Caligrama-Revista de Estudos Romanicos最新文献

{"title":"Lo “fantástico andinizado”: de la mitología andina a lo fantástico en El Ekeko de Jorge Eduardo Benavides / The “fantástico andinizado”: From the Andean Mythology to the Fantastic Genre in El Ekeko by Jorge Eduardo Benavides","authors":"E. Snauwaert","doi":"10.17851/2238-3824.25.1.151-164","DOIUrl":"https://doi.org/10.17851/2238-3824.25.1.151-164","url":null,"abstract":"Resumen: La integracion de elementos mitologicos andinos en las letras peruanas, que es evidente en las muchas obras de corte indigenista, tambien se perfila nitidamente en la narrativa fantastica, hasta tal punto que llega a configurar un subgenero muy especifico. Este “fantastico andinizado” integra unos mitos andinos en una realidad por lo demas ciudadana y cotidiana para poner en marcha el proceso de “vacilacion” que es consustancial del genero. En la narrativa peruana, este procedimiento se ilustra de manera ejemplar en El Ekeko, de Jorge Eduardo Benavides. En este cuento, la figura mitologica del mismo nombre genera las dos modalidades basicas de lo fantastico: por irrumpir fisicamente en el mundo verosimil que circunda al heroe engancha con ‘lo fantastico de percepcion’, mientras, por el desdoblamiento del narrador que provoca y la situacion narrativa innatural que de ello se deriva, participa de ‘lo fantastico de lenguaje’. Asi, la realidad andina no solo cumple con los requisitos tematicos y tecnicos para provocar el efecto fantastico sino que, pasando por este genero, abre unas pistas interpretativas sorprendentes. Palabras clave: mitologia andina; lo fantastico; Jorge Eduardo Benavides; narrativa peruana. Abstract : The integration of mythological elements in Peruvian literature, which is very evident in many works that come under the ‘indigenismo’-movement, is also clearly visible in fantastic narrative to the extent that it constitutes a very peculiar subgenre. This ‘fantastico andinizado’ integrates some Andean myths in the context of daily life in order to set in motion the “vacillation”, which is essential for the fantastic genre as such. In Peruvian narrative this process is exemplified in El Ekeko , written by Jorge Eduardo Benavides. In this short story, the homonymous mythological figure generates the two basic modalities of the fantastic genre: by invading the veracious world in which the hero lives it links up with ‘lo fantastico de percepcion’, while by configuring a double of the narrator and installing an unnatural narrative situation it participates in ‘lo fantastico de lenguaje’. As a result, the Andean reality can be seen as a technical and thematic process which is able to create the fantastic effect and to open up some surprising interpretative avenues. Keywords: Andean mythology; fantastic literature; Jorge Eduardo Benavides; Peruvian narrative texts.","PeriodicalId":40506,"journal":{"name":"Caligrama-Revista de Estudos Romanicos","volume":"25 1","pages":"151-164"},"PeriodicalIF":0.1,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48855528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“Yo no sabía si amaba más al puente o al río”: torções ontoepistemológicas em José María Arguedas / “I Didn’t Know If I Loved More the Bridge or the River”: Ontoepistemological Twists on José María Arguedas","authors":"Chryslen Mayra Barbosa Gonçalves","doi":"10.17851/2238-3824.25.1.45-65","DOIUrl":"https://doi.org/10.17851/2238-3824.25.1.45-65","url":null,"abstract":"Resumo: A proposta aqui apresentada e proveniente de algumas tensoes possibilitadas pela leitura de Jose Maria Arguedas, aos 50 anos de sua morte, a partir dos debates de autores da “virada ontologica” e do “giro epistemologico” na producao do conhecimento antropologico. Neste sentido, retomo o livro Los R ios Profundos (1958) de Arguedas e coloco em dialogo com preocupacoes acerca dos Earth Beings. Tomo, tambem, a metafora do Pachachaca de Romulo Monte Alto (2011) e as inquietacoes epistemologicas, portanto politicas, da teoria critica anticolonial latino-americana, em especial a categoria ch’ixi de Silvia Rivera Cusicanqui. Meu objetivo, deste modo, e evidenciar as ressonâncias entre as preocupacoes ontoepistemologicas (DE LA CADENA, 2015) da antropologia com a producao de uma narrativa literaria arguediana. Palavras-chave: antropologia; ontoepistemologias; literatura; Jose Maria Arguedas. Abstract: The proposal presented here stems from some tensions made possible by the reading of Jose Maria Arguedas at the 50 years of his death, from the debates of authors of the “ontological turn” and the “epistemological turn” in the production of anthropological knowledge. In this sense, I return to the book Los Rios Profundos (1958) by Arguedas and put in dialogue with concerns about Earth Beings. I also take the metaphor of Romulo Monte Alto’s Pachachaca (2011) and the epistemological, therefore political, concerns of Latin American anticolonial critical theory, in particular Silvia Rivera Cusicanqui’s ch’ixi category. My goal, therefore, is to highlight the resonances between anthropology’s on-epistemological concerns (DE LA CADENA, 2015) with the production of an arguedian literary narrative. Keywords: anthropology; ontoepistemologies; literature; Jose Maria Arguedas.","PeriodicalId":40506,"journal":{"name":"Caligrama-Revista de Estudos Romanicos","volume":"25 1","pages":"45-65"},"PeriodicalIF":0.1,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67550327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"O narrador de Los ríos profundos e suas relações com a heterogeneidade e a melancolia / The Narrator of Los ríos profundos and Its Relations with Heterogeneity and the Melancholy","authors":"E. C. Correia","doi":"10.17851/2238-3824.25.1.111-134","DOIUrl":"https://doi.org/10.17851/2238-3824.25.1.111-134","url":null,"abstract":"Resumo: O presente trabalho realiza uma leitura sobre o narrador de Los rios profundos (2016), de Jose Maria Arguedas (1911-1969), a partir da relacao entre a heterogeneidade e a melancolia. Cornejo Polar (2008), a exemplo, foi pioneiro ao inserir, dentro de suas discussoes sobre a heterogeneidade – isto e, a intersecao conflituosa de dois ou mais universos socioculturais distintos em um so extrato literario – reflexoes acerca do narrador-personagem e suas memorias. Angel Rama (2008), por sua vez, elaborou uma teoria que frisa a pertinencia de dois narradores, um principal e outro etnologico, que formam um todo sintetico. De modo a retomar a validade das contribuicoes de Cornejo Polar, assim como tambem fizeram Alberto Moreiras (2001) e Marcos Natali (2005), procura-se relacionar a heterogeneidade e a melancolia ao narrador, visto que aquela, conflituosa por natureza, permite o surgimento desta, tambem conflituosa, dupla e ambigua. Alem disso, empreende-se, de forma rapida, uma aproximacao da heterogeneidade com a traducao e, evidentemente, com a melancolia. Ressalta-se que este estudo nao possui comprometimento com a area clinica ou psicanalitica. Para dar cabo ao projeto analitico, conta-se principalmente com as contribuicoes de Cornejo Polar, alem de Walter Benjamin (2013; 2016) e Susana Kampff Lages (2007). Palavras-chave: Arguedas; Los rios profundos ; narrador; heterogeneidade; melancolia. Abstract: This work aims at addressing one perspective of reading about the narrator of Los rios profundos (2016), written by Jose Maria Arguedas (1911-1969), based on the relations between the heterogeneity and the melancholy. Cornejo Polar (2008), for example, was a pioneer in discussing, within his discussions about the heterogeneity – i.e., the conflictuous intersection of two or more sociocultural universes in only one literary extract – reflections about the narrator-character and his memories. Angel Rama (2008), in turn, elaborated a theory that emphasizes the relevance of two narrators, one main and one ethnological, who form a synthetic whole. In order to retake the validity of the Cornejo Polar’s contributions, also Alberto Moreiras’s (2001) and Marcos Natali’s (2005), we try to relate the heterogeneity and the melancholy to the narrator, since the former, conflicting by nature, allows the emergence of the latter, also conflicting, double, and ambiguous. In addition, an approximation of heterogeneity with translation and, of course, with melancholy is rapidly undertaken. It is noteworthy that this study does not commit to the clinical nor to the psychoanalytical area. Cornejo Polar’s, Walter Benjamin’s (2013, 2016) and Susana Kampff Lages’s (2007) contributions were  considered to carry out the analytical project. Keywords: Arguedas; Los rios profundos ; narrator; heterogeneity; melancholy.","PeriodicalId":40506,"journal":{"name":"Caligrama-Revista de Estudos Romanicos","volume":"25 1","pages":"111-134"},"PeriodicalIF":0.1,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67550268","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Entre túnicas de seda e nativos, “O bálsamo”: corpos amazônicos “quase” seduzidos / Between Silk Tunics and Indigenous People, “O bálsamo”: “Almost” Seduced Amazon Bodies","authors":"Linda Maria de Jesus Bertolino, R. Lima","doi":"10.17851/2238-3824.25.1.29-44","DOIUrl":"https://doi.org/10.17851/2238-3824.25.1.29-44","url":null,"abstract":"Resumo: Neste artigo buscamos refletir sobre como se estabelecem, na representacao do conto “O balsamo”, do escritor amapaense Fernando Canto, as alegorias oleo e vestes de seda, haja vista que tais alegorias ajudam a demarcar, na feitura do texto, uma relacao de poder e saber entre nativos (albinos) e estrangeiros (tunicas de seda) no universo da floresta Amazonica. Assim, busca-se analisar o sentido metaforico dos termos oleo e seda, com o intuito de mostrar como esses dois elementos podem assumir a funcao de um dispositivo, uma vez que no conto sao colocados como um mecanismo estrategico de seducao para o corpo dos nativos. Palavras-chave: nativos; estrangeiros; balsamo; seda; corpos. Abstract: In this paper we pursue to reflect on how the allegories of oil and silk are represented in the short story “O balsamo” from the amapaense writer Fernando Canto, given that such textual allegories help to demarcate power and knowledge relations between the native (albino) and foreign (silk tunics) in the universe of the Amazon rainforest. Thus, we seek to analyze the metaphorical meaning of the terms oil and silk, in order to show how these two elements can assume the function of a device, since in the short story they stand as strategic mechanisms of seduction for the indigenous bodies. Keywords: indigenous people; foreigners; balm; silks; bodies.","PeriodicalId":40506,"journal":{"name":"Caligrama-Revista de Estudos Romanicos","volume":"25 1","pages":"29-44"},"PeriodicalIF":0.1,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67550278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“Vanguardismo andino” más allá de Perú / “Andean avant-garde” Beyond Peru","authors":"María Lucila Fleming, I. López","doi":"10.17851/2238-3824.25.1.95-109","DOIUrl":"https://doi.org/10.17851/2238-3824.25.1.95-109","url":null,"abstract":"Resumen: El grupo Orkopata y su Boletin Titikaka tendieron un amplio sistema de redes que coadyuvaron a la “exportacion” de su estetica a otros puntos como Bolivia y Argentina. En este trabajo indagamos la potencialidad de utilizar la nocion de “vanguardismo andino” mas alla del limite peruano, a fin de enriquecer los estudios literarios localizados en otras regiones. Previamente, realizamos un recorrido por las diferentes categorias que se fueron ensayando para pensar la estetica del Boletin : “Indigenismo de vanguardia” (VICH, 2000), “Vanguardismo andino” (MAMANI MACEDO, 2017), “Vanguardia del Titikaka” (MONASTERIOS PEREZ, 2015), “Indianismo de vanguardia” (DE LLANO, 2015). La variacion en el modo de enunciar y delimitar el objeto propio de cada una de estas nociones repercutira en la posibilidad de considerar otros fenomenos esteticos en dichos terminos. Proponemos en esa linea la pertinencia de comprender la produccion del poeta Manuel J. Castilla, localizada en el noroeste argentino, desde las coordenadas provistas por la nocion de “vanguardismo andino”. Palabras clave: Boletin Titikaka; categorias criticas; vanguardismo andino. Abstract: The Orkopata group and its Titikaka Bulletin had a broad system of networks that contributed to the “export” of their aesthetics to other places such as Bolivia and Argentina. In this work we investigate the potential of using the notion of “Andean avant-garde” beyond the Peruvian limit, in order to enrich literary studies located in other regions. Previously, we made a tour of the different categories that were rehearsed to reflect on the aesthetics of the Bulletin : “Avant-garde Indigenism” (VICH, 2000), “Andean Vanguardism” (MAMANI MACEDO, 2017), “Vanguardia del Titikaka” (MONASTERIOS PEREZ, 2015), “Avant-garde Indianism” (DE LLANO, 2015). The variation in the way of stating and defining the