Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities最新文献_第6页

Sharing For Caring: Sharing and Preserving Gumelem Batik 分享关爱:分享和保存古姆蜡染

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0009982705630567

Nurul Friskadewi

引用次数: 0

Internalization of Wirasa in the Body Processing for Role-playing in the Yogyakarta-style Dance 日惹风格舞蹈角色扮演身体加工中Wirasa的内化

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008544600290036

.. Sarjiwo

{"title":"Internalization of Wirasa in the Body Processing for Role-playing in the Yogyakarta-style Dance","authors":".. Sarjiwo","doi":"10.5220/0008544600290036","DOIUrl":"https://doi.org/10.5220/0008544600290036","url":null,"abstract":"The quality of one’s being a dancer is said to be good if all three of the aspects here termed wiraga, wirama, and wirasa are able to be internalized in the person of the dancer concerned. The wirasa aspect that has as its source Joged Mataram and, therefore, consists of four elements, namely, sawiji (implying concentration), greged (implying spiritedness), sengguh (implying self-confidence), and ora mingkuh (implying never giving up). The method called mejed, which is for correcting the positioning of body parts by touching is very much required. Improvement in wirasa quality could not be done instantly. Sincerity is needed in exercises related to the wiraga and wirama aspects. The reason is that improvement in wirasa quality is highly related to the process of improvement in quality of both wiraga and wirama. Integrated mastery and application of the various rules could improve wirasa quality. Improvement in bodily quality is done through three forms of processing the body, namely, the one using as guide the traditional dance techniques, the one whose purpose is to improve stamina and elasticity, and the one whose purpose is to improve sensitivity in body and feeling with the process of exercise in the open in nature.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114996335","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Why Heavy Metal?: A Sound of Guitar Study in Dangdut 为什么是重金属?:丹都的吉他之声

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008763202640271

Catur Surya Permana, Ferry Matias, Ahmad Hidayat

{"title":"Why Heavy Metal?: A Sound of Guitar Study in Dangdut","authors":"Catur Surya Permana, Ferry Matias, Ahmad Hidayat","doi":"10.5220/0008763202640271","DOIUrl":"https://doi.org/10.5220/0008763202640271","url":null,"abstract":": Rock-dangdut was first known and stretched by dangdut singer and guitar player named Rhoma Irama. He was carrying the dangdut idea and the nuances of electric guitar distortion in the 1970’s and succeeded in changing dangdut from Malay dangdut to dangdut rock, also initiated by the arrival of bands and rock music in the “Orde Baru” era. He was motivated and sparked the idea of Dangdut Rock through his guitar concept and the distortion he used, namely Heavy Metal. This also made the dangdut rock identity which is judged by heavy metal guitar sound. This study will help us explore and examine the quality of dangdut guitar sound, which is up until now still has the same color and cannot be replaced with other sounds (guitar). The aesthetics of heavy metal sound colors that have been attached through decades from its appearance in the 1970’s until now 2019, still provide a big mystery, and the sound provides a basic perspective of society in assessing dangdut rock music. This study uses literature references, newspaper sources, audio sources, videos and interviews that are mixed into descriptive explanations. It used descriptive qualitative method, with a musicology approach, music history, and cultural studies. The writer hoped that this research can provide an overview of the quality of guitar sound on dangdut music, and provide an exposure to the intentions of the heavy metal sound were used.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130203941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Influence of Chinese Palindrome Poem on Musical Structure 汉语回文诗对音乐结构的影响

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0009446805050511

Wang Haiyue, Lee Chie Tsang Isaiah

引用次数: 0

Analysis of the Main Character Changes through Mise-En-Scene in the Movie "Maleficent" 浅析电影《沉睡魔咒》中人物的场景变换

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008764203220329

D. Setyawan, Raden Roro Ari Prasetyowati, Silvia Loren Kurniasih

{"title":"Analysis of the Main Character Changes through Mise-En-Scene in the Movie \"Maleficent\"","authors":"D. Setyawan, Raden Roro Ari Prasetyowati, Silvia Loren Kurniasih","doi":"10.5220/0008764203220329","DOIUrl":"https://doi.org/10.5220/0008764203220329","url":null,"abstract":": Main character Change analysis research through Mise-en-Scene in the Film \"Maleficent\" aims to describe how the main character, the Mise-en-scene aspect affects the most changes experienced by the character The film. The research uses the Harymawan theory of the three-dimensional figure, Brodwell and Thompson, and the theory of character change by Lajos Egri to analyze the data in more detail. The research method used is the analysis of qualitative descriptive data with a focus on changes in the main character. Judging from the mise-en-scene aspect, if mise-en-scene is able to prove the character changes that occur to the main character or not at all. The data retrieval techniques used are observations or observations directly on the film as key research materials. The conclusion of the research showed that the main character had a three-time change in the characters from the character, the protagonist, the antagonist then returned to the protagonist. The mise-en-scene aspect of Maleficent shows and supports a valid character change in the main characters. The process of causing Maleficent changes that are supported with the aspect of Mise-en-Scene makes the main character Maleficent to be a more unique character and magnetize.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130071582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Representations of Diponegoro after Arbitrary Interpretations 任意诠释后的狄波尼哥罗的表现

