{"title":"Ethnomusicology and Music Ecosystem","authors":"Eli Irawati","doi":"10.5220/0008546200880094","DOIUrl":"https://doi.org/10.5220/0008546200880094","url":null,"abstract":": The existence of musical practices among cultures and societies across the world has long been the concern of the scholars of various field of study. Studies that have been carried out among others bring out an approach called ecosystem of music. In this approach, the existence of music is a result of interrelating elements, namely: the music learning system, musicians and community, context and construct, regulation and infrastructure, and the media and music industry. In other words, there are things that go from upstream to downstream in a sequences which is in turn establish the existence of a music. This paper attempts to examine the role of ethnomusicologists in the effort to maintaining an ecosystem of music, focusing on an applied ethnomusicology work, i.e. the development of cultural villages in Yogyakarta. Furthermore, by understanding the role of ethnomusicologists in maintaining the ecosystem of music, the author are trying to put composition major in ethnomusicology program (in this case is in department of ethnomusicology, ISI Yogyakarta) as an effort to establishing ecosystem of music. By understanding the ecosystem music, in the end, ethnomusicologists have realized that they have to open new scenes in the domains within the ecosystem to maintain it.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126972113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gamelan Listrik: A Low-cost Solution to Introduce Javanese Gamelan to the Young Generation","authors":"Petrus Sutyasadi","doi":"10.5220/0008556901720176","DOIUrl":"https://doi.org/10.5220/0008556901720176","url":null,"abstract":": This paper offers a new design of electric musical instrument that called Gamelan Listrik. Gamelan Listrik is designed to be a low-cost instrument that can be used to play Javanese traditional music ensemble. A set of traditional gamelan instrument is very expensive. This makes only a few elementary schools own gamelan instrument and causes only a few numbers of students who know the instrument or even able to play it. Gamelan Listrik is proposed to be the solution of this matter. Using the gamelan Listrik, an elementary school can develop a gamelan class where the students can learn basic playing of the instrument and gain experiences. The most important thing is the students will have opportunity to develop their motivation in their early age. Experiments showed that Gamelan Listrik performed satisfactorily. It has small latency and the sound volume can be controlled by varying the mallet hitting/striking force to mimic the real gamelan playing. The cost of gamelan listrik is about 1/10 from the cheapest low quality of real gamelan made of iron, or about 1/100 from good quality made of bronze.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127370117","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Head Iconography of the Chinese - Javanese Shadow Puppet (Wacinwa) Collection of the Sonobudoyo State Museum of Yogyakarta, Indonesia","authors":"H. B. Prasetya","doi":"10.5220/0008764003080313","DOIUrl":"https://doi.org/10.5220/0008764003080313","url":null,"abstract":"Abstract: The aim of my research is to explore and describe the iconography of the Chinese – Javanese shadow puppet (Wacinwa) collection of the Sonobudoyo State Museum of Yogyakarta (SSMY). To explore the iconography of the collection means at the same time to identify the shadow puppet characters. The shadow puppet set of the museum was made in 1925 and have been popular between 1925 and 1967 mainly among the Peranakan Chinese communities in Indonesia. Later on, for more than forty years, until 2014 this puppet was not performed largely because of political reasons. Since 2014, this puppet, a unique tradition of art, has been performed again several times. Although the quality and the condition of this puppet collection are considerably good, a detailed iconographical study and especially, a complete catalogue of it, is still missing. According to the research I can differentiate the following eight groups in the Wacinwa Collection of SSMY: 1. priests and monks; 2. emperors or kings; 3. aristocrats and noblemen; 4. generals and commanders; 5. soldiers; 6. vendors and sellers; 7. children; 8. weapons (accessories). However in my present research my aim is to describe and identify the characters of the Wacinwa collectionof the SMY, Indonesia one by one. In the early stage, I attempted to identify the wacinwa by comparing it with the image on Sie Jin Kui’s comic. In fact, this way turned to be unsuccessful. An image existing in the comics is excessively unclear. Then I compared it with the Chinese shadow puppet (pi ying xi) and the Javanese shadow puppet. By looking at its iconography, wacinwa is closer to Pi ying xi.