发布求助
文献互助 智能选刊 最新文献

Critical Studies in Television最新文献

筛选
英文 中文
Television’s scalar play: Invitations to scalar thinking across the intimate and the global 电视的纯量游戏：邀请纯量思维跨越亲密和全球
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2026-10-21 DOI: 10.1177/17496020261486245
Sofia Bull
{"title":"Television’s scalar play: Invitations to scalar thinking across the intimate and the global","authors":"Sofia Bull","doi":"10.1177/17496020261486245","DOIUrl":"https://doi.org/10.1177/17496020261486245","url":null,"abstract":"This article examines how contemporary television engages with scale, arguing that the medium routinely prompts viewers to navigate conceptually between micro and macro perspectives. Bringing television studies into dialogue with scale theory, the article demonstrates how diverse programmes – using <jats:italic toggle=\"yes\">The Last of Us</jats:italic> (2023–present), <jats:italic toggle=\"yes\">Familier som vores</jats:italic> [ <jats:italic toggle=\"yes\">Families Like Ours</jats:italic> ] (2024), <jats:italic toggle=\"yes\">Eurovision Song Contest</jats:italic> (1956–present) and <jats:italic toggle=\"yes\">UEFA Champions League</jats:italic> (1956–present) as case studies – mobilise narrative, thematic and visual strategies of scalar play that invite the viewer to conduct scalar thinking across individual experiences, collective formations and planetary frameworks. Aerial views, long shots emphasising size differences, glocal address and repeated returns to life-sized close-ups invite audiences to consider their position within networks that extend beyond the human. While television often re-centres anthropocentric perspectives through its grammar of intimacy, these scalar dynamics still encourage meaningful shifts in perception. The article argues that television’s routine engagements with scale cultivate everyday multi-scalar awareness.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"39 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2026-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149229873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book review: Radical Children’s Film and Television BrownNoel (ed.), Radical Children’s Film and Television (2025) Edinburgh: Edinburgh University Press Ltd. 326 pp. ISBN 9781399536059. 书评：激进儿童电影和电视布朗诺埃尔（编），激进儿童电影和电视（2025）爱丁堡：爱丁堡大学出版社有限公司326页，ISBN 9781399536059。
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2026-09-29 DOI: 10.1177/17496020261480576
Emma Horsley-Heather
{"title":"Book review: Radical Children’s Film and Television BrownNoel (ed.), Radical Children’s Film and Television (2025) Edinburgh: Edinburgh University Press Ltd. 326 pp. ISBN 9781399536059.","authors":"Emma Horsley-Heather","doi":"10.1177/17496020261480576","DOIUrl":"https://doi.org/10.1177/17496020261480576","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"9 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2026-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149123149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book review: Penda’s Fen: Scene by Scene GreavesIan, Penda’s Fen: Scene by Scene (2025). London: Ten Acre Films. 362 pp + 21 illustrations. ISBN 978-1-9086-3087-2. 书评：《潘达的沼泽：一场接一场》（2025）。伦敦：十亩电影公司。362页+ 21张插图。ISBN 978-1-9086-3087-2。
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2026-09-23 DOI: 10.1177/17496020261480523
Tom May
{"title":"Book review: Penda’s Fen: Scene by Scene GreavesIan, Penda’s Fen: Scene by Scene (2025). London: Ten Acre Films. 362 pp + 21 illustrations. ISBN 978-1-9086-3087-2.","authors":"Tom May","doi":"10.1177/17496020261480523","DOIUrl":"https://doi.org/10.1177/17496020261480523","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"23 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2026-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149123993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book review: Migrants, Television and Australian Stories: A New History Darian-SmithKateTurnbullSueKhoranaSukhmaniHarveyKyle (2025). Migrants, Television and Australian Stories: A New History. Routledge. 278 pp. ISBN 9781032856940. 书评：《移民、电视和澳大利亚故事：一段新的历史》达里安-史密斯·凯特·特恩布尔·苏克霍拉纳·苏克曼·哈维·凯尔（2025）。移民、电视和澳大利亚故事：一段新的历史。劳特利奇，278页，ISBN 9781032856940。
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2026-09-22 DOI: 10.1177/17496020261480577
Liam Burke
