转型模式:Linangkit

Lee Chie Tsang Isaiah
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引用次数: 0

摘要

Linangkit是由颜色和形状的不同层次的结图案组成的,是沙巴传统的土著刺绣形式之一。本文讨论了这些模式如何转化为音乐材料,作为扩展我的作曲实践的一种方式,以发展音高、节奏组织和形式思想,并作为我与舞蹈家唐淑宽的第四次合作的基础,建立在我早期的项目Interbreathment2中对锣的早期经验的描述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Patterns of Transformation: Linangkit
Formed by different layers of patterning of knots with colours and shapes, Linangkit refers to one of Sabah’s traditional Indigenous forms of embroidery. This paper discusses how these patterns are being transformed into musical materials as a way to extend my compositional practice to develop ideas for pitch and rhythmic organization and formal ideas, and as the basis for my fourth collaboration with the dancer Tang Sook Kuan building on the earlier experiences with gongs described in my earlier project called Interbreathment2.
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