Stylation of Women’s Batik Crafters in Mbok Semok Motif as a Visual Idioms of Javanese Cultural Change

D. Nurcahyanti, A. Sachari, A. Destiarmand
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Abstract

: Javanese people has a special character in conveying their feelings which makes majority of their cultural products related to philosophically meaningful codes and symbols. Abstraction of Javanese’s mindset and paradigm is visualized on their daily life supporting objects. Stylized female figures is regarded as novelty since most batik motifs with classic characters displaypatterns and contents (isen-isen) in stylation forms of flora, fauna, and natural elements such as water, clouds, wind, fire and mountains. Stylation of batik women crafter on Mbok Semok batik motif is a cultural change symptom in Girilayu. This study aims to: (1) find out the background of batik motif realization as a visual idiom ofJavanese in Girilayu; (2) describe the meaning of visual idioms from Javanese philosophical perspective on Mbok Semok batik motif; and (3) analyze cultural changes which occur in Girilayu community from Mbok Semok batik motifs visualization. Change is a dynamically happening and flowing necessity which finds its shape in Javanese today. The emergence of batik women crafter figure stylation in Girilayu on Mbok Semok motif is an abstraction of space recognition on women authority as well as their domestic territory. Mbok Semok for Girilayu community is a symbol of strength and fertility.
从爪哇文化变迁的视觉习语看木木图案中女性蜡染工匠的风格
爪哇人在表达情感方面具有特殊的性格,这使得他们的大部分文化产品都与哲学上有意义的代码和符号有关。爪哇人的思维方式和范式的抽象体现在他们日常生活的支持对象上。风格化的女性形象被认为是新奇的,因为大多数具有经典人物的蜡染图案以植物、动物和水、云、风、火、山等自然元素的样式形式显示图案和内容(isen-isen)。木色蜡染女艺人在木色蜡染母纹上的造型是吉里拉玉文化变迁的一种表征。本研究旨在:(1)了解蜡染母句作为爪哇语视觉成语在吉里拉玉中实现的背景;(2)从爪哇哲学的角度对木木色木蜡染母纹的视觉习语意义进行描述;(3)从木木色蜡染图案可视化的角度分析吉里拉育社区的文化变迁。变化是一种动态发生和流动的必然性,在今天的爪哇语中找到了它的形状。木木色母主题上的吉里拉玉蜡染女性工匠人物造型的出现,是对女性权威及其家庭领地的空间认知的抽象。Mbok Semok对吉里拉尤社区来说是力量和生育的象征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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