文化可持续性:马来西亚蜡染砖濒死艺术个案研究

Faradiba Liana Naser, Hanif Khairi
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引用次数: 1

摘要

马来西亚的传统蜡染砖是国家的遗产和财富。然而,它已经慢慢消失,接近灭绝,特别是在马来西亚东海岸地区。蜡染砖的独特性在很大程度上依赖于它的图案,这种图案是由一位被称为砖匠大师的工匠所倡导的。目前,马来西亚的大型砌块制造商已经所剩无几,东海岸的砌块制造商也所剩无几。这一发现提出了蜡染砖被认为是一种垂死的艺术,需要文化意识和认可的问题。进行了定性研究,以确定马来西亚的积木制作艺术的消亡。与吉兰丹州和登嘉楼州的两名砌块制作专家进行了深入访谈。然后对采访记录的数据进行主题分析,发现蜡染艺术消亡的问题涉及四个主要主题:一致性、人为因素、蜡染社区和倡议。这些因素对马来西亚蜡染砖艺术的保护起着重要作用。从研究结果来看,希望木块制作艺术能够继续蓬勃发展,从而提高人们对马来西亚宝贵传统文化的欣赏和维护。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cultural Sustainability: A Case Study of the Dying Art on Batik Block in Malaysia
Traditional batik block in Malaysia is the country’s heritage and treasure. However, it has slowly faded nearing extinction, particularly in the east coast region of Malaysia. The uniqueness of a batik block is very much relies on its pattern that is championed by a master craftsman called the master block maker. Currently, not many master block makers are left in Malaysia with only few remaining in the east coast. This finding raised the question of batik block being considered as a dying art which needs cultural awareness and recognition. A qualitative study was conducted to identify the dying art of block making in Malaysia. In depth interviews was conducted with two block making experts in the state of Kelantan and Terengganu. The transcribed data of the interview sessions were then analysed using thematic analysis, and it was found that there are four major themes involved in the issue of the craft’s dying art which are: consistent, human factors, batik community and initiatives. These factors plays major role in the conservation of the art of batik block in Malaysia. From the findings, it is hope that the art of block making will continue to flourish thus enhancing the appreciation and sustaining the valuable traditional culture of Malaysia.
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