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Critical Studies in Television最新文献

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Showcasing reality content on the front page: Comparing four services on the Danish video streaming market 在首页展示现实内容：比较丹麦视频流媒体市场上的四种服务
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2024-06-20 DOI: 10.1177/17496020241259734
Mads Møller T Andersen
{"title":"Showcasing reality content on the front page: Comparing four services on the Danish video streaming market","authors":"Mads Møller T Andersen","doi":"10.1177/17496020241259734","DOIUrl":"https://doi.org/10.1177/17496020241259734","url":null,"abstract":"This article is based on a three-year-long content analysis of the use of reality TV content on the front pages of four popular video streaming services in Denmark: DRTV, TV 2 Play, Viaplay, and Netflix. The results give rare insights into front pages that are normally hidden behind logins but also longitudinal perspectives about the services’ changing curation practices. In particular, the two institutions with public-service obligations, DR and TV 2, have VOD services that showcase reality content more prominently than the two commercial competitors in this study. These findings point to how the reality genre’s role has changed over the years, since DR and TV 2 now embrace reality content in a strategy to offer ‘Danish content’ that stands out from what their foreign competitors offer.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2024-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141448573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Netflix’s high-end global telefantasy: Conspicuous and virtual localism Netflix 的高端全球远程幻想：显而易见的虚拟本地化
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2024-05-29 DOI: 10.1177/17496020241257808
Andrew Lynch, César Albarrán-Torres
{"title":"Netflix’s high-end global telefantasy: Conspicuous and virtual localism","authors":"Andrew Lynch, César Albarrán-Torres","doi":"10.1177/17496020241257808","DOIUrl":"https://doi.org/10.1177/17496020241257808","url":null,"abstract":"Netflix has commissioned and released an increasing number of high-end international series that tap into the genres of science fiction, fantasy and horror. These follow one of two strategies: (1) local productions that engage with local folklore and myths, or (2) productions centred in the ‘West’, where international talent is brought in to create cosmopolitan ‘global’ TV events such as 1899 (2022). The first strategy brings together local storytelling with a globally appealing packaging. The second strategy risks reducing ‘transnational’ production to a few tokenistic stars and narratives which are ultimately from everywhere and nowhere at the same time.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2024-05-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141177410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From #AltErLove to #LoveIsLove: Transmedia formats, audience engagement and sexual diversity 从 #AltErLove 到 #LoveIsLove：跨媒体形式、观众参与和性别多样性
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2024-04-22 DOI: 10.1177/17496020241247111
Thalia Van Wichelen, Esther De Loose, Alexander Dhoest, Sander De Ridder
{"title":"From #AltErLove to #LoveIsLove: Transmedia formats, audience engagement and sexual diversity","authors":"Thalia Van Wichelen, Esther De Loose, Alexander Dhoest, Sander De Ridder","doi":"10.1177/17496020241247111","DOIUrl":"https://doi.org/10.1177/17496020241247111","url":null,"abstract":"SKAM (2015–2017) and its Flemish adaptation wtFOCK (2018–2021) use several digital platforms to provide viewers with content, enabling different types of audience engagement. By means of a social media analysis, this study investigates how producers utilise transmedia tools to enhance viewers’ involvement with the depicted storyline and how viewers interact with the provided content on LGBTQ issues. An analysis of Instagram comments and posts illustrates three different ways audience members gather online: Instagram serves as (1) a platform to connect while co-viewing, (2) a safe environment against homophobia, and (3) a collective of television critics. Transmedia formats like SKAM and wtFOCK contribute to inclusive depictions of sexual minorities and generate accessible spaces for LGBTQ individuals and allies to engage with one another online.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2024-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140637757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pleasure’s ascendancy: Against queer youth panic 快乐的优势反对同性恋青年恐慌
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2024-04-03 DOI: 10.1177/17496020241241996
Timothy Gitzen
{"title":"Pleasure’s ascendancy: Against queer youth panic","authors":"Timothy Gitzen","doi":"10.1177/17496020241241996","DOIUrl":"https://doi.org/10.1177/17496020241241996","url":null,"abstract":"This article explores both US and European streaming shows that feature a protagonist in scenes of queer youth sex, focusing on how the show treats and frames these scenes as constitutive of a broader representational narrative of queer youth sex(uality). By comparing US and European shows, I argue that queer pleasure supplants panic featured in each show by framing the scenes of queer youth sex as destigmatized and even mundane.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2024-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140533235","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book Review: Period Drama 书评时代剧
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2024-03-26 DOI: 10.1177/17496020241236044
Shelley Anne Galpin
