The Attractive and Adaptable Indonesia Traditional Performing Art

A. H. Kusmayati, .. Raharja
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Abstract

Traditional Performing Art is a part of Indonesian society life. It is attractive, lively, and beautiful. It is also flexible or adaptable. These both natures and the implication are analysed by using the ethno art approach, especially the performing art approach. The choice to this emic approach comes from the observation to the collective awareness of the people who support it. Performing art has the agility and the ability to charm us with its beauty depends on the purpose of the performance. Any kind of performance is expected to give satisfaction to the audience. In an occasion, the performing art can be used as a means and the legitimation of some ritual. The same performing art can be used by society as a means of communication too, especially for men and women. Performing art can adapt to different interests, although the form is not changed. The questions are how can the performing art be attractive and why and how can the performing art adapt to the needs of the society. In fact, these both abilities are going hand in hand. Attractive and adaptable comes from its various development components which show the closeness or even the same meaning.
具有吸引力和适应性的印尼传统表演艺术
传统表演艺术是印尼社会生活的一部分。它是迷人的,活泼的,美丽的。它也是灵活的或适应性强的。运用民族艺术的方法,特别是表演艺术的方法,分析了这两种性质和含义。选择这种主体性的方法是基于对支持这种方法的人们的集体意识的观察。表演艺术具有敏捷性,能否以其美来吸引我们,取决于表演的目的。任何一种表演都是为了让观众满意。在某些场合,表演艺术可以作为某种仪式的手段和正当性。同样的表演艺术也可以被社会用作一种交流手段,尤其是对男人和女人来说。表演艺术可以适应不同的兴趣,虽然形式没有改变。问题是表演艺术如何具有吸引力,表演艺术为什么以及如何适应社会的需求。事实上,这两种能力是齐头并进的。它的吸引力和适应性来自于它的各种发展组成部分,这些组成部分表现出接近甚至相同的含义。
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