{"title":"Book review: Migrants, Television and Australian Stories: A New History Darian-SmithKateTurnbullSueKhoranaSukhmaniHarveyKyle (2025). Migrants, Television and Australian Stories: A New History. Routledge. 278 pp. ISBN 9781032856940.","authors":"Liam Burke","doi":"10.1177/17496020261480577","DOIUrl":"https://doi.org/10.1177/17496020261480577","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"87 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2026-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149123994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book review: Alexandre Diallo and Sandra Laugier (eds). Women in security television (2025) DialloAlexandreLaugierSandra (eds) (2025). Women in Security Television. London and New York: Routledge, pp. 194 ISBN 9781032819204 书评：Alexandre Diallo和Sandra Laugier（编）。女性在安全电视（2025）对话亚历山大·劳吉·桑德拉（编）（2025）。安全电视中的女性。伦敦和纽约：劳特利奇出版社，第194页ISBN 9781032819204
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2026-09-22 DOI: 10.1177/17496020261480515
Peter Chai
{"title":"Book review: Alexandre Diallo and Sandra Laugier (eds). Women in security television (2025) DialloAlexandreLaugierSandra (eds) (2025). Women in Security Television. London and New York: Routledge, pp. 194 ISBN 9781032819204","authors":"Peter Chai","doi":"10.1177/17496020261480515","DOIUrl":"https://doi.org/10.1177/17496020261480515","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"27 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2026-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149123992","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book review: New Queer Television: From Marginalisation to Mainstreamification BrassingtonThomasFerredayDebraGirardDany (eds), (2024). New Queer Television: From Marginalisation to Mainstreamification. Bristol, UK: Intellect. 211 pp. ISBN 9781835950067. 书评：《新酷儿电视：从边缘化到主流化》，作者：thomas ferredaydebragirardany（编），（2024）。新酷儿电视：从边缘化到主流化。布里斯托尔，英国：智力出版社。211页。ISBN 9781835950067。
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2026-09-21 DOI: 10.1177/17496020261480507
Craig Haslop
{"title":"Book review: New Queer Television: From Marginalisation to Mainstreamification BrassingtonThomasFerredayDebraGirardDany (eds), (2024). New Queer Television: From Marginalisation to Mainstreamification. Bristol, UK: Intellect. 211 pp. ISBN 9781835950067.","authors":"Craig Haslop","doi":"10.1177/17496020261480507","DOIUrl":"https://doi.org/10.1177/17496020261480507","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"28 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2026-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149123995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book Review: Beyond the Screen: The Future of Television and Advertising AycockFrank A.. (2026). Beyond the Screen: The Future of Television and Advertising. New York: Routledge. 207 pp. ISBN 9781041037903. 书评：超越屏幕：电视和广告的未来(2026)。超越屏幕：电视和广告的未来。纽约：劳特利奇出版社，207页，ISBN 9781041037903。
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2026-09-21 DOI: 10.1177/17496020261480506
Yixin Chu
{"title":"Book Review: Beyond the Screen: The Future of Television and Advertising AycockFrank A.. (2026). Beyond the Screen: The Future of Television and Advertising. New York: Routledge. 207 pp. ISBN 9781041037903.","authors":"Yixin Chu","doi":"10.1177/17496020261480506","DOIUrl":"https://doi.org/10.1177/17496020261480506","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"25 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2026-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149123996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cultural specificity and transnational coproduction: A case study of Irish/New Zealand crime drama, The Gone 文化特殊性与跨国合作：以爱尔兰/新西兰犯罪剧《消失》为例
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2026-09-17 DOI: 10.1177/17496020261484580
Trisha Dunleavy