object of each of these notions will have an impact on the possibility of considering other aesthetic phenomena under these terms. Therefore, we propose the relevance of understanding the production of the poet Manuel J. Castilla, located in the northwest of Argentina, from the coordinates provided by the notion of “Andean avant-garde”. Keywords: Titikaka Bulletin; critical categories; Andean avant-garde.","PeriodicalId":40506,"journal":{"name":"Caligrama-Revista de Estudos Romanicos","volume":"25 1","pages":"95-109"},"PeriodicalIF":0.1,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48954935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A Río Fugitivo de Edmundo Paz Soldán: uma cidade distópica? / The Río Fugitivo of Edmundo Paz Soldán: A Dystopian City?","authors":"Graciela Ravetti, Eulálio Marques Borges","doi":"10.17851/2238-3824.25.1.135-150","DOIUrl":"https://doi.org/10.17851/2238-3824.25.1.135-150","url":null,"abstract":"Resumo: Este e um estudo sobre dois romances do escritor boliviano Edmundo Paz Soldan, Suenos Digitales (2000) e El delirio de Turing (2005 [2003]), destacando os topicos da (1) urbe dividida entre um centro urbano caotico e uma periferia escura e (2) um governo federal com ares totalitarios, aspectos pouco abordados ate entao pela critica literaria especializada. Objetivamos mostrar como a ficticia cidade de Rio Fugitivo, onde transcorrem as historias de Suenos Digitales e El delirio de Turing , funciona como uma especie de microcosmo dos centros urbanos latino-americanos que conhecemos ao incorporar, parcialmente, em sua construcao e em sua dimensao, caracteristicas pertencentes a um subgenero da ficcao cientifica contemporânea conhecido como cyberpunk . De acordo com nossa perspectiva, nao se trataria de obras de ficcao cientifica, mas sim com ficcao cientifica, – genero pelo qual o autor sempre demonstrou interesse. Palavras-chave: ficcao cientifica; cyberpunk ; distopia; Rio Fugitivo; Paz Soldan. Abstract: This is a study of two novels by Bolivian writer Edmundo Paz Soldan, Suenos Digitales (2000) and El delirio de Turing (2005 [2003]), underlining the topics of (1) a city divided between a chaotic urban centre and a dark suburb and (2) a federal government leaning towards totalitarianism, elements that are yet to be widely explored by literary critics. The aim is to point out how the fictional city of Rio Fugitivo, where the narratives of Suenos Digitales and El delirio de Turing are set, plays the role of a microcosm of the Latin American centres we know by partially incorporating, in the construction and dimension of the novels, characteristics that belong to the subgenre of contemporary science fiction known as cyberpunk . From this point of view, the books studied here would not be considered science fiction works but works containing the genre, which has always interested Soldan. Keywords: science fiction; Cyberpunk ; dystopia; Rio Fugitivo; Paz Soldan.","PeriodicalId":40506,"journal":{"name":"Caligrama-Revista de Estudos Romanicos","volume":"25 1","pages":"135-150"},"PeriodicalIF":0.1,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48287026","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Aesthetics of Hunger: A Postcolonial Reading of Violence in Latin America / A estética da fome: uma leitura pós-colonial de violência na América Latina","authors":"W. Thums","doi":"10.17851/2238-3824.25.1.7-28","DOIUrl":"https://doi.org/10.17851/2238-3824.25.1.7-28","url":null,"abstract":"Abstract: This study addresses Lope de Aguirre’s Letter to the King as one of the innumerous materials that relates to the aesthetics of hunger in Glauber Rocha’s work. The writing of the letter itself is a document of resistance through Andean as well as Amazonian territories: against institutional power, religious values, justice, and corruption. In doing so, the letter shares the main characteristics present in the works of art produced by Glauber Rocha during Cinema Novo. This means that the aesthetics of hunger should be understood as an atemporal response to historical and structural violence, instead of an aesthetical phenomenon limited to the context of Cinema Novo in Brazil. In more practical terms, this investigation identifies the mechanisms of the aesthetics of hunger in Lope de Aguirre’s Letter to the King . It