快速世界中的辛迪加:传承与破裂

IF 0.9 2区 艺术学 0 FILM, RADIO, TELEVISION
Mike Van Esler
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引用次数: 0

摘要

在流媒体电视市场上,免费广告支持电视(FAST)服务的出现一直在增长。与订阅视频点播(SVOD)服务相比,FAST依靠图书馆的节目来吸引观众。从功能上讲,这是对辛迪加的线性电视实践的演变,并弥补了现有的、成功的电视实践。在文化上,它有助于保护一些电视遗产,包括特定的节目和“一次性”的类型,如小报脱口秀、游戏节目和真人秀。本文将讨论联合在流媒体环境中是如何运作的,以及它告诉我们媒体公司在这个新兴领域瞄准了哪些细分市场和人口统计数据。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Syndication in a FAST world: Lineages and ruptures
The emergence of free ad-supported television (FAST) services has been growing in the streaming television market. In contrast with subscription video on demand (SVOD) services, FAST rely on library programming to draw in viewers. Functionally, this is an evolution of the linear television practice of syndication and remediates existing, successful television practices. Culturally, it serves to preserve several televisual heritages, including specific programs and ‘disposable’ genres like tabloid talk shows, game shows, and reality television. This article addresses how syndication functions in a streaming environment and what it tells us about which market segments and demographics media corporations are targeting in this emerging space.
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来源期刊
Critical Studies in Television
Critical Studies in Television FILM, RADIO, TELEVISION-
CiteScore
2.10
自引率
30.00%
发文量
70
期刊介绍: Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.
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