{"title":"Cultural specificity and transnational coproduction: A case study of Irish/New Zealand crime drama, The Gone","authors":"Trisha Dunleavy","doi":"10.1177/17496020261484580","DOIUrl":"https://doi.org/10.1177/17496020261484580","url":null,"abstract":"This article offers a case study in transnational coproduction using Irish/New Zealand crime drama serial, <jats:italic toggle=\"yes\">The Gone</jats:italic> (TVNZ/RTÉ, 2023-24), the first major coproduction between these countries. Examining <jats:italic toggle=\"yes\">The Gone</jats:italic> ’s exemplification of what Havens’ (2018) terms ‘conspicuous localism’, the article links the cultural equality that characterised this drama’s writing and filming to the maximisation of cultural specificity in the finished show. Informed by interview insights from <jats:italic toggle=\"yes\">The Gone</jats:italic> ’s producers and writers, the article foregrounds creative processes for high-end drama, and reveals the continuing importance of traditional coproduction pathways when SVoD investment is unavailable, for high-end TV dramas produced in small markets.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"430 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2026-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148979508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Getting along with despair”: finding healing within the post-apocalypse “与绝望相处”：在后启示录中寻找治愈
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2026-09-09 DOI: 10.1177/17496020261484585
Susan Noh
{"title":"“Getting along with despair”: finding healing within the post-apocalypse","authors":"Susan Noh","doi":"10.1177/17496020261484585","DOIUrl":"https://doi.org/10.1177/17496020261484585","url":null,"abstract":"This paper focuses on the manga-turned-anime, <jats:italic toggle=\"yes\">Shoujo Shuumatsu Ryokou</jats:italic> , to analyze the potential for the hybrid genre of post-apocalyptic <jats:italic toggle=\"yes\">iyashi-kei</jats:italic> to transcend the neoliberal ideologies that tend to characterize each genre respectively. <jats:italic toggle=\"yes\">Iyashi-kei,</jats:italic> translated to mean ‘healing’, is a category of self-care that prioritizes control over one’s ambiance to help individuals regulate the psychosomatic self. In observing how these qualities manifest in post-apocalyptic television, I argue that <jats:italic toggle=\"yes\">iyashi-kei</jats:italic> healing leverages the post-apocalyptic genre to embrace the potentials of queer failure and aligning the self with the Other, while simultaneously rejecting repro-futurism.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"60 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2026-09-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148909135","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“I don’t want to be a Hulk. I just got my own office!”: She-Hulk: Attorney at Law (2022) and representations of gendered corporate cultures “我不想成为绿巨人。我刚有了自己的办公室！：《She-Hulk: lawyer at Law》（2022）和性别企业文化的表现
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2026-09-03 DOI: 10.1177/17496020261484572
Ellie Tomsett
{"title":"“I don’t want to be a Hulk. I just got my own office!”: She-Hulk: Attorney at Law (2022) and representations of gendered corporate cultures","authors":"Ellie Tomsett","doi":"10.1177/17496020261484572","DOIUrl":"https://doi.org/10.1177/17496020261484572","url":null,"abstract":"This article analyses, through a feminist media studies lens, the representations of corporate cultures portrayed within the Marvel series <jats:italic toggle=\"yes\">She-Hulk: Attorney at Law</jats:italic> (2022) produced for Disney+. The protagonist, Jennifer Walters, in both “normal Jen” and “She-Hulk” forms, is forced to navigate numerous gendered environments and expectations as part of working within the legal profession as a defence lawyer. The show, in line with popular forms of western fourth wave feminism engages with numerous contemporary gender issues, including women’s safety, expectations of normative femininity, workplace identity, and diversity work. This article explores how the character of Jen/She-Hulk, within the parameters of the superhero comedy form, provides a site for pop culture critique of the gendered aesthetic and emotional labour women undertake within corporate workplaces, as well as the diversity work expected of women and racially minoritised people. In a post #MeToo context the series makes sophisticated use of its comedic elements to humorously examine the pressures women experience when working in male-dominated corporate environments.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"372 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2026-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148898898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：604180095
Book学术官方微信
小红书