{"title":"Crowdsourcing System and Changes in Media Technology in Reshaping Distribution of Graphic Design Works","authors":"P. Bangsa","doi":"10.5220/0008765904150422","DOIUrl":"https://doi.org/10.5220/0008765904150422","url":null,"abstract":": The development of the graphic design was strongly influenced by technological developments. From graphic design style, how to work to the way it is distributed. When digital technology and the Internet became known, changes also occurred in the field of graphic design. The presence of the Internet also encourages the emergence of a crowdsourcing system as a way to bring together clients and graphic designers. Designers also take advantage of these advancements to facilitate the way they work, but as a technology that always brings two sides as a result, the crowdsourcing system also has the same thing.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121732313","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Multimodal Approach in Advacing the Visual Literacy","authors":"Adya Arsita, Kusrini, Terra Bajraghosa","doi":"10.5220/0008544200140019","DOIUrl":"https://doi.org/10.5220/0008544200140019","url":null,"abstract":": This research aims to introduce multimodality as an analytic tool to analyze visual texts which are rich in semiotic modes, especially those that juxtapose more than one pictorial forms elaborated with verbal text, such as in a graphic novel. Graphic novel is chosen as the object of the study because it elaborates drawings, photographs, other forms of pictures, and verbal texts. This research chose several graphic novels to highlight that such form of literature is not ‘cheap’ or childish, yet it could promote visual literacy which might have not been considered as ‘academic’ all along. Literary studies were conducted in compiling some samples and collecting qualitative data. Samples were purposively selected and narrowed down to five samples to help finding out the significance of learning multimodality. The semiotic modes discussed include the visual, verbal, written text, gesture, and even color. While the meta-functions posited to help analyzing a whole text cover three domains, namely ideational, interpersonal, and textual. The findings will bring the audience to recognize that using multimodal approach is suitable to understand a visual text thoroughly and hopefully it will also escalate the use of various visuals as a way of effective communication in enhancing the visual literacy.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122475509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Study of Preference for Stereo Recording Techniques of a Pelog-based of Gamelan Gender, Bonang, and Peking Ensemble","authors":"Nyoman Kieran Sebastian, J. A. Simanjuntak","doi":"10.5220/0009911105400546","DOIUrl":"https://doi.org/10.5220/0009911105400546","url":null,"abstract":": The layout of gamelan ensemble produce stereo imaging, instrument separation, and sound clarity. Until now, for music production purposes, gamelan ensemble recording uses spot-based microphone technique, which produces more individual sound, while the stereo microphone technique is able to produce the characteristics of gamelan ensemble, either in instrument separation, sound clarity, or stereo imaging. No previous study has investigated on preference for stereo recording techniques of a pelog-based of gamelan gender, bonang, and peking ensemble. Techniques that applied in this research were XY stereo recording technique, NOS, ORTF, and AB. This research uses qualitative method, using statistical calculation. There were four stages, collecting data, which consists of assign the player, analyze the characteristics of the ensemble, choose the song to be recorded, decide the layouts of the ensemble and the microphones, and create the questionnaire. The second stage was recording process. The third stage was sample test and interview. These findings is clearly indicate that NOS stereo recording technique is the most prefered stereo recording techniques of a pelog-based gamelan gender, bonang, and peking ensemble.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131173753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Patterns of Transformation: Linangkit","authors":"Lee Chie Tsang Isaiah","doi":"10.5220/0008556101350147","DOIUrl":"https://doi.org/10.5220/0008556101350147","url":null,"abstract":"Formed by different layers of patterning of knots with colours and shapes, Linangkit refers to one of Sabah’s traditional Indigenous forms of embroidery. This paper discusses how these patterns are being transformed into musical materials as a way to extend my compositional practice to develop ideas for pitch and rhythmic organization and formal ideas, and as the basis for my fourth collaboration with the dancer Tang Sook Kuan building on the earlier experiences with gongs described in my earlier project called Interbreathment2.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133372602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
N. Y. K. Lahpan, Yusuf Wiradiredja, Nia D. Mayakania
