Analysis of the Main Character Changes through Mise-En-Scene in the Movie "Maleficent"

D. Setyawan, Raden Roro Ari Prasetyowati, Silvia Loren Kurniasih
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Abstract

: Main character Change analysis research through Mise-en-Scene in the Film "Maleficent" aims to describe how the main character, the Mise-en-scene aspect affects the most changes experienced by the character The film. The research uses the Harymawan theory of the three-dimensional figure, Brodwell and Thompson, and the theory of character change by Lajos Egri to analyze the data in more detail. The research method used is the analysis of qualitative descriptive data with a focus on changes in the main character. Judging from the mise-en-scene aspect, if mise-en-scene is able to prove the character changes that occur to the main character or not at all. The data retrieval techniques used are observations or observations directly on the film as key research materials. The conclusion of the research showed that the main character had a three-time change in the characters from the character, the protagonist, the antagonist then returned to the protagonist. The mise-en-scene aspect of Maleficent shows and supports a valid character change in the main characters. The process of causing Maleficent changes that are supported with the aspect of Mise-en-Scene makes the main character Maleficent to be a more unique character and magnetize.
浅析电影《沉睡魔咒》中人物的场景变换
通过对电影《沉睡魔咒》中主角变化的场景分析研究,旨在描述主角的场景方面是如何影响角色在电影中经历的最大变化的。本研究采用Harymawan的三维人物理论、Brodwell和Thompson以及Lajos Egri的性格变化理论对数据进行了更详细的分析。使用的研究方法是分析定性描述性数据,重点关注主要人物的变化。从场景设定方面来看,场景设定是否能够证明主角身上发生的角色变化,或者根本没有。使用的数据检索技术是观测或直接对作为关键研究材料的胶片进行观测。研究结论表明,主人公经历了从人物、主角、反派再回到主角的三次人物转变。《玛琳菲森》的场景设置方面显示并支持主角的有效角色转换。让玛琳菲森发生变化的过程,加上现场场景的支持,使得主角玛琳菲森成为一个更独特的角色,更有吸引力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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