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121992433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cultural Mapping of Nusantara Dances: The Development of Multiculture-based Cultural Political Policy Strategies","authors":"Rina Martiara, B. Astuti, .. Supriyanti","doi":"10.5220/0008763302720280","DOIUrl":"https://doi.org/10.5220/0008763302720280","url":null,"abstract":": This is the study of mapping the dance culture of Nusantara based on the categorization of the style of culture that is based on the mental map-- that the new awareness about the way tothink based on the geographies of that particular culture. The mental map will act as a foundation for understanding the complexcity of the culture in Indonesia. Difference in the mental map, not only gifve birth to the difference in ethnicity and geography but also gave divergent new point of view at different matters; to show the active value system that is different from one group to another; an also to accentuate the presrnse of social, economical, and political behavior that is different from one another. Based on that, then every pattern assembles a certain transformation inside the society of the mental map itself, and the pattern from the outcome will give an aspect of cultural identity that will connect to the human mind of the society that supports it.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128532229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
S. Sunarto, H. Pamadhi, Irfanda Rizki Harmono Sejati
{"title":"Tracing the Habitus of Urban Aesthetic for Learning Material of Art Education","authors":"S. Sunarto, H. Pamadhi, Irfanda Rizki Harmono Sejati","doi":"10.5220/0009982605550562","DOIUrl":"https://doi.org/10.5220/0009982605550562","url":null,"abstract":": Pressure of the traditional art to be appointed in art learning in schools is essentially an influence from the Central Contemporary Culture Study 1964 by University of Birmingham. The appeal is construed raised talkative local art to be developed for the local wisdom and learning, especially as teaching materials. This idea is certainly not as deep understanding of traditional art traced on local wisdom. Applying the traditional arts in school program by fore is not physically produce the maximum results of learning sense, because the children think that has been influenced by contemporary art, especially the Urban Arts. Therefore, urban art is able to accommodate ideas packaged as a tradition that local knowledge but also to live in the contemporary world. Departing from this sense, art education can take urban art materials wisely to be developed as teaching materials. By not releasing the principle of urban art for children's learning, arts education are expected to adapt to urban art.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131359753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Redesign of Urban Parks to Improve Users’ Perception of Nature through Biophilic Design","authors":"Serge Razafiarison, B. Soemardiono, E. T. Sunarti","doi":"10.5220/0008562202160227","DOIUrl":"https://doi.org/10.5220/0008562202160227","url":null,"abstract":": Biophilic design is an innovative and sustainable aspect in architecture and urban design that connects people with the natural environment. The biophilic design has been implemented in developed countries, although in developing countries like Madagascar have not yet implemented this new concept. Besides, Antananarivo city has a program “Plan Vert” which is a tool for urban development and beautification focusing on public health based on natural systems. This paper focuses on the users’ perception in urban parks in Mahamasina area, where a restricted qualitative assessment has been conducted on users’ perception with nature and its phenomenology. Assessments were made on the users’ perception in urban parks through initial observation, surveys, and behaviour observation. Findings across all research methods suggested that each park in Mahamasina area was designed for some dominant activities such as relaxation, recreation and as meeting places. These places are perceived as pleasant to users due to calm and shady. To highlight the phenomenological aspects of the perception of nature, parks should be redesigned to maintain the original design. The new experience will focus on adding numbers and types to fauna-flora. Additionally, there will be provisions for shading, a change in the elevation and the circulation flow. It is important that urban parks are maintained to improve the experience of the place. This is done by providing new material in the roundabout that links urban parks.