Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities最新文献_第5页

Explore the Harmony in Chinese Contemporary Choral Art: "CCTV National Young Singer Grand Prix" as an Example 探索中国当代合唱艺术的和谐——以“中央电视台全国青年歌手大奖赛”为例

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008764603450350

Lu Jingyuan, Lee Chie Tsang Isaiah

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Temple Reliefs: The Potential for Character Education in Art Education based on the Local Wisdom 寺庙浮雕:基于地方智慧的艺术教育中品格教育的潜力

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008765704100414

Riza Istanto, Arisianto

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Paradigm of Abstract Expressionism Painting of Balinese Artists in Yogyakarta 巴厘岛艺术家在日惹的抽象表现主义绘画范式

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008557001770185

I. G. Sucitra, Retno Purwandari, Kadek Primayudi

{"title":"Paradigm of Abstract Expressionism Painting of Balinese Artists in Yogyakarta","authors":"I. G. Sucitra, Retno Purwandari, Kadek Primayudi","doi":"10.5220/0008557001770185","DOIUrl":"https://doi.org/10.5220/0008557001770185","url":null,"abstract":": Art discourse in Indonesia has discussed the need for Indonesian concepts, paradigms, and categories both in historical studies, aesthetic theories and general cultural strategies. With various kinds of cultural achievements and works of art produced by Indonesian artists. This research departs from observations of certain styles that have developed communally in the field of Indonesian art, especially Yogyakarta, which later became an art development identity in the 1990s, namely abstract expressionism style. In this study will deeply read and trace the achievements of the \"art paradigm\" and the development of expressionism abstract paintings, especially in Sanggar Dewata Indonesia (SDI) artists in Yogyakarta which reached its golden age in the span of 1990-2000. The focus of Balinese artists who became the object of this research was Made Wianta, Nyoman Erawan, and Made Sumadiyasa. The birth of abstract expressionism paintings that are faithfully carried as the language of representation of a number of Balinese artists who are the subject of study in this study shows that the problems of form, pattern, and method of work are only as visual intermediaries in realizing their deepest imagination of cultural and personal experiences.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125216095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Role of MIDI Technology in the Teaching and Learning Process of Flute Practice at ISI Yogyakarta MIDI技术在日惹ISI长笛练习教学过程中的作用

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008766104280434

T. Widodo, A. Indrawan, .. Suryati

{"title":"The Role of MIDI Technology in the Teaching and Learning Process of Flute Practice at ISI Yogyakarta","authors":"T. Widodo, A. Indrawan, .. Suryati","doi":"10.5220/0008766104280434","DOIUrl":"https://doi.org/10.5220/0008766104280434","url":null,"abstract":": Research on the application of MIDI technology as the accompanying music media illustrates that MIDI technology is essential in helping music practice, in this article provides a case study of MIDI technology as one of the companions in the practice of flutes. The need for accompanying musical instruments is needed for students, especially high-level students in the process of learning musical instruments. MIDI technology is now elementary to find in various digital musical instruments, such as keyboards and synthesizers, to make it easier for students to get accompaniment instruments. MIDI technology can store data in the form of sound data from acoustic instruments, so musicians can easily use it. The ability of MIDI technology that is owned can undoubtedly be utilised in the process of learning music. MIDI technology applications are more likely to be used as instruments or additional friends. So that MIDI applications function as accompaniment music instruments. Through MIDI data that is easily modified or processed, MIDI can be applied in flute practice. One form of MIDI modification is replacing the sound produced. MIDI data that causes piano sound can be changed with other sounds, such as violins, string instruments. Besides the speed or tempo of the song, MIDI data can be easily changed. MIDI data processing helps students to practices flute training. The method of utilising MIDI technology as a companion instrument is carried out in the learning process of flute practice. Utilising MIDI technology, it is concluded that students who have low practice skills quickly follow playing the flute instrument.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133745142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Research on the Application of Fuzzy Philosophy Theory in Chinese Contemporary National Chamber Music Creation: The erhu Ensemble “Opera Mask” as an Example 模糊哲学理论在中国当代民族室内乐创作中的应用研究——以二胡合奏《歌剧面具》为例

