Women’s broadcasting histories and the archive: National, transnational and transmedial entanglements

IF 0.9 2区 艺术学 0 FILM, RADIO, TELEVISION
Sarah Arnold, Janet McCabe, Kylie Andrews, Alec Badenoch, Jeannine Baker, Vicky Ball, Elisa Hendriks, Vanessa Jackson, Kate Murphy, Ipsita Sahu, Kristin Skoog, Kate Terkanian, Helen Warner
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引用次数: 0

Abstract

This provocation details varied perspectives of the International Women’s Broadcasting Histories (IWBH) network on researching the role of women in broadcasting. The conversational form allows us to roam across the topic widely, to express a range of discrete positions and distinct arguments, with the desire to bring dilemmas to the surface and explore their implications without reduction. Responding with a series of interventionist statements around the issues and challenges of doing archival research into women’s work, we opt for retaining different viewpoints in a raw state, with the aim of provoking discussion about the methodological opportunities and limitations when working within and outside of archives.
妇女广播的历史和档案:国家、跨国和跨媒体的纠缠
这一挑衅详细介绍了国际妇女广播史(IWBH)网络在研究妇女在广播中的作用方面的不同观点。对话形式允许我们广泛地漫游在主题上,表达一系列离散的立场和不同的论点,并希望将困境带到表面,并探索其含义而不减少。针对女性工作档案研究的问题和挑战,我们选择保留不同的原始观点,以回应一系列介入主义的声明,目的是引发关于在档案内外工作时方法论的机会和局限性的讨论。
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来源期刊
Critical Studies in Television
Critical Studies in Television FILM, RADIO, TELEVISION-
CiteScore
2.10
自引率
30.00%
发文量
70
期刊介绍: Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.
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