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132427036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Application of the Orff Schulwerk Approach to Improve the Pedagogical Competency of Teacher Candidates","authors":"Susi Gustina","doi":"10.5220/0008545400590065","DOIUrl":"https://doi.org/10.5220/0008545400590065","url":null,"abstract":"The Orff schulwerk is one of the creative approaches in the music learning process. The aim of this approach is to develop the sense of ‘pulses, meters, tempos, and rhythms’ physically by expressing those elements of music through movement and music activities. In our research, we propose to apply this approach to improve the pedagogical competency of teacher candidates that will be needed when they have to teach music in school. By using the method of action research, teacher candidates are treated to apply this approach. The findings is the understanding of Orff schulwerk approach in the music learning process is depend on the teacher candidates’ confidence to express their musical ideas freely. The result show that the more freely they expresses their musical ideas through exploration activities, the better the improvement of their pedagogical competency in teaching music. The conclusion is the application of Orff schulwerk approach can improve the teacher candidates’ pedagogical competency as long as they understand that teaching music in school is not to make professional musicians, but to foster the characters of students that related to the educational goals in the school curriculum of Indonesia, i.e. the students character building.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131709273","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Strategy to Address \"Chinese\"-Ness Theme in Indie Movie in Post New Order Era","authors":"Umilia Rokhani","doi":"10.5220/0009395404440455","DOIUrl":"https://doi.org/10.5220/0009395404440455","url":null,"abstract":": \"Chinese\"-ness identity is always problematic in Indonesian society which makes it an interesting theme in film production, especially in indie film. The success in addressing this theme will determine the position of Chinese society in Indonesia because the function of a movies is to influence their audience. Therefore, social constructivism can be used as the approach to see the social agent practice in determining his own values through a movie production. A movie production needs related intellectual aspect, institutional authority, and creative design. In creative design, the agent position is explained through theme and problems. The usage of language cannot be separated in addressing the theme and problems. Language will bring up the signifier to represent subjective ideas and thoughts in subconscious region about possible social facts of the \"Chinese\"-ness. In post New Order era, the agent chooses indie movie stream which is idealistic, free, and independent. The agent brings the ideas and thoughts from the subconscious region into the conscious region to create the new understanding about \"Chinese\"-ness in his creative work to encourage sympathy and provoke the emotion of the audience. This is used as the strategy to change the perspective of the society about \"Chinese\"-ness so that the cultural product of \"Chinese\"-ness will rise.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125176525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Research on the Thai Khon of Thailand: Implementation of Thai Khon Costume to the High-end Fashion Design","authors":"H. Jia","doi":"10.5220/0008546601150122","DOIUrl":"https://doi.org/10.5220/0008546601150122","url":null,"abstract":"","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"307 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133660782","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Malay Pop Songs of Deli, Minang and Minahasa: The Dynamism of Songs Characteristics, the Identities of Linguistic, and Musical Expression","authors":"T. Bramantyo, Martarosa","doi":"10.5220/0008557401910201","DOIUrl":"https://doi.org/10.5220/0008557401910201","url":null,"abstract":"One of the varieties of popular music of Indonesia is the so-called “Nyanyian Populer Daerah” (Local Popular Songs) which usually employs local dialect as well as typical melodic styles and expression. The number of these kinds of songs are abundant as there are so many local dialects and musical expression can be found in every region. This research focuses only on three local popular songs, two found in Sumatra island and one found in North Sulawesi. The two genres found in Sumatra islands (Deli and Minang) were exceptional as the main genres which got its influences of original Malay songs characteristics, meanwhile the other one was from Minahasa, which has its own different melodic styles but provides the same expression in singing. This research employed fieldwork as well as the study of the selected recordings available on the social media such as Youtube, etc. During the fieldwork, semi structural interviews was taken to some selective figures of local musicians and singers. The collected data from the fields then was interpreted and analyzed (object analysis) using musical theory perspectives and aesthetics criticism. As it presented here, this research was not comparative at all, let alone the readers enjoy the similarities and the differences of the genres. It was found out that all of the genres shared the similar Malay musical idioms in traditional narratives as well as oral cultures that show the dynamism of changes and sustainability of the local dialects as linguistic expression. A suggestion for further research was as vital as there were still so many musical and aesthetics values available to be searched out for future documentation and shared values","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124763850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}