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008765303880393

F. Jia, Lee Chie Tsang Isaiah

{"title":"Research on the Application of Fuzzy Philosophy Theory in Chinese Contemporary National Chamber Music Creation: The erhu Ensemble “Opera Mask” as an Example","authors":"F. Jia, Lee Chie Tsang Isaiah","doi":"10.5220/0008765303880393","DOIUrl":"https://doi.org/10.5220/0008765303880393","url":null,"abstract":": Human beings grapple with a wide range of uncertainties and ambiguities in the process of cognition. Fuzzy Philosophy theorizes that there are major changes in the way humans think. Fuzzy Philosophy is also widely used in theorizing about art, such as the fuzzy aesthetics in artistic aesthetics, the fuzzy beauty in music appreciation, and the hazy beauty that all embody Fuzzy Philosophy. This article is inspired by the theory of Fuzzy Philosophy and uses Xiong Xiao’s erhu ensemble’s work called “Opera Mask” as the entry point into analyzing the work’s timbre and sound layout, pitch organization and tonality, unconventional performance and other aspects, revealing elements of fuzzy aesthetic philosophical theory contained in the work. Analysis of this work can provide a useful reference for the creation of contemporary national chamber music and can provide a new way of thinking about the innovation and development of contemporary national chamber music. At present, the creation of contemporary national chamber music no longer occurs in a single, invariable and unified state, but through a multi-innovational, multi-form and multi-level process. In this new and changing situation, Chinese contemporary national chamber music should no longer be limited to a single positioning but should cover multiple aspects of fuzziness. These multiple aspects that characterize a fuzzy creation method are useful for obtaining a larger and wider creative space that will also represent an expansion of creative ideas and methods.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133427120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Women Art and Its Disclosure 女性艺术及其揭露

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008557301860190

Shalihah Ramadhanita

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The Influence of Peranakan Chinese Visual Culture in Pekalongan 土生华人视觉文化对北加隆岸的影响

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008545700700077

Erica Rachel Budianto, Yan Yan Sunarya

{"title":"The Influence of Peranakan Chinese Visual Culture in Pekalongan","authors":"Erica Rachel Budianto, Yan Yan Sunarya","doi":"10.5220/0008545700700077","DOIUrl":"https://doi.org/10.5220/0008545700700077","url":null,"abstract":": Pekalongan was the first city in Indonesia which joined UNESCO Creative Cities Network in 2014. It was located in the northern coast of Central Java, which made its geographical location quite strategic. Many foreign immigrants came there in the past and among them was the immigrants from China, who later settled in Indonesia. The acculturation of original Chinese culture and local culture created the new Peranakan Chinese culture, which had distinctive characteristics. This research analyzed the influence of Peranakan Chinese culture in the development of visual culture in Indonesia, especially in Pekalongan. The result of the acculturation can be seen in Pekalongan visual culture until now, such as batik tulis and architecture. The most legendary Peranakan Chinese batik tulis in Pekalongan is Oey Soe Tjoen batik, which has existed for three generations. Meanwhile, the building which has Peranakan Chinese architecture is The Sidji Hotel. The aim of this research was to encouraged society to appreciate more about diversity and the role of acculturation in the development of Indonesia’s visual culture.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124625279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Analysis Application of Non-diegetic Sound on Animation Movie “Battle of Surabaya” to Human Perception 动画电影《泗水之战》中非叙事音效对人类感知的应用分析

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008546701230127

Charista Elliani, J. A. Simanjuntak

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A Comparative Study of Cultural Integration between Chinese Calligraphy and Thai Characters 中国书法与泰国文字文化融合之比较研究

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0009395804690478

C. Yu

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From Owls to Humanities: Good Values in “Legend of the Guardians: The Owls of Ga’Hoole” 从猫头鹰到人文:《守护者传奇:加霍尔猫头鹰》中的良好价值观

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities Pub Date : 1900-01-01 DOI: 10.5220/0008765203820387

I. Rodliyah

{"title":"From Owls to Humanities: Good Values in “Legend of the Guardians: The Owls of Ga’Hoole”","authors":"I. Rodliyah","doi":"10.5220/0008765203820387","DOIUrl":"https://doi.org/10.5220/0008765203820387","url":null,"abstract":"This paper reports the activity of using a movie to provide students with artistic and emotional experiences in recognizing good values of humanities. The activity is a part of Australian Studies course delivered at the Study Program of English, Universitas Brawijaya, and the movie being reviewed is an Australian box office “Legend of the Guardians: The Owls of Ga'Hoole”. During the movie appreciation, the students are instructed to focus on (1) the indigenous value and culture found in the movie, (2) the most impressive aspects of the movie, and (3) the character’s inspiring line(s). The result of the activity shows that most students recognized the Australian value of “mateship” which was shown by the main characters. Australian indigenous culture such as telling stories of legends and myths and about the Dreamtime is well addressed by most of the students. The students are also seen to disclose their understanding of universal values of good and bad. The students’ most favourite line, which is uttered by one of the main characters, “Mend the broken, make strong the weak, and vanquish all evil” reflects the students’ awareness on the importance of adopting good values and suppressing the bad ones.","PeriodicalId":152028,"journal":{"name":"Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities","volume":"382 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133427153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0