{"title":"A Malay Pop Songs of Deli, Minang and Minahasa: The Dynamism of Songs Characteristics, the Identities of Linguistic, and Musical Expression","authors":"T. Bramantyo, Martarosa","doi":"10.5220/0008557401910201","DOIUrl":null,"url":null,"abstract":"One of the varieties of popular music of Indonesia is the so-called “Nyanyian Populer Daerah” (Local Popular Songs) which usually employs local dialect as well as typical melodic styles and expression. The number of these kinds of songs are abundant as there are so many local dialects and musical expression can be found in every region. This research focuses only on three local popular songs, two found in Sumatra island and one found in North Sulawesi. The two genres found in Sumatra islands (Deli and Minang) were exceptional as the main genres which got its influences of original Malay songs characteristics, meanwhile the other one was from Minahasa, which has its own different melodic styles but provides the same expression in singing. This research employed fieldwork as well as the study of the selected recordings available on the social media such as Youtube, etc. During the fieldwork, semi structural interviews was taken to some selective figures of local musicians and singers. The collected data from the fields then was interpreted and analyzed (object analysis) using musical theory perspectives and aesthetics criticism. As it presented here, this research was not comparative at all, let alone the readers enjoy the similarities and the differences of the genres. It was found out that all of the genres shared the similar Malay musical idioms in traditional narratives as well as oral cultures that show the dynamism of changes and sustainability of the local dialects as linguistic expression. A suggestion for further research was as vital as there were still so many musical and aesthetics values available to be searched out for future documentation and shared values","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"25 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5220/0008557401910201","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
One of the varieties of popular music of Indonesia is the so-called “Nyanyian Populer Daerah” (Local Popular Songs) which usually employs local dialect as well as typical melodic styles and expression. The number of these kinds of songs are abundant as there are so many local dialects and musical expression can be found in every region. This research focuses only on three local popular songs, two found in Sumatra island and one found in North Sulawesi. The two genres found in Sumatra islands (Deli and Minang) were exceptional as the main genres which got its influences of original Malay songs characteristics, meanwhile the other one was from Minahasa, which has its own different melodic styles but provides the same expression in singing. This research employed fieldwork as well as the study of the selected recordings available on the social media such as Youtube, etc. During the fieldwork, semi structural interviews was taken to some selective figures of local musicians and singers. The collected data from the fields then was interpreted and analyzed (object analysis) using musical theory perspectives and aesthetics criticism. As it presented here, this research was not comparative at all, let alone the readers enjoy the similarities and the differences of the genres. It was found out that all of the genres shared the similar Malay musical idioms in traditional narratives as well as oral cultures that show the dynamism of changes and sustainability of the local dialects as linguistic expression. A suggestion for further research was as vital as there were still so many musical and aesthetics values available to be searched out for future documentation and shared values
印度尼西亚流行音乐的一个变种是所谓的“Nyanyian Populer Daerah”(当地流行歌曲),它通常采用当地方言以及典型的旋律风格和表达。这些歌曲的数量是丰富的,因为有很多地方方言和音乐表达可以在每个地区找到。这项研究只关注三首当地流行歌曲,其中两首在苏门答腊岛发现,另一首在北苏拉威西岛发现。在苏门答腊岛发现的两种类型(Deli和Minang)作为主要类型是例外的,它们受到了马来原始歌曲特征的影响,而另一种来自Minahasa,它们有自己不同的旋律风格,但在演唱中提供了相同的表达。这项研究采用了实地调查以及对Youtube等社交媒体上可用的精选录音进行研究。在实地调查中,我们对一些有选择性的当地音乐家和歌手进行了半结构化的采访。然后用音乐理论和美学批评的观点来解释和分析从这些领域收集到的数据(对象分析)。正如这里所展示的,这项研究根本不具有可比性,更不用说让读者享受体裁的异同了。研究发现,所有的音乐流派在传统叙事和口头文化中都有相似的马来音乐习语,这显示了当地方言作为语言表达的变化活力和可持续性。进一步研究的建议是至关重要的,因为仍然有许多音乐和美学价值可供未来的文件和共享价值的搜索