The Performance of Theatre Mixed Text “Pembayun”: Open Boundary of Mise Ēn Scène and Its Meaning

.. Yudiaryani, Hirwan Kuardhani
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Abstract

The Performance of Pembayun applies collaboration of performatively traditional and modern elements that form a mise en scène uniquely belongs to the group of Lembaga Teater Perempuan Yogyakarta, Yogyakarta Woman Theater. Theatrical contemporary performance requires a new form that is not only to revitalize tradition, but also to be closer and more reflecting to the needs of spectators. Pembayun is reflected as a multicultural performance from modern culture, the Mini Kata, and Javanese culture, Bedhaya Dance. The performance, presented at the crossing of ways of the culture and of artistic practices, creates an hybridization of tradition. There are three idioms from different cultures, i.e. Bedhaya Javanese Dance, the Mini Kata spontaneous gestures, and the gender ideology. Bedhaya has a pattern as well as choreography standard. Mini Kata produces an acting system of improvisation. The ideology of gender becomes an instrument for blending the mise en scène of the Bedhaya and the Mini Kata. The performance of Pembayun is a mixture of work with a controlled result yet still tied to the source of tradition.
戏剧混合文本《彭巴云》的表演:Mise的开放边界Ēn sc及其意义
Pembayun的表演将传统和现代的表演元素结合在一起,形成了一种独特的场景,属于Lembaga Teater Perempuan Yogyakarta,日惹女子剧院。当代戏剧表演需要一种新的形式,既要复兴传统,又要更贴近、更能反映观众的需求。Pembayun是一种多文化的表演,反映了现代文化,迷你卡塔和爪哇文化,贝德哈亚舞。表演呈现在文化和艺术实践的交叉点上,创造了传统的杂交。有三种来自不同文化的习语,即贝德哈亚爪哇舞蹈,迷你卡塔自发手势和性别意识形态。贝德哈亚有自己的套路和编舞标准。迷你卡塔产生了一种即兴表演系统。性别意识形态成为一种工具,用于混合贝德哈亚和迷你卡塔的场景。《Pembayun》的表演是一种混合的工作,具有可控的结果,但仍然与传统的来源有关。
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