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Critical Studies in Television最新文献

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‘Worthy female victims’? The rape of a white woman as metaphor for colonialism in two miniseries by Hugo Blick “有价值的女性受害者”？在雨果·布利克的两部迷你剧中，强奸一名白人妇女作为殖民主义的隐喻
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2025-08-26 DOI: 10.1177/17496020251372030
Eve Bennett
{"title":"‘Worthy female victims’? The rape of a white woman as metaphor for colonialism in two miniseries by Hugo Blick","authors":"Eve Bennett","doi":"10.1177/17496020251372030","DOIUrl":"https://doi.org/10.1177/17496020251372030","url":null,"abstract":"This article focuses on two miniseries written, directed and produced by Hugo Blick, <jats:italic>The Honourable Woman</jats:italic> (2014) and <jats:italic>The English</jats:italic> (2022). Both series are partially set in colonised regions – present-day Palestine and the nineteenth-century United States, respectively – and have upper-class white heroines who are citizens of colonising countries: they are British-Israeli and British, respectively. In both cases, a key plot point is that the heroine has been raped and, as this article seeks to show, that rape is made to serve as a metaphor for colonialism. This manoeuvre, which can also be found in some colonial and postcolonial literature, represents a problematic displacement of the sexual violence often endured by colonised women at the hands of the colonisers. Although both series allude to this violence, neither addresses it directly, and colonised women play minor roles. Those that do appear are treacherous and/or sacrifice their lives saving the white heroines from danger, thereby paving the way for their children to be raised by white people. The focus of both programmes thus remains fixed on the white heroines and the trauma and other negative repercussions they have suffered as a result of their rapes. Consequently, neither series constitutes an effective critique of colonialism.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"127 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2025-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144905773","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book review: Binge TV: The rise and impact of the viewing revolution SteinerEmil, Binge TV: The Rise and Impact of the Viewing Revolution. Jefferson, NC: McFarland & Company, 2023; 245 pp. ISBN 978-1-4766-8407-9 $39.95 (hbk), ISBN 978-1-4766-4749-4 $25.99 (ebk) 书评：《电视狂欢：观看革命的兴起和影响》斯坦纳·埃米尔，《电视狂欢：观看革命的兴起和影响》。杰弗逊，北卡罗来纳州：麦克法兰公司，2023；245页。ISBN 978-1-4766-8407-9 $39.95 (hbk), ISBN 978-1-4766-4749-4 $25.99 （ebk）
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2025-08-26 DOI: 10.1177/17496020251363039
Enes Akdağ
{"title":"Book review: Binge TV: The rise and impact of the viewing revolution SteinerEmil, Binge TV: The Rise and Impact of the Viewing Revolution. Jefferson, NC: McFarland & Company, 2023; 245 pp. ISBN 978-1-4766-8407-9 $39.95 (hbk), ISBN 978-1-4766-4749-4 $25.99 (ebk)","authors":"Enes Akdağ","doi":"10.1177/17496020251363039","DOIUrl":"https://doi.org/10.1177/17496020251363039","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"9 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2025-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144905767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book review: Time lords and star cops: British science fiction television in the 1970s–1980s BraithwaitePhilip, Time Lords and Star Cops: British science fiction television in the 1970s-1980s. Manchester: Manchester University Press, 2023; vi + 237pp: ISBN 978-1-5261-6337-0 £85 (hbk)StackMike, Doctor Who and Gay Male Fandom: A Queer(ed) Transmedia Franchise. Amsterdam: Amsterdam University Press, 2024; pp + 2 illustrations: ISBN 978-94-6372-757-0 £118 (hbk) 《时间领主和明星警察：20世纪70年代至80年代的英国科幻电视》布雷斯怀特菲利普《时间领主和明星警察：70年代至80年代的英国科幻电视》曼彻斯特：曼彻斯特大学出版社，2023；vi + 237pp: ISBN 978-1-5261-6337-0£85 (hbk)StackMike，神秘博士和男同性恋粉丝：酷儿（编）跨媒体特许经营。阿姆斯特丹：阿姆斯特丹大学出版社，2024；pp + 2插图：ISBN 978-94-6372-757-0£118 （hbk）
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2025-08-06 DOI: 10.1177/17496020251363037
Tom May
{"title":"Book review: Time lords and star cops: British science fiction television in the 1970s–1980s BraithwaitePhilip, Time Lords and Star Cops: British science fiction television in the 1970s-1980s. Manchester: Manchester University Press, 2023; vi + 237pp: ISBN 978-1-5261-6337-0 £85 (hbk)StackMike, Doctor Who and Gay Male Fandom: A Queer(ed) Transmedia Franchise. Amsterdam: Amsterdam University Press, 2024; pp + 2 illustrations: ISBN 978-94-6372-757-0 £118 (hbk)","authors":"Tom May","doi":"10.1177/17496020251363037","DOIUrl":"https://doi.org/10.1177/17496020251363037","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"289 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2025-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144796706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Deconstruction of the superhero subgenre in The Boys : A social satire through characters with mental disorders 解构《男孩》中的超级英雄亚类型：通过精神障碍人物进行的社会讽刺
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2025-07-28 DOI: 10.1177/17496020251360014
Alfonso Freire-Sánchez, Marta Lopera-Mármol
