Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities最新文献

Visual Propaganda: A Symbolic Anti-thesis towards Japanese Occupation in Malaya (1942-1945) 视觉宣传:对日本在马来亚占领的象征性反命题(1942-1945)

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 2020-05-30 DOI: 10.5220/0008765103770381

S. A. C. Cob

{"title":"Visual Propaganda: A Symbolic Anti-thesis towards Japanese Occupation in Malaya (1942-1945)","authors":"S. A. C. Cob","doi":"10.5220/0008765103770381","DOIUrl":"https://doi.org/10.5220/0008765103770381","url":null,"abstract":"This paper aims to discuss an approach of propaganda used by the military regime of Japan (Dai Nippon), during the liberation campaign of Greater East Asia in Malaya in the timespan of 1942 to 1945. The methods used is through the impact and influence of visuals as a platform of effective indoctrination. The strategy is known as Minshin Ha’aku (winning the hearts of the people) and Senbu Kosaku (indoctrination and subduing of the people), the propaganda that attacked Western exploitation of Asia and the West lack respect of Asian peoples and culture. Hence, portrayed Japan as the liberator and leader of a newly united Asia. Freedom from White Domination, freedom from injustice and oppression. The Japanese regime, through the Department of Propaganda (Senden-Bu) is a unit that is responsible to enforce this program, through rigid censorships before it reaches the masses. Hence, this paper systematically analyses the visuals as a propaganda entity that can persuade the people of Malaya to support the New Order and its policies (Shin Chitsujo) promoted by the Japanese administration. The manifestation of visual artworks in the form of propagandistic posters, pamphlets, illustration and editorial cartoons filled the spaces of buildings, offices, schools and in prints, such as newspapers and magazines. It is clear historical records tends to describe a negative tendency towards the Japanese occupation, therefore this paper gives a new and an alternative perspective, which shows that there is support towards the occupation and its policies whereby visuals becomes its pictorial narrative.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133961726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Designing Educational Robots (Edot) as Space Learning Logic and Spatial Media 作为空间学习逻辑和空间媒介的教育机器人设计

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0009395204350443

Bertha Bintari Wahyujati, Martinus Bagus Wicaksono

{"title":"Designing Educational Robots (Edot) as Space Learning Logic and Spatial Media","authors":"Bertha Bintari Wahyujati, Martinus Bagus Wicaksono","doi":"10.5220/0009395204350443","DOIUrl":"https://doi.org/10.5220/0009395204350443","url":null,"abstract":": The Edot educational Robot is a robot for early childhood, which can be played by children from the age of 5 years. Learning with technology media including robots will help children actively engage in learning. Learning for children will be more interesting if they learn while playing. Technology will grow rapidly in the future, therefore it is necessary to prepare a generation that is able to keep up with technological developments. The introduction of technology needs to be started since early childhood. One of the media is an educational robot. This educational robot was developed to help children in the following matters: 1. Explain abstract concepts about STEM (Science, Technology, and Mathematics) and logic 2. Teach the ability to understand the spatial scope of space. This educational robot named Edot is expected to children learn about how to \"program\" in a simple way that is learning to plan direction from one place to the destination by arranging the direction block card. By planning directions, children learn how to compile orders for Edot who will \"read\" the commands and carry out according to the instructions that have been prepared. Besides learning to program, Edot can be used to train cooperation skill for children when playing together. Learn to know the environment, learn to sharpen and practice logic thinking.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114505109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Research on the New Woodleaf Glaze in Celadon 青瓷新型木叶釉的研究

