica. En efecto, la inventio de la composición cervantina deriva del dictum horaciano \"ut pictura poesis\" (Ad Pis., 361), aplicado al tópico del Deus pictor, pero la originalidad de la laudatio radica en que no glosa lugares comunes de la hagiografía franciscana sino en que encarece al santo en tanto que pictura trazada por una ars divina y, por extensión, como imago microcósmica de Cristo. En esta contribución nos centramos en un análisis elocutivo del poema que intenta demostrar su diseño retórico. Asimismo, se relaciona el léxico pictórico con varios textos del agustino fray Luis de León, cuya presencia en el poema se postula como hipótesis. En el soneto, en suma, \"la historia, la poesía y la pintura simbolizan entre sí\" (Persiles, III, 14).","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81312202","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Reading Góngora's habla de negros in a Literary Attack Poem","authors":"M. J. Kelley","doi":"10.5325/CALIOPE.23.1.0115","DOIUrl":"https://doi.org/10.5325/CALIOPE.23.1.0115","url":null,"abstract":"ABSTRACT:This article interprets and contextualizes Góngora's 1609 burlesque, black-talk sonnet \"A la Jerusalén conquistada que compuso Lope de Vega.\" A translation into English illuminates the poem's sense: a black reader critiques Lope's epic and alludes to an African epic superior to the Jerusalén. After clarifying Góngora's words, I argue that his implied reader recognizes black talk as an invitation to laughter at and derision of black Africans. The study then focuses specifically on black oppression related to literary composition and shows how Góngora's sonnet affirms exclusivity for white male authors. To this end, I establish parallels between Góngora's sonnet and writing by and about Juan Latino, the sixteenth-century black author of epic poetry in Latin who challenged white authorial exclusivity and became a frequently invoked exception to the rule as well as a target for racist stereotyping.RESUMEN:Este artículo interpreta y contextualiza el soneto burlesco \"A la Jerusalén conquistada que compuso Lope de Vega\", en que Góngora se sirve del habla de negros. Una traducción al inglés revela el sentido: un lector negro critica la epopeya de Lope y se refiere a un poema épico de autor africano superior a la Jerusalén. A continuación, la discusión propone que el lector implícito reconoce el habla de negros como invitación a la risa burlona dirigida al negro africano. Finalmente, el estudio se enfoca en la opresión del negro en el contexto de la producción literaria y demuestra cómo el soneto de Góngora apoya la exclusividad para el autor blanco. El poema logra este fin a través de unos paralelismos oportunos al fenómeno histórico de Juan Latino, autor negro de una epopeya latina de finales del siglo XVI, quien llegó a representar la excepción que confirma la regla además de ser objeto de ataques racistas.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84197856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El epíteto en la Grandeza Mexicana de Bernardo de Balbuena = The Epithet In the Grandeza Mexicana by Bernardo de Balbuena","authors":"E. Ávalos","doi":"10.5325/CALIOPE.23.1.0077","DOIUrl":"https://doi.org/10.5325/CALIOPE.23.1.0077","url":null,"abstract":"ABSTRACT:Within the framework of Spanish American mannerism, this article explores the function and variety of epithets found in Bernardo de Balbuena's Grandeza Mexicana (1604). This work examines the classical epithets in the poem based on their role in the construction of a hyperbolic image of Mexico City and its representation as a central figure of the world. This study also focuses on the role of the epithets in the articulation of metaphors and concettos that cause the argument to unfold into multiple meanings. This analysis shows how the epithets serve as \"decoders\" of various hidden concepts (conceits) that reveal the complexity of a multidimensional message, both political and artistic.RESUMEN:En el marco del manierismo hispanoamericano este artículo explora la función y variedad de epítetos encontrados en la Grandeza Mexicana (1604) de Bernardo de Balbuena. Los epítetos clásicos son estudiados a partir de su papel en la construcción de la imagen enaltecedora de la Ciudad de México y en su reposicionamiento como figura central del mundo. Asimismo, se examina la importancia de los epítetos conceptistas en la articulación de metáforas y concettos, donde el argumento del poema se desdobla en múltiples significados. Este análisis muestra cómo los epítetos sirven como \"decodificadores\" de diversos conceptos subrepticios que nos hablan de la complejidad de un mensaje multidimensional, tanto político como artístico.