Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities最新文献_第3页

Exploration of Wayang Kulit (Indonesian Leather Puppet) Leather Leftover Material for Jewelry 印尼皮木偶(Wayang Kulit)皮革剩馀材料珠宝的探索

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008556701670171

Annisa Intan Kumalasari, Eri Naharani Ustazah

引用次数: 0

Fashion Design in Cross-cultural Communication: Case Study on Thailand Naga and China LONG 跨文化传播中的服装设计:以泰国娜迦和中国龙为例

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0009395704560468

Yixin Zou

{"title":"Fashion Design in Cross-cultural Communication: Case Study on Thailand Naga and China LONG","authors":"Yixin Zou","doi":"10.5220/0009395704560468","DOIUrl":"https://doi.org/10.5220/0009395704560468","url":null,"abstract":"China LONG(Dragon in Chinese) and Thai Naga, they are similar in appearance, and they play a major role in their respective cultures. They have been applied as a cultural symbol in various cultural and artistic fields of the two countries. According to humanities one of the purposes of wearing clothes is the adornment, which is act as a symbol for people to express and disseminate a certain meaning and culture and display to the public. So, in this paper, it makes a comparative study of the NAGA culture in Thailand and the LONG worship in China, in order to explore the similarities and differences between Naga and LONG in terms of tangible and intangible values, decode their symbols and implications, and endow them with new meanings in the clothing design. The primary research approaches adopted in this paper is questionnaires. It investigates the applications of LONG element in Thai Naga element in audience’s opinion, and utilizes qualitative research for data analysis. Finally, it is applied to the fashion design. This research is a good example that not only integrates traditional culture between the two countries into modern costume design, but also places great emphasis on the fusion of aesthetic and spiritual symbiosis in the modern clothing. In addition, it can effectively combine different disciplines including cross-cultural communication, humanities and clothing design for a profound research.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127742543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A Critical Discourse Analysis of Visual Identity the Luggage Label Inns of the Dutch East Colonial Era 荷兰东殖民时期箱包旅馆视觉识别的批判性话语分析

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0009432504900498

Baskoro Suryo Banindro, Arif Agung Suwasono, P. W. Harsanto, Rikhana Widya Ardilla

{"title":"A Critical Discourse Analysis of Visual Identity the Luggage Label Inns of the Dutch East Colonial Era","authors":"Baskoro Suryo Banindro, Arif Agung Suwasono, P. W. Harsanto, Rikhana Widya Ardilla","doi":"10.5220/0009432504900498","DOIUrl":"https://doi.org/10.5220/0009432504900498","url":null,"abstract":": The proposed research aims to find out the meaning and function of symbols that are in the visual identity of the luggage label inns of the Dutch East colonial era. The object contains elements in the form of text and iconic architecture that is unique in it. The target to be achieved is collecting and analysing the object of study, then the synthesis results will be used as the basic material for the preparation of the historical graphic design reference book and the architecture. The method used in this study is critical discourse analysis van Dijk's model, where the study of object research in addition to the study of material objects, also be associated with a social context to understand certain goals and practices, including the practice of power as a form of social practice, this causes a dialectic among certain case events with the situations and social structures that shape them. Discourse it is also known that practices have emerged for text dimension, social cognition, and social context that appears on objects of the visual identity of luggage labels in the colonial era. The final results of this study illustrate how the process of unification and modernity carried out by the Dutch East Indies colonial government can be read through luggage label inns tourism promotion media and can be used as a marker of the era.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114548036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ideological Struggle behind the Marginalization of Contemporary Dance in the Bali Arts Festival 巴厘岛艺术节当代舞蹈边缘化背后的思想斗争