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008561502020205

Feng Shanxin

{"title":"Research on the New Woodleaf Glaze in Celadon","authors":"Feng Shanxin","doi":"10.5220/0008561502020205","DOIUrl":"https://doi.org/10.5220/0008561502020205","url":null,"abstract":": Since the emergence of celadon, there have been thousands of years of history. The glaze of celadon is also diversified by a single, and there is a lot of geographical features of the kiln. The innovation of glaze has an important influence on the development of celadon. The main research of this paper is a rich wood-leaf glaze. At first, this kind of wood-leaf glaze can only be applied to the black jizhou kiln porcelain. The material is generally mulberry leaf directly attached to the surface of the green body after being processed and fired. After the porcelain is formed, the composition of the leaf is golden and has a high ornamental effect[2]. Because of the uncertainty of the blade itself during the firing process, the success rate of firing is very low, and the yield cannot be predicted at all. In this project, a kind of glaze that resembles metal glaze with golden color, simple color and no obvious luster is prepared by researching and analyzing the chemical composition of mulberry leaf.This type of glaze can greatly reduce the problem of high lead content in metal glazes. The wood glazes studied in this topic are fired at high temperatures and can be applied not only to celadon decoration but also to various daily-use ceramics and the decoration[1].","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"114 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121162621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Identity of Guilin Sacred Places: Rebuilding Xi Qinglin Temple in Guilin 桂林圣地的身份认同:桂林西青林寺的重建

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008556201480154

Huang Zheng

引用次数: 0

The Mythos of Nyai Roro Kidul and Sea Life as an Inspiration Alternative to Development the Motifs of Java coast of Batik Story Telling 尼埃·罗罗·基杜尔的神话与海洋生物作为发展的灵感选择——爪哇海岸蜡染故事的主题

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0009982505470554

N. Damayanti, A. Pandanwangi, Belinda Sukapura Dewi, A. Apin, Ayoeningsih Dyah Woelandhary

{"title":"The Mythos of Nyai Roro Kidul and Sea Life as an Inspiration Alternative to Development the Motifs of Java coast of Batik Story Telling","authors":"N. Damayanti, A. Pandanwangi, Belinda Sukapura Dewi, A. Apin, Ayoeningsih Dyah Woelandhary","doi":"10.5220/0009982505470554","DOIUrl":"https://doi.org/10.5220/0009982505470554","url":null,"abstract":": Indonesia territory was once called as Tera Incognito, a dream of adventurer through exotic mystical stories and mysterious beauty. Geographical paradox of land and sea forms character of nation with unique diversity of tribes and culture patterns philosophy of life that unites two realms, only one nation that calls motherland the Earth and Sea (Tanah Air). Uniqueness of Indonesian culture colored by myths and legends in treating paradoxical nature. Imaginative narratives of power dominate land, mountains and oceans, mysthical figures, legends are fascinating mystically mysterious. Concept of two realms, land with dangerous volcanoes and mysterious oceans, is reflected in cultural products. Inhabitants of Java have always active played role influenced history in creation cultural products Indonesian. This paper describes Batik as original technique of Indonesian ancestral heritage style and variety of textiles, 2009 become as world intangible heritage. Research focuses on batik motifs storytelling Javanese coastal. Research method uses experiments and studies to reinterpret Nyai Roro Kidul mythos ruler of southern coastal Java is still trusted today. Aim of innovation batik motifs storytelling as reintroducing coastal mythos Batik which expected as alternative new motives of Javanese coast expected to have high economic value.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127857695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Research on the Collection and Display of Taiwan's Gaoshan Traditional Clothing by Virtual Simulation Technology 基于虚拟仿真技术的台湾高山族传统服饰收藏与展示研究

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008763002550263

Wang Yan

{"title":"Research on the Collection and Display of Taiwan's Gaoshan Traditional Clothing by Virtual Simulation Technology","authors":"Wang Yan","doi":"10.5220/0008763002550263","DOIUrl":"https://doi.org/10.5220/0008763002550263","url":null,"abstract":": The main purpose of this research project is to simulate and display the traditional costumes of the Gaoshan people in Taiwan from the perspective of design by the use of 3D scanning and virtual modeling technology, and to analyze the important design techniques and visual features that influence the public perception of the traditional clothing of the Gaoshan people.Firstly, six typical sets of Taiwan's Gaoshan traditional costumes were selected. Then, the model with high degree of reduction was generated by 3D scanning. Secondly, a MAYA modeling software was applied to build a clothing model and optimize the texture so that the virtual simulation of clothing model can be preserved based on the 3D design software. In the display system, Unity3D was used as a production platform to create the virtual display scene of the clothing museum. Finally, it took the Unity3D as an engine to build a virtual museum display system platform for presenting the Taiwan's Gaoshan traditional clothing.The research has realized the systematic display of the traditional costumes of the Gaoshan people, broken through the limitations of the realistic display, and pushed forward the display of traditional costumes to be terminalized, mobile and convenient. And the further ergonomics research can also be carried out on the platform.The abstract should summarize the contents of the paper and should contain at least 70 and at most 200 words. It should be set in 9-point font size, justified and should have a hanging indent of 2-centimenter. There should be a space before of 12-point and after of 30-point.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114821915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Need Analysis of Rampak Kendang Learning Module Development based on Multiple Intelligences for Elementary School Teachers 基于多元智能的小学教师Rampak Kendang学习模块开发需求分析

