The Strategy to Address "Chinese"-Ness Theme in Indie Movie in Post New Order Era

Umilia Rokhani
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引用次数: 1

Abstract

: "Chinese"-ness identity is always problematic in Indonesian society which makes it an interesting theme in film production, especially in indie film. The success in addressing this theme will determine the position of Chinese society in Indonesia because the function of a movies is to influence their audience. Therefore, social constructivism can be used as the approach to see the social agent practice in determining his own values through a movie production. A movie production needs related intellectual aspect, institutional authority, and creative design. In creative design, the agent position is explained through theme and problems. The usage of language cannot be separated in addressing the theme and problems. Language will bring up the signifier to represent subjective ideas and thoughts in subconscious region about possible social facts of the "Chinese"-ness. In post New Order era, the agent chooses indie movie stream which is idealistic, free, and independent. The agent brings the ideas and thoughts from the subconscious region into the conscious region to create the new understanding about "Chinese"-ness in his creative work to encourage sympathy and provoke the emotion of the audience. This is used as the strategy to change the perspective of the society about "Chinese"-ness so that the cultural product of "Chinese"-ness will rise.
后新秩序时代独立电影应对“中国”主题的策略
:“中国人”身份在印尼社会一直是个问题,这也使得它成为电影制作中一个有趣的主题,尤其是在独立电影中。解决这个问题的成功将决定中国社会在印度尼西亚的地位,因为电影的功能是影响他们的观众。因此,社会建构主义可以作为考察社会主体通过一部电影来确定自身价值的方法。电影制作需要相关的知识层面、制度权威和创意设计。在创意设计中,通过主题和问题来解释代理的位置。在主题和问题的处理中,语言的使用是不可分割的。语言会产生能指来代表潜意识区域关于“中国人”性可能的社会事实的主观观念和思想。在后新秩序时代,代理人选择了理想主义、自由、独立的独立电影流。代理人将潜意识区域的观念和思想带入意识区域,在创作中创造出对“中国人”性的新认识,激发观众的共鸣,激发观众的情感。以此为策略,改变社会对“中国性”的看法,从而产生“中国性”的文化产品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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