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008544700370043

M. D. Marianto, Nur Sahid, .. Purwanto

{"title":"Representations of Diponegoro after Arbitrary Interpretations","authors":"M. D. Marianto, Nur Sahid, .. Purwanto","doi":"10.5220/0008544700370043","DOIUrl":"https://doi.org/10.5220/0008544700370043","url":null,"abstract":": This research is to investigate how Prince Diponegoro - one of the National Heroes in the Republic of Indonesia - is presented in visual works either in two or three-dimensional media. Of the various vernacular expressions scattered in many places in Yogyakarta, it can be said that Diponegoro - the eldest son of Sultan Hamengkubuwono III of the Yogyakarta Sultanate - was presented in various expressions, which seemed to be based on arbitrary interpretations and arbitrary conception. . This research was conducted by first observing Diponegoro's drawings from a number of works - paintings, sculptures, and reliefs - then observing again using visual data and historical texts from official sources that can be accessed by the public. Each selected artwork is considered a sign; its signifier is analyzed, interpreted, and assessed to answer research questions. In general, there are many interpretations of Diponegoro, causing many perceptions, about Diponegoro. Based on the findings obtained, it can be said that the representation of Diponegoro in various visual works have developed in such an arbitrage, even from what is symptomatic can be said to have shown the symptoms of anarchism.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128828555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Dance Literacy within Sholawatan Emprak Mbangkel Yogyakarta

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008556401590166

W. Udasmoro, G. R. L. Simatupang, D. Ambarwati

{"title":"Dance Literacy within Sholawatan Emprak Mbangkel Yogyakarta","authors":"W. Udasmoro, G. R. L. Simatupang, D. Ambarwati","doi":"10.5220/0008556401590166","DOIUrl":"https://doi.org/10.5220/0008556401590166","url":null,"abstract":": In this paper, we focus our attention to dance literacy as demonstrated by the dancers of Sholawatan Emprak in Mbangkel Yogyakarta; how the transfer of knowledge about Emprak dance took place and how the dancers practiced the knowledge into dancing. Their articulation as well as the observation upon the trainings in October – December 2018 would be the utmost significant ethnographic data of this article in order to extend the pathways of their bodily experiences. Field notes and documentation were also collected during this research. As observed, no one took either a formal study in dance or any private dance courses. They acquired the dance understanding via oral transmission from the leading dancer whom is a 77-year old man whilst the bodily practices were produced from how they imitated the leader. Furthermore, the aesthetic qualities were not so much into their consideration due to undemanding attitude upon a stage performance. Nevertheless, these villagers managed to do regular practices and showcase their ability in doing Emprak dance including in the Yogyakarta Provincial Office of Cultural Affairs. As they stayed unique in their ways learning Emprak dance, they acknowledged themselves that they were dancers. Such phenomenon has, we believe, contributed to the world of dance that dance literacy could be achieved outside the formality as in schools.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133570902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Cultural Sustainability: A Case Study of the Dying Art on Batik Block in Malaysia 文化可持续性:马来西亚蜡染砖濒死艺术个案研究

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008545800780081

Faradiba Liana Naser, Hanif Khairi

{"title":"Cultural Sustainability: A Case Study of the Dying Art on Batik Block in Malaysia","authors":"Faradiba Liana Naser, Hanif Khairi","doi":"10.5220/0008545800780081","DOIUrl":"https://doi.org/10.5220/0008545800780081","url":null,"abstract":"Traditional batik block in Malaysia is the country’s heritage and treasure. However, it has slowly faded nearing extinction, particularly in the east coast region of Malaysia. The uniqueness of a batik block is very much relies on its pattern that is championed by a master craftsman called the master block maker. Currently, not many master block makers are left in Malaysia with only few remaining in the east coast. This finding raised the question of batik block being considered as a dying art which needs cultural awareness and recognition. A qualitative study was conducted to identify the dying art of block making in Malaysia. In depth interviews was conducted with two block making experts in the state of Kelantan and Terengganu. The transcribed data of the interview sessions were then analysed using thematic analysis, and it was found that there are four major themes involved in the issue of the craft’s dying art which are: consistent, human factors, batik community and initiatives. These factors plays major role in the conservation of the art of batik block in Malaysia. From the findings, it is hope that the art of block making will continue to flourish thus enhancing the appreciation and sustaining the valuable traditional culture of Malaysia.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"76 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123282926","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Research on the Application of Creative Fabric Design in Street Culture Clothing Design 创意面料设计在街头文化服装设计中的应用研究

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0009446905120516

Ning Zhang, Eakachat Joneurairatana

引用次数: 0

The Performance of Theatre Mixed Text “Pembayun”: Open Boundary of Mise Ēn Scène and Its Meaning 戏剧混合文本《彭巴云》的表演:Mise的开放边界Ēn sc<e:1>及其意义

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008763602920295

.. Yudiaryani, Hirwan Kuardhani

{"title":"The Performance of Theatre Mixed Text “Pembayun”: Open Boundary of Mise Ēn Scène and Its Meaning","authors":".. Yudiaryani, Hirwan Kuardhani","doi":"10.5220/0008763602920295","DOIUrl":"https://doi.org/10.5220/0008763602920295","url":null,"abstract":"The Performance of Pembayun applies collaboration of performatively traditional and modern elements that form a mise en scène uniquely belongs to the group of Lembaga Teater Perempuan Yogyakarta, Yogyakarta Woman Theater. Theatrical contemporary performance requires a new form that is not only to revitalize tradition, but also to be closer and more reflecting to the needs of spectators. Pembayun is reflected as a multicultural performance from modern culture, the Mini Kata, and Javanese culture, Bedhaya Dance. The performance, presented at the crossing of ways of the culture and of artistic practices, creates an hybridization of tradition. There are three idioms from different cultures, i.e. Bedhaya Javanese Dance, the Mini Kata spontaneous gestures, and the gender ideology. Bedhaya has a pattern as well as choreography standard. Mini Kata produces an acting system of improvisation. The ideology of gender becomes an instrument for blending the mise en scène of the Bedhaya and the Mini Kata. The performance of Pembayun is a mixture of work with a controlled result yet still tied to the source of tradition.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121644587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0