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86034294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“La décima musa portuguesa” and Her Soledades de Buçaco: Gendered Landscape Poetry Dedicated to the Nuns of Santo Alberto","authors":"Valerie Hegstrom","doi":"10.5325/CALIOPE.22.2.0145","DOIUrl":"https://doi.org/10.5325/CALIOPE.22.2.0145","url":null,"abstract":"ABSTRACT: In 1634, Bernarda Ferreira de Lacerda, known as “la décima musa portuguesa,” published Soledades de Buçaco to celebrate the Carmelite “desert” of Bussaco, an enclosed forest inhabited by monks and located in central Portugal. Although a papal order excluded women from entering Bussaco, through her poems, Lacerda reveals the forbidden space to the nuns of Lisbon’s Convento de Santo Alberto, to whom she dedicates her book. Her poems gender the landscape of Bussaco as feminine by invoking the founding mother of the order, cataloging the flora and fauna and thereby emphasizing the fertility of the place, personifying the hillside as female, and alluding to the Song of Songs, thus making Bussaco both the Soul and the setting of the mystical union. RESUMEN: En 1634, Bernarda Ferreira de Lacerda, conocida como “la décima musa portuguesa,” publicó Soledades de Buçaco para celebrar el “desierto” carmelita de Bussaco, un bosque encerrado y habitado por monjes, localizado en el centro de Portugal. A pesar de que una bula papal impidió que las mujeres entraran en Bussaco, a través de sus poemas, Lacerda les revela el espacio prohibido a las monjas del Convento de Santo Alberto de Lisboa, a quienes dedica su libro. Sus poemas transforman el género del paisaje de Bussaco en femenino al invocar a la fundadora de la orden, catalogar la flora y fauna y así enfatizar la fertilidad del lugar, personificar el monte como mujer y aludir al Cantar de los cantares, de este modo haciendo de Bussaco tanto el Alma como el escenario de la unión mística.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80091489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Sor Juana, doctora en Teología: la sabiduría y el conocimiento en los villancicos de 1676/Sor Juana, Doctor in Theology: Wisdom and Knowledge in the villancicos of 1676","authors":"Elena Deanda-Camacho","doi":"10.5325/CALIOPE.22.2.0191","DOIUrl":"https://doi.org/10.5325/CALIOPE.22.2.0191","url":null,"abstract":"ABSTRACT: Sor Juana Inés de la Cruz fought not only for women’s right to education but also for public recognition of their intelligence. This essay locates the inception of her fight in her first suite of villancicos from 1676 written in honor of the Assumption of Mary. In this suite Sor Juana inaugurates her own Marian sapiential theology. In her theology Sor Juana most often juxtaposes herself to the female figures of Wisdom and the Virgin Mary. She makes the Virgin Mary embody Wisdom and also makes her a doctor of theology. In doing the latter, she imprints her own situation upon the work since she too was a theologian—at least in practice. Nonetheless, to dissolve any hints of heresy, she defines wisdom as a divine attribute and knowledge as an acquired understanding. Overall, Sor Juana uses herself and the two most important female figures of Christianity to project the image of an intelligent woman in Mexico’s cathedral and thus validates the case for women’s rights to education. RESUMEN: Sor Juana Inés de la Cruz luchó por el acceso a la educación de la mujer y el reconocimiento público de su inteligencia. Este ensayo localiza la matrix de esta lucha en su primera suite de villancicos de 1676 dedicados a la Asunción de María. En esta suite sor Juana despliega el germen de su teología marianista y sapiencial al yuxtaponer sobre sí misma, las figuras de la Virgen María y la Sabiduría. Sor Juana hace que la figura mariana encarne a la Sabiduría y a una doctora en teología y al hacer esto, se inscribe en el texto en tanto ella era también una teóloga, al menos en la práctica. Sin embargo, para evitar toda herejía, sor Juana delimita las fronteras entre lo humano y lo divino al considerar la sabiduría cualidad divina y el conocimiento producto adquirido. Al proyectar la imagen de la mujer letrada en la catedral metropolitana, sor Juana busca acostumbrar a la feligresía y al clero a ver a las mujeres como seres inteligentes y validar así su reclamo a la educación de la mujer.