Non-disruptive streaming: Aesthetic and industrial continuation of legacy television in Prime Video Mexico

IF 0.9 2区 艺术学 0 FILM, RADIO, TELEVISION
Guillermo Echauri
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引用次数: 0

Abstract

This article examines Prime Video’s original comedy content in Mexico through aesthetic and industrial analysis, and identifies, describes and explains non-disruptive streaming television programming, a category of streaming television content that represents a clear sense of continuity with legacy television. This study highlights the relevance of Mexican actor and producer Eugenio Derbez and his family in Prime Video’s expansion in Mexico. It also reveals that non-disruptive streaming prolongs tensions between continuity and change in television, exemplifies the negotiations and adaptations from transnational streaming expansion, and helps explain the mainstream adoption of streaming platforms in markets like Mexico.
非破坏性流媒体:墨西哥 Prime Video 中传统电视的美学和工业延续
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来源期刊
Critical Studies in Television
Critical Studies in Television FILM, RADIO, TELEVISION-
CiteScore
2.10
自引率
30.00%
发文量
70
期刊介绍: Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.
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