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Critical Studies in Television最新文献

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Book Review: Biographical Television Drama 书评:传记电视剧
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2022-08-22 DOI: 10.1177/17496020221121467
Rob Watts
{"title":"Book Review: Biographical Television Drama","authors":"Rob Watts","doi":"10.1177/17496020221121467","DOIUrl":"https://doi.org/10.1177/17496020221121467","url":null,"abstract":"author’s own original arguments. Moreover, questions remain regarding the method used for selecting specific vids within the study. In the Conclusion, Stevens argues ‘I chose to use examples that resonate as exemplars based on my long experience in fandom’ (p. 222). However, the subcultural histories motivating inclusion, and the researcher’s embedded identity within these, are not reflected on in, for instance, an autoethnographic manner. This absence led me to question why individual vids had been chosen. For example, Chapter 6 focuses solely on three vids dedicated to the character of Starbuck in the mid-00s Battlestar Galactica, (2004-09), and I was left wondering why this trilogy had been chosen: were they exemplary of historical themes, styles, or aesthetics in vidding? How representative of vidding were these? The lack of reflexivity afforded to the sample is problematic as it raises questions concerning both representativeness and rigour and undermines confidence in how generalizable the arguments are. These are questions that, beyond this individual study, fan studies must continue to defend itself against if it is to gain legitimacy in the face of dismissals of the field as being methodologically based in ‘personal preference’ rather than objectively verifiable criteria.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"1 1","pages":"461 - 464"},"PeriodicalIF":1.0,"publicationDate":"2022-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84447655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book Review: Binge-Watching and Contemporary Television Studies 书评:刷剧与当代电视研究
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2022-08-22 DOI: 10.1177/17496020221121482
B. Mills
{"title":"Book Review: Binge-Watching and Contemporary Television Studies","authors":"B. Mills","doi":"10.1177/17496020221121482","DOIUrl":"https://doi.org/10.1177/17496020221121482","url":null,"abstract":"Buttigieg JA (2018) Gramsci in English. International Gramsci Journal 3(1): 26–40. Coronation Street (1960) ITV. ITV Studios. Gramsci A, Hoare Q and Nowell-Smith G (1971) Selections from the Prison Notebooks of Antonio Gramsci. London: Lawrence & Wishart. Newcomb H (1974) TV: The Most Popular Art. Garden City, NY: Doubleday/Anchor Press. Sanders of the River. Zoltán Korda (1935) London Films. Williams R (1974) Television: Technology and Cultural Form. London: Fontana.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"29 1","pages":"454 - 456"},"PeriodicalIF":1.0,"publicationDate":"2022-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78841173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book Review: North East of England on Film and Television 书评:电影和电视上的英格兰东北部
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2022-08-22 DOI: 10.1177/17496020221121487
B. Lamb
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引用次数: 0
Book Review: Fanvids: Television, Women, and Home Media Re-Use 书评:《粉丝视频:电视、女性和家庭媒体的再利用》
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2022-08-22 DOI: 10.1177/17496020221121489
R. Garner
{"title":"Book Review: Fanvids: Television, Women, and Home Media Re-Use","authors":"R. Garner","doi":"10.1177/17496020221121489","DOIUrl":"https://doi.org/10.1177/17496020221121489","url":null,"abstract":"Ben Lamb is an expert on British television crime drama whose book, You’re Nicked: Investigating British television police series (Manchester UP) was published 2019. He leads the English Studies and Creative Writing at Teesside University. His research interests include modes of realism within different television production systems, genre theory, gender politics, and representations of social class. He is the producer of the film programme Rewinding the welfare state, supported by the National Lottery Heritage Fund and North East Film Archive.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"1 1","pages":"459 - 461"},"PeriodicalIF":1.0,"publicationDate":"2022-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89727299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Enraptured by this Glorious Media Landscape: Anne with an E and cross-platform coproduction 被这个辉煌的媒体景观所吸引:安妮与E和跨平台合作制作
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2022-08-20 DOI: 10.1177/17496020221122197
W. Abbiss
{"title":"Enraptured by this Glorious Media Landscape: Anne with an E and cross-platform coproduction","authors":"W. Abbiss","doi":"10.1177/17496020221122197","DOIUrl":"https://doi.org/10.1177/17496020221122197","url":null,"abstract":"This article examines the CBC/Netflix coproduction Anne with an E (2017–19), a leading example of cross-platform coproduction whose legacy is disrupted by the drama’s unexpected cancellation. Theories of cultural and media imperialism are discussed to contextualise this circumstance, along with an overview of the Canadian media policy context. The relationship between the CBC’s public service model and Netflix’s subscription service is considered, followed by an analysis of the increased cultural representation of the drama, which incorporates Black, queer and Indigenous identities. The article concludes by suggesting what Anne with an E’s cancellation may mean for the future of cross-platform coproductions.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"18 1","pages":"148 - 162"},"PeriodicalIF":1.0,"publicationDate":"2022-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46612366","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Memory, remembrance and nostalgia in Ken Burns’ The Vietnam War 肯·伯恩斯的《越南战争》中的记忆、回忆和怀旧
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2022-08-18 DOI: 10.1177/17496020221122178
Paul Cornelius, Douglas Rhein