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84843524","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Poetry As/And Community: The Verses of Two Spiritual Daughters of St. Teresa","authors":"Stacey Schlau","doi":"10.5325/CALIOPE.22.2.0119","DOIUrl":"https://doi.org/10.5325/CALIOPE.22.2.0119","url":null,"abstract":"ABSTRACT: María de San José (Salazar) and Ana de San Bartolomé’s poetry echoed Saint Teresa of Ávila’s actions, beliefs, and literary style, while also articulating a link to their time and place in (and, as nuns, dead to) the world, and to the monastic communities to which they dedicated themselves. María de San José’s verses portray the daily life, interests, obstacles to, and methodologies of the new Discalced Carmelite convents. Dramatically representing joy and challenges, internal and external, her poems convey a militant defense of her spiritual mother’s reform. Less elaborated than María de San José’s, Ana de San Bartolomé’s extant poems reflect sixteenth-century cultural expression in its broadest sense. She expresses the Discalced Carmelite concern with an intimate relationship with the divinity and the desire to inculcate the reformed Order’s way of life. Her verses elaborate a mystical bent, as well as a profound sense of monastic community. RESUMEN: La poesía de María de San José (Salazar) y de Ana de San Bartolomé refleja las acciones, creencias y estilo de Teresa de Ávila. Al mismo tiempo se vincula con la época y lugar en (y, como monjas, muertas a) el mundo, además de la comunidad a que se dedicaron. Los versos de la primera retratan la vida cotidiana, los intereses, los obstáculos y la metodología de los nuevos conventos de Carmelitas Descalzas. Representan la alegría y los desafíos, y elaboran una defensa de la reforma teresiana. Menos adornados que los poemas de María de San José, los de Ana de San Bartolomé reflejan la expresión cultural del siglo dieciséis en general. Expresan la preocupación carmelitana con una relación íntima con la divinidad y el deseo de enseñar la manera de ser de la Orden reformada. Sus versos son místicos, al mismo tiempo que conllevan un profundo sentido de comunidad monástica.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79149033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Visibilidad autorial y competencia de las escritoras en justas poéticas de la primera Edad Moderna española/Female Writers’s Authorial Visibility and Competence in the justas poéticas of Early Modern Spain","authors":"M. Pérez","doi":"10.5325/CALIOPE.22.2.0063","DOIUrl":"https://doi.org/10.5325/CALIOPE.22.2.0063","url":null,"abstract":"ABSTRACT: This paper studies women’s participation in poetry contests during the seventeenth century, based on the information provided by printed chronicles and the information that these chronicles include about the way in which women intervened in these cultural events. We analyze the conditions in which this participation took place, the opinion of contemporaries about the poems, and how the context of competitiveness redefined some concepts in the relationship between genders. The final objective is to reach conclusions about the impact that this socio-literary phenomenon had on the authorial visibility of women writers in the Early Modern Age. RESUMEN: Este artículo estudia la participación femenina en justas poéticas en el siglo XVII, a partir de la información proporcionada por las crónicas impresas conservadas y los datos que estas contienen sobre la forma en la que las mujeres intervenían en estos eventos culturales. Se analiza, a partir de esta información, las condiciones en la que se producía esta participación, el juicio de los coetáneos sobre sus poemas, y cómo el contexto de competitividad y premio redefinía en algunos conceptos la relación entre géneros. El objetivo final es establecer conclusiones sobre el impacto que este fenómeno socio-literario tuvo para la visibilidad autorial de las mujeres escritoras en este período de la primera Edad Moderna.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86417817","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}