Dance Literacy within Sholawatan Emprak Mbangkel Yogyakarta

W. Udasmoro, G. R. L. Simatupang, D. Ambarwati
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Abstract

: In this paper, we focus our attention to dance literacy as demonstrated by the dancers of Sholawatan Emprak in Mbangkel Yogyakarta; how the transfer of knowledge about Emprak dance took place and how the dancers practiced the knowledge into dancing. Their articulation as well as the observation upon the trainings in October – December 2018 would be the utmost significant ethnographic data of this article in order to extend the pathways of their bodily experiences. Field notes and documentation were also collected during this research. As observed, no one took either a formal study in dance or any private dance courses. They acquired the dance understanding via oral transmission from the leading dancer whom is a 77-year old man whilst the bodily practices were produced from how they imitated the leader. Furthermore, the aesthetic qualities were not so much into their consideration due to undemanding attitude upon a stage performance. Nevertheless, these villagers managed to do regular practices and showcase their ability in doing Emprak dance including in the Yogyakarta Provincial Office of Cultural Affairs. As they stayed unique in their ways learning Emprak dance, they acknowledged themselves that they were dancers. Such phenomenon has, we believe, contributed to the world of dance that dance literacy could be achieved outside the formality as in schools.
在本文中,我们将注意力集中在日惹Mbangkel Sholawatan Emprak舞者所展示的舞蹈素养上;关于Emprak舞蹈的知识是如何转移的,以及舞者如何将这些知识运用到舞蹈中。他们的发音以及2018年10月至12月对训练的观察将是本文中最重要的民族志数据,以扩展他们身体体验的途径。在研究过程中还收集了现场记录和文件。据观察,没有人参加正式的舞蹈学习或任何私人舞蹈课程。他们通过口头从领舞者那里获得舞蹈理解,领舞者是一位77岁的老人,而身体练习是通过模仿领舞者的方式产生的。此外,由于对舞台表演的要求不高,他们对审美品质的考虑并不多。然而,这些村民设法定期练习并展示他们的Emprak舞蹈能力,包括在日惹省文化事务办公室。由于他们以独特的方式学习Emprak舞蹈,他们承认自己是舞者。我们认为,这种现象对舞蹈世界的贡献在于,舞蹈素养可以在学校等形式之外实现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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