Critical Studies in Television最新文献

Global platforms, new media generations and Anglo-American hegemony: An exploration of young audience viewing and language preferences in four European countries 全球平台、新媒体世代与英美霸权：欧洲四国年轻观众观看和语言偏好的探索

IF 1 2区艺术学

Critical Studies in Television Pub Date : 2025-07-11 DOI: 10.1177/17496020251360130

Andrea Esser, Jeanette Steemers

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Reimagining ‘home advantage’: Youth entertainment in a world of abundance and the challenge to domestic media 重新构想“主场优势”：丰富世界中的青年娱乐和对国内媒体的挑战

IF 1 2区艺术学

Critical Studies in Television Pub Date : 2025-07-02 DOI: 10.1177/17496020251357824

Marika Lüders, Vilde Schanke Sundet

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EastEnders and the environment: Communicating the planetary crisis in prime time? 伦敦东区人和环境：在黄金时段传播地球危机？

IF 1 2区艺术学

Critical Studies in Television Pub Date : 2025-05-27 DOI: 10.1177/17496020251340359

Lesley Henderson

{"title":"EastEnders and the environment: Communicating the planetary crisis in prime time?","authors":"Lesley Henderson","doi":"10.1177/17496020251340359","DOIUrl":"https://doi.org/10.1177/17496020251340359","url":null,"abstract":"The BBC flagship continuing drama EastEnders (1985-) is widely accepted as an exemplar of the ‘entertainment-education’ approach, embodying a strong public service ideology and rooted in Reithian values. In this paper, I explore the definitional role of the programme in addressing environmental issues in the digital age and argue that this is a novel opportunity to examine the limits and possibilities of the genre to engage with anthropogenic crises. My analysis is informed by the perspectives of EastEnders scriptwriters/consultants and sustainability professionals who perceived prime time drama as providing a unique tool to engage distinctive diverse audiences who are marginalised by blue-chip nature series. For the first time, I address the context in which popular environmental storylines are produced in the UK and identify how storytelling is mediated by the contemporary hostile television environment with intense competition from streaming channels and social media platforms. I outline how the dynamics of environmental storytelling are shaped explicitly by external factors including organisational commitment to climate content and the perceived role of the BBC in catalysing a ‘national conversation’. Powerful tacit assumptions concerning ‘good stories’ being rooted in interpersonal friction potentially risk presenting a false equivalency – given that environmental scientists are reluctant to collaborate with this ‘low status’ media product. Continuing drama facilitates distinct opportunities to connect climate crisis to the lived experience through human-centred narratives but the contemporary television production context is in a state of flux and dated assumptions concerning its role in constructing public attitudes and beliefs need to be revisited.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"25 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2025-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144153929","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Syndication in a FAST world: Lineages and ruptures 快速世界中的辛迪加：传承与破裂

IF 1 2区艺术学

Critical Studies in Television Pub Date : 2025-05-24 DOI: 10.1177/17496020251344737

Mike Van Esler

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Television beyond the pleasure principle: The death drive in The Office (UK) and other cringe comedy 超越快乐原则的电视：《办公室》（英国）和其他令人畏缩的喜剧中的死亡驾驶

IF 1 2区艺术学

Critical Studies in Television Pub Date : 2025-05-19 DOI: 10.1177/17496020251344580

Marshall Meyer

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Queen of Netflix: Streaming Shondaland Netflix的女王：流媒体秀德兰

IF 1 2区艺术学

Critical Studies in Television Pub Date : 2025-05-12 DOI: 10.1177/17496020251342021

Olivia Khoo

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An ( EastEnders ) education: Social interventions, collective proselytising, male fandom and EastEnders 《东区人》教育：社会干预、集体传教、男性狂热和东区人

IF 1 2区艺术学

Critical Studies in Television Pub Date : 2025-05-08 DOI: 10.1177/17496020251340583