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008562002110215

Heni Siswantari, Fery Setyaningrum, Mira Setiawati

{"title":"Need Analysis of Rampak Kendang Learning Module Development based on Multiple Intelligences for Elementary School Teachers","authors":"Heni Siswantari, Fery Setyaningrum, Mira Setiawati","doi":"10.5220/0008562002110215","DOIUrl":"https://doi.org/10.5220/0008562002110215","url":null,"abstract":": This study aims to analyze the needs of Rampak Kendang learning module development, based on multiple intelligences for elementary school teachers. The subjects of this study were 24 elementary school art teachers in Patimuan sub-district, Cilacap, Central Java. Data is collected through questionnaires and interviews, which is then analyzed descriptively. The results of the study indicate that: 1) Most teachers really need the Rampak Kendang art learning module, specifically based on multiple intelligences to shape the character of students. 2) The multiple intelligences Rampak Kendang material that will be developed in the module includes technical guidance on playing music instruments in Rampak Kendang, multiple intelligences in the learning process of Rampak Kendang, and the formation of student character in the learning process itself. This research is the realization of the previous research related to multiple intelligences in Rampak Kendang in Patimuan society. This year, the results of previous studies were integrated in the field of formal education in the form of learning modules for art teachers in elementary schools.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"105 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124751965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Political Aesthetics of Jokowi and Prabowo on Instagram 佐科威和普拉博沃在Instagram上的政治美学

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008544800440050

Lingga Agung, N. D. Nugraha, Paku Kusuma

引用次数: 0

Review of Chinese Traditional Handicraft: Fahua Ceramic 中国传统手工艺回顾:法化陶瓷

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008546401050109

Zhou Zhiwen, Sone Simatrang, Eakachat Joneurairatana, Ninggang

{"title":"Review of Chinese Traditional Handicraft: Fahua Ceramic","authors":"Zhou Zhiwen, Sone Simatrang, Eakachat Joneurairatana, Ninggang","doi":"10.5220/0008546401050109","DOIUrl":"https://doi.org/10.5220/0008546401050109","url":null,"abstract":": Fahua ceramic which is still in the stage of arts and crafts, is one of the traditional Chinese ceramic handicrafts. While many other ceramic handicrafts, such as blue-and-white porcelain is already going through the initial stage of art and craft to the stage of artistic creations, expecting to conduct the development of theoretical construction from the perspective of discipline. However, without much theoretical research, Fahua ceramic has been stuck in the stage of \"art and craft\". Lacking the sense of discipline and being short of the basic theory as well as the few description experience have limited the development of Fahua ceramic. Furthermore, the difficulty of the craftsmanship and the special technique of painting also contribute to the lagging development of Fahua ceramic.This research mainly uses the literature survey method to systematically sort out the relevant related literature. From the perspective of history and craftsmanship, it attempts to comment on the traditional handicrafts of Fahua ceramic and summarizes the viewpoints and problem involved, expecting to excavate the long-term lags in the research of Fahua ceramic ， and further recognize and solve these problems to provide historical and scientific rational basis, and promote the inheritance and development of this knowledge.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126377100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Irony in Modern Indonesia’s Literary Plays 现代印尼文学戏剧中的反讽

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008543900050013

C. Anwar, Silvia Anggreni Purba

引用次数: 0