{"title":"Deconstruction of the superhero subgenre in The Boys : A social satire through characters with mental disorders","authors":"Alfonso Freire-Sánchez, Marta Lopera-Mármol","doi":"10.1177/17496020251360014","DOIUrl":"https://doi.org/10.1177/17496020251360014","url":null,"abstract":"This article analyses the deconstruction of the superhero film subgenre by examining the demystification of the idealised hero figure and exploring their darker sides. Using Friedrich Schleiermacher’s hermeneutic circle and Jacques Derrida’s deconstructionism applied to the analysis of <jats:italic>The Boys</jats:italic> (2019–present), the study reveals that the series’ superheroes, portrayed as villains, display behaviours aligning with DSM-5 (2013) mental disorders, breaking traditional heroism narratives. The series employs parody and satire to critique contemporary social movements, using mental health as a narrative tool. Nevertheless, it risks reinforcing stigma by linking mental disorders to violence through unrealistic and exclusionary representations, complicating its intended social commentary.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"4 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2025-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144748175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Global platforms, new media generations and Anglo-American hegemony: An exploration of young audience viewing and language preferences in four European countries 全球平台、新媒体世代与英美霸权：欧洲四国年轻观众观看和语言偏好的探索
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2025-07-11 DOI: 10.1177/17496020251360130
Andrea Esser, Jeanette Steemers
{"title":"Global platforms, new media generations and Anglo-American hegemony: An exploration of young audience viewing and language preferences in four European countries","authors":"Andrea Esser, Jeanette Steemers","doi":"10.1177/17496020251360130","DOIUrl":"https://doi.org/10.1177/17496020251360130","url":null,"abstract":"This article examines British screen content consumption among young audiences aged 16–34 in four European countries: Denmark, Germany, the Netherlands and Italy. It suggests a reconsideration of content flow theories that maintain ‘home advantage’ for domestic content, followed by shows from culturally or linguistically proximate countries. The research reveals a shift among younger viewers towards a re-asserted Anglo-American hegemony, driven by the accessibility of English-language content, declining interest in domestic content and growing English-language proficiency. This favours global streamers with English-language productions, primarily from the United States, even in Italy and Germany where dubbed shows have been the dominant viewing option.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"23 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2025-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144611004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reimagining ‘home advantage’: Youth entertainment in a world of abundance and the challenge to domestic media 重新构想“主场优势”：丰富世界中的青年娱乐和对国内媒体的挑战
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2025-07-02 DOI: 10.1177/17496020251357824
Marika Lüders, Vilde Schanke Sundet
{"title":"Reimagining ‘home advantage’: Youth entertainment in a world of abundance and the challenge to domestic media","authors":"Marika Lüders, Vilde Schanke Sundet","doi":"10.1177/17496020251357824","DOIUrl":"https://doi.org/10.1177/17496020251357824","url":null,"abstract":"This article investigates the media entertainment habits of Norwegian teens and the strategies employed by domestic media organisations to attract them amidst competition from transnational streamers and social media. Drawing on interviews with media professionals and teens, we analyse how the notions of ‘home advantage’ and cultural proximity hold up in a media environment defined by abundant global options. The findings suggest that while teens appreciate local relevance, their sense of ‘home’ is multifaceted and extends beyond national borders, leading domestic media to focus on broad, popular formats and collaborations with content creators.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"66 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2025-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144547077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
EastEnders and the environment: Communicating the planetary crisis in prime time? 伦敦东区人和环境：在黄金时段传播地球危机？
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2025-05-27 DOI: 10.1177/17496020251340359
Lesley Henderson
{"title":"EastEnders and the environment: Communicating the planetary crisis in prime time?","authors":"Lesley Henderson","doi":"10.1177/17496020251340359","DOIUrl":"https://doi.org/10.1177/17496020251340359","url":null,"abstract":"The BBC flagship continuing drama <jats:italic>EastEnders</jats:italic> (1985-) is widely accepted as an exemplar of the ‘entertainment-education’ approach, embodying a strong public service ideology and rooted in Reithian values. In this paper, I explore the definitional role of the programme in addressing environmental issues in the digital age and argue that this is a novel opportunity to examine the limits and possibilities of the genre to engage with anthropogenic crises. My analysis is informed by the perspectives of <jats:italic>EastEnders</jats:italic> scriptwriters/consultants and sustainability