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008544500200028

I. N. Cerita

{"title":"Ideological Struggle behind the Marginalization of Contemporary Dance in the Bali Arts Festival","authors":"I. N. Cerita","doi":"10.5220/0008544500200028","DOIUrl":"https://doi.org/10.5220/0008544500200028","url":null,"abstract":"Bali Arts Festival (BAF) is an important outlet for presentation of Balinese artswith important functions and meanings regarding the exploration, preservation and development of Balinese art and culture. This annual festival has served as a venue for artistic performances that are creative, competitive, appreciative and educative. As contemporary danceis created based on a multitude of different culture ideas, this event has the potential to create momentum for contemporary dance’s in Balinese performing arts. However, strong ideology within Balinese society makes contemporary dance performance a serious challenge,because inperforming arts spheresit is considered a break from traditional values. This assumption is held dear for Balinese people, because BAF is a medium of activity and artistic creativity that upholds local cultural values.This study aims to find out and understand the ideological struggle behind the marginalization of contemporary dance in BAF by using qualitative methods in the data collection system conducted through: interviews, observations, and documents analyzed accurately with critical cultural study theories. The results of this study, implicitly and explicitly show that there is a sharp gap in the quantity of contemporary dance performances each year when compared to traditional dance. The gap is a resultof the popularity of traditional dance artsas being closely related to the domain of spirit and socio-cultural ideology; thus, the marginalization of contemporary dance in BAF. Until now, it has always been a struggle in various discourses both in theinformal and more serious levels, namely formal or scientific.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126799933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Learning Lessons from Human Tragedies in the Drama Kapai-kapai 从戏剧《Kapai-kapai》中的人类悲剧中吸取教训

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0009447105260530

Nur Sahid, Purwanto

{"title":"Learning Lessons from Human Tragedies in the Drama Kapai-kapai","authors":"Nur Sahid, Purwanto","doi":"10.5220/0009447105260530","DOIUrl":"https://doi.org/10.5220/0009447105260530","url":null,"abstract":": This study aims to examine the structure of characterization of the Kapai-Kamat drama by Arifien C. Noer with a theatre semiotics approach. Kapai-kapai 's dramas are interesting because the problems presented by the author are quite contextual to date even though they were written in 1979. This drama structure contains many signs (sign) so that it needs to be analyzed using the theatre semiotics approach. Theatre semiotics examines objects by interpreting a sign that is associated with the socio-cultural context. Drama scripts, including Kapai-kapai, are semiotic symptoms, so researchers must regard the drama as a sign. The results of this study are as follows. The Emak figure functions as a signifier (signifier) of power, while Abu signifies (signifies) for the weak who are oppressed by power. The grandfather, who is religiously observant (signifier) functions as a marker of humans who still consider religious values as a determinant of a better life direction (signifies). The Mirror of Deception (signifier), which is always hunted by Abu, is a marker of uncertainty or endless values (signifies). Employer figure II, who always calls Abu (signifier) with bell sound, is a marker of the industrialization process that does not bring prosperity to the community (signifier). The social background of the lower class where Abu and Emak are located (signifier) is a symbol of poverty that hit the community (signifies).","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114544946","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Artistic Transformation of the Motion of the Shadow Puppet Scene “Perang Kembang” into Digital Silhouette Animation 皮影场景“Perang Kembang”动作到数字剪影动画的艺术转化

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008764703510358

A. Kurnianto, F. Santoso

{"title":"Artistic Transformation of the Motion of the Shadow Puppet Scene “Perang Kembang” into Digital Silhouette Animation","authors":"A. Kurnianto, F. Santoso","doi":"10.5220/0008764703510358","DOIUrl":"https://doi.org/10.5220/0008764703510358","url":null,"abstract":": “Perang Kembang” is a battle scene between the knights against the giant in wayang performance. A knight who has soft and gentle movement is in stark contrast to the giant who has a rugged and attractive movement. The two contrasting characters can represent a very interesting and beautiful war scene, so this war scene becomes a scene awaiting by the audience, as well as a scene capable of showing the skill of the Puppeteer in the art of puppet movement. This study aims to transform the beauty of wayang movement in the “Perang Kembang” scene into digital silhouette animation. The results of the artistic identification of different movement patterns found in the wayang movement of the \"Perang Kembang\" scene became the basis for digitally exploring the silhouette animation. The problem studied is how to transform the beauty of the wayang movement in the “Perang Kembang” scene into the digital silhouette animation. This research was conducted using art-based research methods, by experimenting with the motion of digital animation based on the pattern of movement of the shadow of the “Perang Kembang” scenes. The results of motion experiments show that the artistic transformation of the \"Perang Kembang” scene can be digitally performed with two-dimensional puppet-based animation techniques.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"364 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114847870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

The Attractive and Adaptable Indonesia Traditional Performing Art 具有吸引力和适应性的印尼传统表演艺术

