Muhammad Fazli Taib Saearani, N. Michael, L. Abdullah
{"title":"The Teaching Experience of using Props in Creative Movements to Develop Children’s Imagination","authors":"Muhammad Fazli Taib Saearani, N. Michael, L. Abdullah","doi":"10.5220/0008546801280134","DOIUrl":"https://doi.org/10.5220/0008546801280134","url":null,"abstract":": This article explores how children’s imaginative abilities in creative movements can be developed by using props. Props can be important tools to enable children to explore various ways in portraying their creative ideas. Due to the children having individual ideas in creating movements, focus on kinaesthetic stimulation to achieve series of movements is an important factor to develop the children’s imagination. The components of creative movements such as body, space, time, and energy, are applied as the basis in the formation and development of creative movements. In the beginning stages, diagnosis was carried out to determine what was lacking in the imaginative aspects of the children. After that, the researcher conducted creative movement activities for 18 weeks. As a result from the 18-week activities, a performance portfolio was developed. Analysis by means of observation and checklist were done to evaluate and interpret the performance portfolio. This article also discusses the implementation, researcher’s experiences, and challenges encountered in conducting these activities. This helps to discover more useful alternatives in varying the teaching methods based on imaginative exploration, for the children to portray more expressive communication through props and movements.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129311049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Prosody in AT Mahmud's Selected Children's Songs Lyrics","authors":"Fortunata Tyasrinestu","doi":"10.5220/0009433804990501","DOIUrl":"https://doi.org/10.5220/0009433804990501","url":null,"abstract":"This study examines the speech sound in selected children's song lyrics by AT Mahmud. The speech sound is divided into two characteristics, segmental and suprasegmental characteristics. Segmental characteristics are characteristics of sound that refers to orderly arranged sound units, while suprasegmental features or called prosody traits are sound features that cover more than one sound segment, namely pressure, joints, length of sound, and pitches that include tone and intonations. The objective of this study is to describe the characteristics of speech sound in a suprasegmental manner on selected children's songs by AT Mahmud, especially the musical speech sound by paying attention to the words or lyrics in the children songs. The lyrical and musical characteristics which are mutually integrated create beautiful harmonies in children's songs. This study uses a descriptive method with three stages, namely data provision stage, data analysis stage, and the presenting of data analysis results stage. The data analysis is conducted after the data classification. The result shows that the speech sound of the chosen Dendang Kencana's song lyrics has nearly the same characteristics of language and musical sounds which based on the identification of the suprasegmental characteristics of the musical","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128406706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Implementing Malay Gamelan Module through Digitalization","authors":"Wong Huey Yi, Colleen Wong, Christine Augustine","doi":"10.5220/0009446705020504","DOIUrl":"https://doi.org/10.5220/0009446705020504","url":null,"abstract":": The purpose of this study is to design a module of Malay gamelan playing using technology as the medium of teaching and learning. This research will look into three objectives: a) identify the content for the digital instructional Malay gamelan module; b) design the digital instructional Malay gamelan module; and c) evaluate the usability of the digital instructional Malay gamelan module. ADDIE model of instructional design will be used to help ensure the efficiency of designing this Digital Instructional Teaching and Learning module. Respondents for this research consist of Malay gamelan teachers, and students. At the end of the research, a module consisting of units of Malay gamelan teaching and learning instructional design will be developed to provide a reference to learners who wish to learn in a more systematic approach through technology. This research will benefit students and teachers in school, allowing for more fun and effective learning.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125642406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stylation of Women’s Batik Crafters in Mbok Semok Motif as a Visual Idioms of Javanese Cultural Change","authors":"D. Nurcahyanti, A. Sachari, A. Destiarmand","doi":"10.5220/0009447005170525","DOIUrl":"https://doi.org/10.5220/0009447005170525","url":null,"abstract":": Javanese people has a special character in conveying their feelings which makes majority of their cultural products related to philosophically meaningful codes and symbols. Abstraction of Javanese’s mindset and paradigm is visualized on their daily life supporting objects. Stylized female figures is regarded as novelty since most batik motifs with classic characters displaypatterns and contents (isen-isen) in stylation forms of flora, fauna, and natural elements such as water, clouds, wind, fire and mountains. Stylation of batik women crafter on Mbok Semok batik motif is a cultural change symptom in Girilayu. This study aims to: (1) find out the background of batik motif realization as a visual idiom ofJavanese in Girilayu; (2) describe the meaning of visual idioms from Javanese philosophical perspective on Mbok Semok batik motif; and (3) analyze cultural changes which occur in Girilayu community from Mbok Semok batik motifs visualization. Change is a dynamically happening and flowing necessity which finds its shape in Javanese today. The emergence of batik women crafter figure stylation in Girilayu on Mbok Semok motif is an abstraction of space recognition on women authority as well as their domestic territory. Mbok Semok for Girilayu community is a symbol of strength and fertility.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128498147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Irawati Kusumorasri, Nanik Sri Prihartini, Bambang Sunarto
{"title":"How Important the Role of Curator in Determining a Success of Performing Art Events","authors":"Irawati Kusumorasri, Nanik Sri Prihartini, Bambang Sunarto","doi":"10.5220/0008545500660069","DOIUrl":"https://doi.org/10.5220/0008545500660069","url":null,"abstract":": In globalisation era, performing art event is necessarily conducted for multiple purposes, either for entertainment or business oriented events. In order to determine the success of this event, the role of curator is very important, although the study of curatorial in art performing still get less attention. Therefore, this paper explains: (1) how curator works in assessing the performing art for an event; (2) what criteria the curator used in assessing performing art. This qualitative research design with a case study was conducted. Data were collected through two instruments, namely interview and documentation analysis. Two curators were involved as the subjects of the study. The findings reveal that the curators so far worked conventionally without thinking some curation models, such as self-reflexive, sampling, traditional, decentralisation curation, virtual curation, artist-curation, and collaborative curatorial platform. In addition, they also claim that some criteria for performing art assessment were not utilized yet in doing their jobs since they only assessed and selected any art works as they wanted to without thinking whether their assessment results met the spectators’ expectation and suitability with the event theme. We need some parties, especially the government to concern on our products such as traditional crafts of Central Java, Javanese cuisines, and batik as our pride. I do really hope that there will be more events like this which allows us to promote Indonesian heritage not only in Central Java, but also all-around Indonesia.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"141 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113983008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}