探寻城市审美的惯习:艺术教育教材的学习

S. Sunarto, H. Pamadhi, Irfanda Rizki Harmono Sejati
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引用次数: 0

摘要

传统艺术在学校艺术学习中被指定的压力,本质上是受到了伯明翰大学1964年中央当代文化研究的影响。提出了以乡土智慧和学习为发展对象的乡土艺术的诉求,特别是作为教材的诉求。这种想法当然不是对传统艺术的深刻理解,而是源于当地的智慧。由于孩子们认为传统艺术受到了当代艺术,尤其是城市艺术的影响,因此传统艺术在学校课程中的应用并没有在物理上产生最大的学习效果。因此,城市艺术能够容纳的思想包装为一种传统,当地的知识,但也生活在当代世界。从这个意义上讲,艺术教育可以明智地把城市艺术材料作为教材来开发。通过不释放城市艺术的原则让孩子学习,期望艺术教育适应城市艺术。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tracing the Habitus of Urban Aesthetic for Learning Material of Art Education
: Pressure of the traditional art to be appointed in art learning in schools is essentially an influence from the Central Contemporary Culture Study 1964 by University of Birmingham. The appeal is construed raised talkative local art to be developed for the local wisdom and learning, especially as teaching materials. This idea is certainly not as deep understanding of traditional art traced on local wisdom. Applying the traditional arts in school program by fore is not physically produce the maximum results of learning sense, because the children think that has been influenced by contemporary art, especially the Urban Arts. Therefore, urban art is able to accommodate ideas packaged as a tradition that local knowledge but also to live in the contemporary world. Departing from this sense, art education can take urban art materials wisely to be developed as teaching materials. By not releasing the principle of urban art for children's learning, arts education are expected to adapt to urban art.
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