{"title":"重新构想“主场优势”:丰富世界中的青年娱乐和对国内媒体的挑战","authors":"Marika Lüders, Vilde Schanke Sundet","doi":"10.1177/17496020251357824","DOIUrl":null,"url":null,"abstract":"This article investigates the media entertainment habits of Norwegian teens and the strategies employed by domestic media organisations to attract them amidst competition from transnational streamers and social media. Drawing on interviews with media professionals and teens, we analyse how the notions of ‘home advantage’ and cultural proximity hold up in a media environment defined by abundant global options. The findings suggest that while teens appreciate local relevance, their sense of ‘home’ is multifaceted and extends beyond national borders, leading domestic media to focus on broad, popular formats and collaborations with content creators.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"66 1","pages":""},"PeriodicalIF":0.9000,"publicationDate":"2025-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Reimagining ‘home advantage’: Youth entertainment in a world of abundance and the challenge to domestic media\",\"authors\":\"Marika Lüders, Vilde Schanke Sundet\",\"doi\":\"10.1177/17496020251357824\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article investigates the media entertainment habits of Norwegian teens and the strategies employed by domestic media organisations to attract them amidst competition from transnational streamers and social media. Drawing on interviews with media professionals and teens, we analyse how the notions of ‘home advantage’ and cultural proximity hold up in a media environment defined by abundant global options. The findings suggest that while teens appreciate local relevance, their sense of ‘home’ is multifaceted and extends beyond national borders, leading domestic media to focus on broad, popular formats and collaborations with content creators.\",\"PeriodicalId\":51917,\"journal\":{\"name\":\"Critical Studies in Television\",\"volume\":\"66 1\",\"pages\":\"\"},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2025-07-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Critical Studies in Television\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/17496020251357824\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/17496020251357824","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Reimagining ‘home advantage’: Youth entertainment in a world of abundance and the challenge to domestic media
This article investigates the media entertainment habits of Norwegian teens and the strategies employed by domestic media organisations to attract them amidst competition from transnational streamers and social media. Drawing on interviews with media professionals and teens, we analyse how the notions of ‘home advantage’ and cultural proximity hold up in a media environment defined by abundant global options. The findings suggest that while teens appreciate local relevance, their sense of ‘home’ is multifaceted and extends beyond national borders, leading domestic media to focus on broad, popular formats and collaborations with content creators.
期刊介绍:
Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.