professionals who perceived prime time drama as providing a unique tool to engage distinctive diverse audiences who are marginalised by blue-chip nature series. For the first time, I address the context in which popular environmental storylines are produced in the UK and identify how storytelling is mediated by the contemporary hostile television environment with intense competition from streaming channels and social media platforms. I outline how the dynamics of environmental storytelling are shaped explicitly by external factors including organisational commitment to climate content and the perceived role of the BBC in catalysing a ‘national conversation’. Powerful tacit assumptions concerning ‘good stories’ being rooted in interpersonal friction potentially risk presenting a false equivalency – given that environmental scientists are reluctant to collaborate with this ‘low status’ media product. Continuing drama facilitates distinct opportunities to connect climate crisis to the lived experience through human-centred narratives but the contemporary television production context is in a state of flux and dated assumptions concerning its role in constructing public attitudes and beliefs need to be revisited.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"25 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2025-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144153929","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Syndication in a FAST world: Lineages and ruptures 快速世界中的辛迪加：传承与破裂
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2025-05-24 DOI: 10.1177/17496020251344737
Mike Van Esler
{"title":"Syndication in a FAST world: Lineages and ruptures","authors":"Mike Van Esler","doi":"10.1177/17496020251344737","DOIUrl":"https://doi.org/10.1177/17496020251344737","url":null,"abstract":"The emergence of free ad-supported television (FAST) services has been growing in the streaming television market. In contrast with subscription video on demand (SVOD) services, FAST rely on library programming to draw in viewers. Functionally, this is an evolution of the linear television practice of syndication and remediates existing, successful television practices. Culturally, it serves to preserve several televisual heritages, including specific programs and ‘disposable’ genres like tabloid talk shows, game shows, and reality television. This article addresses how syndication functions in a streaming environment and what it tells us about which market segments and demographics media corporations are targeting in this emerging space.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"47 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2025-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144133728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Television beyond the pleasure principle: The death drive in The Office (UK) and other cringe comedy 超越快乐原则的电视：《办公室》（英国）和其他令人畏缩的喜剧中的死亡驾驶
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2025-05-19 DOI: 10.1177/17496020251344580
Marshall Meyer
{"title":"Television beyond the pleasure principle: The death drive in The Office (UK) and other cringe comedy","authors":"Marshall Meyer","doi":"10.1177/17496020251344580","DOIUrl":"https://doi.org/10.1177/17496020251344580","url":null,"abstract":"This article argues that in order to adequately understand what motivates viewers’ desire to become viscerally uneasy when watching the subgenre of cringe comedy, one must enlist the help of the later Sigmund Freud and Jacques Lacan, whose work underscores a drive toward self-sabotage that exists beyond the pleasure principle. It demonstrates the fruits of this interpretive approach with a close reading of various kinds of British and American cringe comedies.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"32 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2025-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144088338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Queen of Netflix: Streaming Shondaland Netflix的女王：流媒体秀德兰
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2025-05-12 DOI: 10.1177/17496020251342021
Olivia Khoo
{"title":"Queen of Netflix: Streaming Shondaland","authors":"Olivia Khoo","doi":"10.1177/17496020251342021","DOIUrl":"https://doi.org/10.1177/17496020251342021","url":null,"abstract":"In 2017, Netflix announced that it had entered into an exclusive multi-year development deal with award-winning American producer and writer Shonda Rhimes. Under this deal, all of Rhimes’s future productions (made under her company Shondaland) would be Netflix Originals. This article examines <jats:italic>Bridgerton</jats:italic> and <jats:italic>Queen Charlotte</jats:italic> to consider how the traditional period drama has been transformed, in this case through colour-blind and colour-conscious casting, and a focus on strong female leads of colour and interracial relationships. The article will consider more broadly how streaming services like Netflix are taking diversity seriously as a key to reaching contemporary global audiences.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"13 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2025-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143940000","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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