{"title":"Memory, remembrance and nostalgia in Ken Burns’ The Vietnam War","authors":"Paul Cornelius, Douglas Rhein","doi":"10.1177/17496020221122178","DOIUrl":"https://doi.org/10.1177/17496020221122178","url":null,"abstract":"This essay examines how society and culture constructs differing responses to memory and remembrance in producing documentary series that look back at the American War in Indochina. Drawing upon studies of memory, nostalgia, and remembrance, the primary focus is on the recent documentary series directed by Ken Burns and Lynn Novick, The Vietnam War. That series can be seen as a remembrance rather than an example of historical memory. The essay provides a close analysis, therefore, of The Vietnam War and compares it, in particular, to an earlier series, Vietnam: The Ten Thousand Day War. Also under discussion are documentaries contemporary with the war, In the Year of the Pig and Hearts and Minds. What ultimately can be seen is a shift from active memory and advocacy in human behavior and perspective within the contemporaneous documentaries to an institutionalized construct focusing on remembrance and nostalgia in The Vietnam War.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"49 1","pages":"243 - 255"},"PeriodicalIF":1.0,"publicationDate":"2022-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65567845","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“The Popular Entertainment Side of Broadcasting Should Receive Much More Attention”: The BBC, Comedy, and Nation-Building at Home and Abroad “大众娱乐方面的广播应该得到更多的关注”:BBC、喜剧和国内外的国家建设
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2022-08-17 DOI: 10.1177/17496020221119412
B. Mills
{"title":"“The Popular Entertainment Side of Broadcasting Should Receive Much More Attention”: The BBC, Comedy, and Nation-Building at Home and Abroad","authors":"B. Mills","doi":"10.1177/17496020221119412","DOIUrl":"https://doi.org/10.1177/17496020221119412","url":null,"abstract":"This article outlines and examines the role comedy and entertainment have played at the BBC in constructing a sense of national identity both in the UK and overseas. It demonstrates the ways in which UK national identities are intertwined with ideas of a sense of humour, and the extent to which this is a performative act. Beginning with a historical approach, the article shows how the BBC, over time, has employed comedy as a way to evidence particularities of UK national identities, and the importance of the organisation in contributing to this.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"66 1","pages":"348 - 364"},"PeriodicalIF":1.0,"publicationDate":"2022-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87793511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Where did you go?! Trans-diegetic address and formal innovation in Phoebe Waller-Bridge’s television series Fleabag 你去哪儿了?!菲比·沃勒-布里奇的电视剧《生活大爆炸》中的跨叙事叙事和形式创新
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2022-07-18 DOI: 10.1177/17496020221108923
Anna Wilson
{"title":"Where did you go?! Trans-diegetic address and formal innovation in Phoebe Waller-Bridge’s television series Fleabag","authors":"Anna Wilson","doi":"10.1177/17496020221108923","DOIUrl":"https://doi.org/10.1177/17496020221108923","url":null,"abstract":"The article examines formal innovation, authorship and representation within Phoebe Waller-Bridge’s television series Fleabag (2016–2019). Through close examination of the developed use of direct address within the programme, in particular two key moments of trans-diegetic address, the analysis considers how, contrary to ontological assumptions, the adaptation of the theatrical ‘aside’, when converted for screen, can function to support, strengthen, layer and enhance aspects of a narrative, as well as help build performer/audience connectivity through perceptions of intimacy, authenticity and female agency.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"52 1","pages":"415 - 435"},"PeriodicalIF":1.0,"publicationDate":"2022-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73362076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sheilas and the Beeb: How the BBC provided liberating pathways for ABC women in the early years of television 希拉和英国广播公司:英国广播公司如何在电视行业的早期为美国广播公司的女性提供解放的途径
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2022-07-01 DOI: 10.1177/17496020221112511
Kylie Andrews
{"title":"Sheilas and the Beeb: How the BBC provided liberating pathways for ABC women in the early years of television","authors":"Kylie Andrews","doi":"10.1177/17496020221112511","DOIUrl":"https://doi.org/10.1177/17496020221112511","url":null,"abstract":"This article discusses the important role the BBC played in advancing the careers of ABC women in the post-war era. Adopting an integrated, transnational approach, it revisualises the British broadcasting empire from a dominion perspective, a gendered perspective. This research follows ABC television producers as they undertook transformative, transnational excursions and recognises the necessary mobility, flexibility and ingenuity women activated in order to succeed. It identifies how they exploited the imbalanced dominion dynamic and strategically used their BBC experiences to counteract the compromising gender constraints of their local production environments.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"92 1","pages":"365 - 381"},"PeriodicalIF":1.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81746036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
TV drama production studios of Istanbul: From empty sound stages to standing sets 伊斯坦布尔的电视剧制作工作室:从空荡荡的摄影棚到站立的布景
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2022-06-28 DOI: 10.1177/17496020221110531
Sezen Kayhan
{"title":"TV drama production studios of Istanbul: From empty sound stages to standing sets","authors":"Sezen Kayhan","doi":"10.1177/17496020221110531","DOIUrl":"https://doi.org/10.1177/17496020221110531","url":null,"abstract":"This study explores the transformation of production spaces from empty sound stages to standing sets, drawing on the findings from fieldwork involving 14 key players; studio owners and managers, screenwriters and art directors. The sets containing standing decors of hospital rooms, police stations, jails and courtrooms, transformed from abandoned factories, warehouses and administrative buildings in Istanbul, mostly lack proper infrastructure and appropriate security measures. Examining their transformation shows that the demanded and repeated storylines of the Turkish TV series also shape these locations and create a cheap and fast studio system based on supply and demand, putting creativity and security of the crews into question. The research also aims to contribute to the critical debate about the production studies focusing solely on the means of production and excluding the text and the audience, with showing the need for a more comprehensive approach. In order to apprehend the intertwined relationship between production, representation and consumption, this study examines the links between the formation of the production spaces, the content of the TV series and the ratings.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"18 1","pages":"291 - 309"},"PeriodicalIF":1.0,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46511409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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