从古电视到新电视：一种半实用主义的方法

IF 1.1 2区艺术学 0 FILM, RADIO, TELEVISION

Critical Studies in Television Pub Date : 2025-02-25 DOI:10.1177/17496020251321738

Francesco Casetti, Roger Odin

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引用次数: 0

摘要

这篇文章是对Francesco Casetti和Roger Odin（1990）的《De la palsamo - la nsamo - tsaml - 》的英文翻译，最初以法语出版。本文着重介绍了私人电视在欧洲蓬勃发展的时期，法国和意大利从古电视向新电视过渡的转变。从半实用主义的角度来看，它试图理解“处置”的变化如何导致观众定位的变化。古电视被描述为一种建立在文化和大众教育项目上的“机构”。新电视通过互动过程打破了这种教学传播模式。本文将这两种模式理论化，并指出它们的交集。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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From paleo- to neo-television: A semio-pragmatic approach

This article is an English-language translation of ‘De la paléo- à la néo-télévision’ by Francesco Casetti and Roger Odin (1990), originally published in French. The article highlights transformations in the transition from paleo- to neo-television in France and Italy at the time when private television proliferated in Europe. From a semio-pragmatic perspective, it seeks to understand how the change in ‘ dispositif’ leads to changes in the spectator’s positioning. Paleo-television is described as an ‘institution’, founded on a project of cultural and popular education. Neo-television breaks with this pedagogical communication model through interactive processes. The article theorises the two models and points towards their intersections.

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来源期刊

Critical Studies in Television FILM, RADIO, TELEVISION-

CiteScore

2.10

自引率

30.00%

发文量

期刊介绍： Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.