Mark Fryers, Adrian Ashby

{"title":"An ( EastEnders ) education: Social interventions, collective proselytising, male fandom and EastEnders","authors":"Mark Fryers, Adrian Ashby","doi":"10.1177/17496020251340583","DOIUrl":"https://doi.org/10.1177/17496020251340583","url":null,"abstract":"Previous studies of EastEnders (1985-present) have focused on important feminist and queer scholarship or topics including class and ethnicity. Likewise, previous quantitative and qualitative analyses of the programme have been largely skewed towards female spectatorship. The significant male viewing demographic within audience research has been comparatively underrepresented. Taking an autoethnographic approach which seeks to triangulate previous ethnographic studies with the extant body of theoretical literature on EastEnders , this article seeks to fill important gaps in the EastEnders literature. Via autoethnographic discourse, this study focuses on the vital educative function (what we term ‘collective proselytising’) that EastEnders offered to the authors as well as its potential ongoing, longitudinal influence. In doing so, it exemplifies the role that the programme played in conveying education on issues such as class, sexuality ethnicity and, most prominently of all, gender inequality. With an emphasis on EastEnders ’ early years (the mid-1980s onwards), this article illuminates the social and educative function of the programme. In a period in which EastEnders offered a soap that was vital and dynamic to young male audiences, and before the programme deliberately targeted a male demographic with ‘tough guy’ archetypes, it also presented a form of masculinity that challenged rebarbative stereotypes. The article likewise works to highlight how individual and collective televisual memory plays a central role in underlining television’s socio-cultural importance.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"28 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2025-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143927319","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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BeastEnders: Pets and Soap Opera 《野兽终结者：宠物与肥皂剧

IF 1 2区艺术学

Critical Studies in Television Pub Date : 2025-05-05 DOI: 10.1177/17496020251340357

Brett Mills

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Death of a matriarch: Soap opera aesthetics, space and memory 女族长之死：肥皂剧美学、空间与记忆

IF 1 2区艺术学

Critical Studies in Television Pub Date : 2025-05-02 DOI: 10.1177/17496020251339438

Faye Woods

{"title":"Death of a matriarch: Soap opera aesthetics, space and memory","authors":"Faye Woods","doi":"10.1177/17496020251339438","DOIUrl":"https://doi.org/10.1177/17496020251339438","url":null,"abstract":"The deaths of long-running, elderly characters offer up a chance to consider the ebb and flow and circular nature of soap narratives. This article uses the deaths of three of EastEnders ’s matriarchs to think about the soap opera’s use of aesthetics and space, alongside its layering of memory. Pat Butcher, Peggy Mitchell and Dot Cotton’s deaths – two on screen and one off – saw the programme intensify and disrupt its aesthetic and narrative conventions to signify these deaths as intensely emotional ‘events’. These endings were moments of pause in the ever-onwards flow of soap narrative. Long-running elderly characters embody soap memory, and through these deaths EastEnders revisited deep layers of its past to pay tribute to departing iconic characters by employing ‘practices of self-citations and self-referentiality’ (Holdsworth, 2011: 37). Here, objects and spaces, remembrances and returns are used to enrich the experience of long-time viewers. This article considers the use of Albert Square as a ‘time-rich’ (Lury, 2005:16) space and presents these episodes as examples of how the programme can shift its aesthetic conventions and unsettle its spatial dynamics for affective impact.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"40 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2025-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143901345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Women’s broadcasting histories and the archive: National, transnational and transmedial entanglements 妇女广播的历史和档案：国家、跨国和跨媒体的纠缠

IF 1 2区艺术学

Critical Studies in Television Pub Date : 2025-05-02 DOI: 10.1177/17496020251330853

Sarah Arnold, Janet McCabe, Kylie Andrews, Alec Badenoch, Jeannine Baker, Vicky Ball, Elisa Hendriks, Vanessa Jackson, Kate Murphy, Ipsita Sahu, Kristin Skoog, Kate Terkanian, Helen Warner

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