{"title":"Art Festival and the Revival of Tradition in the Post-reform Era of Indonesia","authors":"N. Y. K. Lahpan, Yusuf Wiradiredja, Nia D. Mayakania","doi":"10.5220/0008764803590362","DOIUrl":"https://doi.org/10.5220/0008764803590362","url":null,"abstract":": The political crisis in 1998 had created feelings of anxiety and fears for Indonesians people including artists and cultural activists. When many people remained their feelings unspoken because of high political pressure, artists and poets in West Java channelled their feelings through artistic works. Nyiar Lumar festival in Ciamis, West Java, is a biennial event created in this situation for the first time in 1998. Later, it becomes one of the biggest festivals in West Java as it has attracted thousands of people attending the series of art activities in the long day activity. Not only succeeded in creating outstanding artistic work, but also Nyiar Lumar has become a symbolic work that brought its audiences into new ‘myths’ of historical, political, and cultural glory of Sundanese in the past. Located in a historical site of old Sundanese Kingdom, Astana Gede, Ciamis, Nyiar Lumar uses traditional and natural artistic elements representing old symbols that have conveyed the Sundanese audience to celebrating their cultural glory in the past. Besides, the festival is also a medium for the youth to learn their tradition. This means the festival is a bridge for transmitting Sundanese tradition and its values to the younger generation.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"200 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115548691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Enrichment of Indonesian Culture through Translation","authors":"Tma. Kristanto","doi":"10.5220/0008545100510058","DOIUrl":"https://doi.org/10.5220/0008545100510058","url":null,"abstract":"Globalization enables people to be a part of a global community and live with global cultures. Nowadays, modern transportations and the advancement of information technology ease people to interact. Their interaction through different languages will automatically make a ‘dialog’ among cultures possible. Besides, translation also plays an important role in the spread of global cultures. As language is a part of human culture, inevitably, there is an exchange of cultures between the languages involved. This paper discusses the enrichment of Indonesian culture though translation from English into Indonesian. In the translation process, cultural words in English as the source language (SL) are transferred into Indonesian as the second language (TL). To illustrate how English words have entered Indonesian vocabulary, some works of translation including letters, novel, and textbook from English into Indonesian were investigated. As a result, it was revealed that English words are incorporated into Indonesian vocabulary through different ways which are classified into four types, namely (1) Pure borrowing (loanword), (2) Naturalized Borrowing, (3) Natural Equivalent, and (5) Created Equivalent. The latter, then, results in similar type called Newly Localized Equivalent. Besides, it is inferred that the influencing factors are the Indonesian goverment’s policy and the widening scope if cultural words.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125178775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Visual Pun in Visual Playability Fire Extinguisher Display at Terminal 3 Soekarno-Hatta Airport","authors":"W. Murwonugroho","doi":"10.5220/0008763702960301","DOIUrl":"https://doi.org/10.5220/0008763702960301","url":null,"abstract":": The main issues in this journal are focused on how such work of art ultimately has a factor of memorability. Fire extinguisher are displayed in punny ways reflected similar with various tubes (simile). These visual puns actually raises a variety of narratives. Fire extinguishers have been punned with diving cylinder, helium tanks with hot air balloons, and others. This style of display has read the process of creativity starting from how to equate the shape of the tube and the next stage appears a visual narrative that has a correlation with the function of other tubes which are no longer as fire extinguisher. From all the puns of the fire extinguisher to various tubes, it raises the level of distinction in which illustrations are most memorable. This research is using the Roland Barthes’ semiotic method. Data analysis shows that the most memorable illustration is the illustration that humorous or punny. The punny level is influenced by the unusualness of the story and the depiction of character expressions. In addition, the personal pragmatic experience of each person also evokes a memorable past. This study contributes the finding of a correlation between visual forms with pun. If the illustration only has a narrative that is limited to being informative and not using much puns, it does not have much effect on fame. Playability factor is the finding in this study. Playability will feel more exciting when illustrated wordy puns as well, comical, whimsy, and unusualness of the story.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129468070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
