土生华人视觉文化对北加隆岸的影响

Erica Rachel Budianto, Yan Yan Sunarya
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引用次数: 0

摘要

: 2014年,贝加隆岸成为印尼首个加入联合国教科文组织创意城市网络的城市。它位于中爪哇的北部海岸,这使得它的地理位置非常具有战略意义。过去有许多外国移民来到这里,其中包括来自中国的移民,他们后来定居在印度尼西亚。原中华文化与本土文化的融合,造就了具有鲜明特色的土生华人新文化。本研究分析土生华人文化对印尼尤其是北加隆岸视觉文化发展的影响。文化适应的结果可以在北卡隆岸的视觉文化中看到,直到现在,如蜡染郁金香和建筑。Pekalongan最具传奇色彩的土生华人蜡染是Oey Soe Tjoen蜡染,已经存在了三代。同时,具有土生华人建筑风格的建筑是西吉酒店。这项研究的目的是鼓励社会更多地欣赏多样性和文化适应在印度尼西亚视觉文化发展中的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Influence of Peranakan Chinese Visual Culture in Pekalongan
: Pekalongan was the first city in Indonesia which joined UNESCO Creative Cities Network in 2014. It was located in the northern coast of Central Java, which made its geographical location quite strategic. Many foreign immigrants came there in the past and among them was the immigrants from China, who later settled in Indonesia. The acculturation of original Chinese culture and local culture created the new Peranakan Chinese culture, which had distinctive characteristics. This research analyzed the influence of Peranakan Chinese culture in the development of visual culture in Indonesia, especially in Pekalongan. The result of the acculturation can be seen in Pekalongan visual culture until now, such as batik tulis and architecture. The most legendary Peranakan Chinese batik tulis in Pekalongan is Oey Soe Tjoen batik, which has existed for three generations. Meanwhile, the building which has Peranakan Chinese architecture is The Sidji Hotel. The aim of this research was to encouraged society to appreciate more about diversity and the role of acculturation in the development of Indonesia’s visual culture.
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