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008763402810287

A. H. Kusmayati, .. Raharja

{"title":"The Attractive and Adaptable Indonesia Traditional Performing Art","authors":"A. H. Kusmayati, .. Raharja","doi":"10.5220/0008763402810287","DOIUrl":"https://doi.org/10.5220/0008763402810287","url":null,"abstract":"Traditional Performing Art is a part of Indonesian society life. It is attractive, lively, and beautiful. It is also flexible or adaptable. These both natures and the implication are analysed by using the ethno art approach, especially the performing art approach. The choice to this emic approach comes from the observation to the collective awareness of the people who support it. Performing art has the agility and the ability to charm us with its beauty depends on the purpose of the performance. Any kind of performance is expected to give satisfaction to the audience. In an occasion, the performing art can be used as a means and the legitimation of some ritual. The same performing art can be used by society as a means of communication too, especially for men and women. Performing art can adapt to different interests, although the form is not changed. The questions are how can the performing art be attractive and why and how can the performing art adapt to the needs of the society. In fact, these both abilities are going hand in hand. Attractive and adaptable comes from its various development components which show the closeness or even the same meaning.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"118 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131847922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Revitalizing Value of Humanities in the Twenty-four Solar Terms through Visual Design, Liaoning Province, China “二十四节气人文价值的视觉复兴”，辽宁，中国

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0009395904790489

Liu Wei, Veerawat Sirivesmas

{"title":"Revitalizing Value of Humanities in the Twenty-four Solar Terms through Visual Design, Liaoning Province, China","authors":"Liu Wei, Veerawat Sirivesmas","doi":"10.5220/0009395904790489","DOIUrl":"https://doi.org/10.5220/0009395904790489","url":null,"abstract":"The system of “Twenty-Four Solar Terms” (TST) is an order of seasonal solar orbit being used in the Chinese traditional calendar to understand nature and regulate local festivals to their way of life. It is ancient intelligence for more than 2000 years of harmonious living with nature, which reflects value of humanities in philosophical art of living. However, its time-guide function in modern Chinese calendar has gradually lost its importance because modernization in the recent decades has changed people’s lifestyle. Several terms are still used for some popular festivals, e.g. Qingming (Pure Brightness) and Dongzhi (Winter Solstice), however other terms are ignored by modern Chinese society. Although UNESCO submitted it to be intangible cultural heritage of mankind in 2016, which could be a turning point and opportunity to promote it, many Chinese people are still unaware of its traditional importance. Investigation into its cultural loss and possibility of revitalization in the educational field has been carried out in Liaoning Province of China by using questionnaires to understand its familiarity and retained cultural inheritance practices. The target groups contain students, parents, teachers and general population. The results show that 84 % of sampled young individuals were willing to learn and inherit it, while 41% of sampled parents were willing to participate in parent-child activities. Furthermore, almost all of sampled target group supported incorporating it into education. The results also confirm that children are interested in the system of TST, which could be transformed into various lessons through visual communication design.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"98 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134045845","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Globalization, Information and Communication Technology, and the Existence of Culture and Its Inheritors: A Case Study on Javanese Karawitan 全球化、信息与传播技术与文化的存在及其传承者——以爪哇卡拉维坦为例

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008562902400246

K. Hastuti, A. Z. Fanani, A. M. Syarif, A. Mulyana

{"title":"Globalization, Information and Communication Technology, and the Existence of Culture and Its Inheritors: A Case Study on Javanese Karawitan","authors":"K. Hastuti, A. Z. Fanani, A. M. Syarif, A. Mulyana","doi":"10.5220/0008562902400246","DOIUrl":"https://doi.org/10.5220/0008562902400246","url":null,"abstract":": Globalization eliminates time and space boundaries within local culture scope into global one. The effect of westernization definitely becomes one of globalization components. The development of information and communication technology accelerates globalization process. Karawitan , a traditional art originating from Java, has also experienced westernization process. Globalization in information and communication technology, besides its positive impact, also has negative impact on the existence of karawitan and on Indonesian people as the heirs of this culture. The lack of control over karawitan works uploaded on the internet and the ease of access to these works will certainly threaten karawitan music existence. Moreover, the data information of karawitan circulated on the internet is dominated by foreign sources. Thus, as a cultural heritage, karawitan should be preserved through good policies and documentation which are completely and validly arranged. In addition, the use of internet technology as a medium to present musical information in cultural globalization era is one of many ways to do to maintain the existence of Indonesian people as karawitan inheritors.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132958473","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Motif Design Cow Leather for Handbag 图案设计牛皮手袋

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008561702060210

Nurul Laily, Eri Ustadzah

引用次数: 0