{"title":"《野兽终结者:宠物与肥皂剧","authors":"Brett Mills","doi":"10.1177/17496020251340357","DOIUrl":null,"url":null,"abstract":"While soap operas typically focus their storylines on human characters, animals serve significant roles in them too. Focussing on the most common animal in the series – dogs – this analysis examines the functions animals play in <jats:italic>EastEnders</jats:italic> (1985-present), foregrounding species-based hierarchies and popular culture’s normalised anthropocentrism. The focus here is on how pets function as symbols of the domestic, the familial and human-animal relationships. Drawing on Animal Studies and Critical Animal Studies approaches the analysis shows how soap operas make use of representations of pets, and the functions these fulfil in terms of the particular pleasures long-running, episodic soap operas offer.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"35 1","pages":""},"PeriodicalIF":0.9000,"publicationDate":"2025-05-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"BeastEnders: Pets and Soap Opera\",\"authors\":\"Brett Mills\",\"doi\":\"10.1177/17496020251340357\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"While soap operas typically focus their storylines on human characters, animals serve significant roles in them too. Focussing on the most common animal in the series – dogs – this analysis examines the functions animals play in <jats:italic>EastEnders</jats:italic> (1985-present), foregrounding species-based hierarchies and popular culture’s normalised anthropocentrism. The focus here is on how pets function as symbols of the domestic, the familial and human-animal relationships. Drawing on Animal Studies and Critical Animal Studies approaches the analysis shows how soap operas make use of representations of pets, and the functions these fulfil in terms of the particular pleasures long-running, episodic soap operas offer.\",\"PeriodicalId\":51917,\"journal\":{\"name\":\"Critical Studies in Television\",\"volume\":\"35 1\",\"pages\":\"\"},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2025-05-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Critical Studies in Television\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/17496020251340357\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/17496020251340357","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
While soap operas typically focus their storylines on human characters, animals serve significant roles in them too. Focussing on the most common animal in the series – dogs – this analysis examines the functions animals play in EastEnders (1985-present), foregrounding species-based hierarchies and popular culture’s normalised anthropocentrism. The focus here is on how pets function as symbols of the domestic, the familial and human-animal relationships. Drawing on Animal Studies and Critical Animal Studies approaches the analysis shows how soap operas make use of representations of pets, and the functions these fulfil in terms of the particular pleasures long-running, episodic soap operas offer.
期刊介绍:
Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.