I. W. Dana, H. B. Prasetya, A. Kusmayati, B. Wijayanto
{"title":"The Mamaca Text with a Pandawa Story for Rokat Pandhaba","authors":"I. W. Dana, H. B. Prasetya, A. Kusmayati, B. Wijayanto","doi":"10.5220/0008765604040409","DOIUrl":"https://doi.org/10.5220/0008765604040409","url":null,"abstract":": Rokat Pandhaba is a purification ceremony to prevent someone from danger which is still carried out by some Madurese people. In the ceremony, Pandawa stories are always presented. There are two kinds of presentation of the story, depends on the economic ability of the person who will conduct ceremony. If the family is wealthy, the Pandawa story is presented in the form of a puppet mask show. While for the poor family, the Pandawa story is presented in the form of Mamaca narating. Both of the performances have the same story. This research focused on presenting Pandawa stories in the form of Mamaca. The research data was collected through observations on the Rokat Pandhaba ceremony in Pamekasan and Mamaca text analysis. Based on the research, it can be concluded that the Pandawa story is used as a certifier that a Madurese will be out of danger if the family performs the mask dance.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"135 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116369286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
P. Dwitasari, Nurina Orta Darmawati, Senja Aprela Agustin, R. Y. Alamin, Didit Prasetyo
{"title":"Community Empowerment through Educational Media for Early Learners in Ex-red Light District","authors":"P. Dwitasari, Nurina Orta Darmawati, Senja Aprela Agustin, R. Y. Alamin, Didit Prasetyo","doi":"10.5220/0008763803020307","DOIUrl":"https://doi.org/10.5220/0008763803020307","url":null,"abstract":"The Kapuas School (Sekolah Kapuas) in Putat Jaya, Surabaya, has a strong potential to develop and provide alternative education for needy people in ex-red light district formerly known bas Dolly. With the number of 60 students, the facilities owned are unable to serve their learning needs. In addition, students find it difficult to understand the lessons taught in the classroom, due to the methods and media used in the learning process that still using conventional and makeshift systems. Even though this school is for economically poor children, the education quality should be as close as formal school in general, namely the equality of basic learning media. Community empowerment in Dolly, trough the education for children, must be done. The use of conventional media such as book is still a favorite of teachers as a means of delivering material, but can cause those students feel unmotivated to learn. Therefore, the need for an interactive learning media that can stimulate students to learn and can be effective for many audiences is risen. In education, the use of interactive learning media has been widely used. Hopefully that this media will be able to meet the needs of the Kapuas school, improving the quality of teaching and learning process, and learning outcomes in general.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124056540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Preservation, Development, and Utilization of Wayang Era Millenium","authors":"Kasidi Hadi Prayitno","doi":"10.5220/0008764103140321","DOIUrl":"https://doi.org/10.5220/0008764103140321","url":null,"abstract":": This paper seeks to present various matters relating to the traditional performing arts of pure shadow puppets. The focus of the discussion is the preservation, development and utilization of puppet performance in the millennium era. There is no doubt that the existence of puppet art belonging to the theater of art has been around since the 9th century in Indonesia. The triumph of wayang as a traditional art initially appeared in the palace environment, especially Yogyakarta and Surakarta. Then it flourished outside the palace and became a popular art in rural communities. Until finally the formal education of art emerged by the state such as the conservatory (SMKI) at the upper secondary level, and higher education in art in Indonesia. The presence of art education institutions formally encouraged puppet shows to develop in accordance with the performance of puppet artists. The era of the most dominant new order regime utilizes puppets as a means of introducing development programs that are carried out by the government, so that new forms of wayang and new puppet plays are born. Apparently the utilization was expanding not only in the wayang art circle but also in the infotainment world, advertising, spatial decoration and so on. Even puppets are sometimes used as political means in the framework of legislative campaigns in the areas of live and developing puppet arts.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129132032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}