任意诠释后的狄波尼哥罗的表现

M. D. Marianto, Nur Sahid, .. Purwanto
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引用次数: 0

摘要

本研究旨在探讨印度尼西亚共和国的民族英雄之一迪波尼戈罗王子是如何以二维或三维媒体的视觉作品呈现的。在分散在日惹许多地方的各种方言表达中,可以说,Diponegoro -日惹苏丹国苏丹哈明库布沃诺三世的长子-以各种表达方式呈现,似乎是基于任意的解释和任意的概念。这项研究首先通过观察Diponegoro的绘画作品(绘画、雕塑和浮雕)进行,然后再次使用公众可以访问的官方来源的视觉数据和历史文本进行观察。每个选定的艺术品都被认为是一个标志;它的能指被分析、解释和评估,以回答研究问题。总的来说,对狄波尼哥罗有很多解释,导致了对狄波尼哥罗的很多看法。基于所获得的发现,可以说,迪波尼戈罗在各种视觉作品中的表现都是在这样一种套利中发展起来的,甚至可以说从那些有症状的东西中表现出了无政府主义的症状。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Representations of Diponegoro after Arbitrary Interpretations
: This research is to investigate how Prince Diponegoro - one of the National Heroes in the Republic of Indonesia - is presented in visual works either in two or three-dimensional media. Of the various vernacular expressions scattered in many places in Yogyakarta, it can be said that Diponegoro - the eldest son of Sultan Hamengkubuwono III of the Yogyakarta Sultanate - was presented in various expressions, which seemed to be based on arbitrary interpretations and arbitrary conception. . This research was conducted by first observing Diponegoro's drawings from a number of works - paintings, sculptures, and reliefs - then observing again using visual data and historical texts from official sources that can be accessed by the public. Each selected artwork is considered a sign; its signifier is analyzed, interpreted, and assessed to answer research questions. In general, there are many interpretations of Diponegoro, causing many perceptions, about Diponegoro. Based on the findings obtained, it can be said that the representation of Diponegoro in various visual works have developed in such an arbitrage, even from what is symptomatic can be said to have shown the symptoms of anarchism.
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