{"title":"Book Review: Period Drama","authors":"Shelley Anne Galpin","doi":"10.1177/17496020241236044","DOIUrl":"https://doi.org/10.1177/17496020241236044","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2024-03-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140317209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book Review: Indie TV: Industry, Aesthetics and Medium Specificity 书评：独立电视：产业、美学与媒介特性
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2024-03-26 DOI: 10.1177/17496020241236047
Tom Hemingway
{"title":"Book Review: Indie TV: Industry, Aesthetics and Medium Specificity","authors":"Tom Hemingway","doi":"10.1177/17496020241236047","DOIUrl":"https://doi.org/10.1177/17496020241236047","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2024-03-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140317234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book Review: Transnational Korean Television: Cultural Storytelling and Digital Audiences 书评：跨国韩国电视：文化叙事与数字受众
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2024-03-26 DOI: 10.1177/17496020241236046
Julia Stolyar
{"title":"Book Review: Transnational Korean Television: Cultural Storytelling and Digital Audiences","authors":"Julia Stolyar","doi":"10.1177/17496020241236046","DOIUrl":"https://doi.org/10.1177/17496020241236046","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2024-03-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140317213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Culture as window dressing? A threefold methodological framework for researching the locality of Netflix series 文化是橱窗装饰？研究 Netflix 剧集地域性的三重方法论框架
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2024-03-05 DOI: 10.1177/17496020241235579
Daphne R Idiz, Julia Noordegraaf, Rens Vliegenthart
{"title":"Culture as window dressing? A threefold methodological framework for researching the locality of Netflix series","authors":"Daphne R Idiz, Julia Noordegraaf, Rens Vliegenthart","doi":"10.1177/17496020241235579","DOIUrl":"https://doi.org/10.1177/17496020241235579","url":null,"abstract":"Considering the implications of Netflix’s role as a content producer for cultural diversity in Europe, this methodological article investigates how to define and measure the locality of Netflix Originals. We employ a threefold methodological study based on industry data analysis, audience reception research, and content analysis. This replicable and scalable methodological design provides a solid analytical framework for future studies examining Netflix Originals from the normative perspective of cultural diversity. Demonstrating the steps of our exploratory study, we also find that Netflix’s locally-produced but globally-oriented content uses culture as window dressing, warranting further research.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2024-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140043623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Binge-watching and mental illness versus comfort TV and mental health in WandaVision 万达视窗》中的狂热观看与精神疾病，以及舒适电视与精神健康
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2024-01-29 DOI: 10.1177/17496020241229038
Christopher L Moore, Chris Comerford, Ren Vettoretto
{"title":"Binge-watching and mental illness versus comfort TV and mental health in WandaVision","authors":"Christopher L Moore, Chris Comerford, Ren Vettoretto","doi":"10.1177/17496020241229038","DOIUrl":"https://doi.org/10.1177/17496020241229038","url":null,"abstract":"WandaVision launched the Disney+ subscription video-on-demand (SVOD) platform by blending the sitcom and the superhero genres in a nostalgia-inducing fusion of Marvel comics, cinema and television. The series represents the canonisation of Marvel media into a single cohesive narrative ‘multiverse’, yet the story focuses on the personal experience of the character, Wanda, and her struggle with loss, grief, and Post-Traumatic Stress Disorder (PTSD). In this article, we explore how WandaVision presents a unique examination of the tension between the role of screen media as comfort TV and the pervasive fears over the obsessive escapism of binge-watching. The article also assesses the potential risks of excessive media consumption through the framing of American sitcoms and superhero families from the 1950s and onward.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2024-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139938944","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A modern version of restoration comedy? Double entendre, objectification, fearful men and rakes manqué in the television work of Benny Hill 现代版的复辟喜剧?在本尼·希尔的电视作品中，双关语、物化、可怕的男人和耙子
2区 艺术学
Critical Studies in Television Pub Date : 2023-11-13 DOI: 10.1177/17496020231214478
Joseph Gibbs
{"title":"A modern version of restoration comedy? Double entendre, objectification, fearful men and rakes <i>manqué</i> in the television work of Benny Hill","authors":"Joseph Gibbs","doi":"10.1177/17496020231214478","DOIUrl":"https://doi.org/10.1177/17496020231214478","url":null,"abstract":"Benny Hill’s once globally popular (but controversial) television humour was often built around elements associated with Restoration comedy. These included double entendre; the objectification of women (which Hill in the 1980s intensified, to the detriment of his comedy and career); and themes involving men fearing women. Additionally, some of Hill’s characters had traits suggestive of those of Restoration comedy, although his men generally lacked the classic rakes’ social status and sexual success, and their frequent failures introduced into Hill’s comedy an ironic caricature of contemporary views of male sexuality and ego.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136282408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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