demonstrates that such aesthetics is a collective recurrent phenomenon in Latin America’s history since its colonization. The aesthetics of hunger, thus, contests not only the work of art in the 20th century through Cinema Novo, or the tradition of foundational documents (travel chronicles) in the late 1400s and early 1500s, but most importantly, it allows literary criticism to approach the matter of hunger as a counterpoint to – not a form of subjugation by – (post)colonial practices. Keywords: hunger; Andean; Amazonian; violence; Latin America. Resumo: Este estudo aborda a Carta de Lope de Aguirre ao Rei como um dos inumeros materiais que dialogam com a estetica da fome na obra de Glauber Rocha. A redacao da carta em si mesma e um documento de resistencia nos territorios andinos e amazonicos: contra o poder institucional, valores religiosos, justica e corrupcao. Portanto, a carta compartilha as principais caracteristicas presentes nas obras de arte produzidas por Glauber Rocha durante o Cinema Novo. O que isto significa e que a estetica da fome deve ser entendida como uma resposta atemporal a violencia historica e estrutural, em vez de um fenomeno estetico limitado ao contexto do Cinema Novo no Brasil. Em termos mais praticos, esta investigacao identificara os mecanismos da estetica da fome na Carta de Lope de Aguirre ao Rei . A analise em questao demonstra que tal estetica e um fenomeno recorrente e coletivo na historia da America Latina desde sua colonizacao. A estetica da fome, portanto, contesta nao apenas a obra de arte do seculo XX atraves do Cinema Novo, ou a tradicao de documentos fundacionais (cronicas de viagem) no final de 1400 e inicio de 1500, mas permite, para alem disso, que a critica literaria aborde a questao da fome como um contraponto a – nao uma forma de subjugacao por – praticas (pos)coloniais. Palavras-chave: fome; andinos; amazonicos; violencia; America Latina.","PeriodicalId":40506,"journal":{"name":"Caligrama-Revista de Estudos Romanicos","volume":"25 1","pages":"7-28"},"PeriodicalIF":0.1,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67549871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Un nouveau langage pour peupler le corps dans L’Amant, Marguerite Duras / A new language to inhabit the body in the Lover, Marguerite Duras","authors":"Laureta Mema","doi":"10.17851/2238-3824.24.3.87-103","DOIUrl":"https://doi.org/10.17851/2238-3824.24.3.87-103","url":null,"abstract":"Abstract  : Dans L’Amant , resonnant les critiques poststructuralistes et feministes, Marguerite Duras deconstruit les mythes du corps feminin en renversant la dichotomie homme-femme et reconstruit un autre univers en introduisant des sujets traditionnellement tabous et marginaux comme l’homosexualite, la prostitution et l’inceste. En effet, Duras represente un langage innovateur et revolutionnaire qui rompt avec les discours patriarcaux de la premiere moitie du vingtieme siecle. Au lieu de parler d’ elle comme un sujet feminin rendu objet par le regard masculin, Duras renverse le discours patriarcal peignant la femme comme un sujet legitime qui se regarde et qui experimente son corps ainsi que celui d’autrui. Le corps s’enrichit avec des connotations qui le liberent, tout en reconnaissant l’alienation qui le hante. Ecrire pour Duras est une symphonie nouvelle qui ouvre les portes de la memoire. Ecoutons-la que ce soit dans son emprisonnement ou sa liberation ! Mots-cles  : discours ; identite ; corps ; sexualite ; feminisme. Abstract: In The Lover , Marguerite Duras echoes the critical studies of the poststructuralists and feminists, when she deconstructs the myths of the female body, breaking the patriarchal dichotomy man-woman , while reconstructing another universe which includes subjects that have been traditionally marginalised (homosexuality, prostitution and incest). In fact, she represents an innovative and revolutionary language that contrasts with the patriarchal discourses of the first half of the twentieth century. Instead of speaking about her as a feminine subject objectified by the male gaze, Duras creates a new discourse that represents woman as a legitimized subject that fixes her gaze on her body, living its erotic desires and embracing those of others. Duras elaborates the discourse of the body adorning it with new connotations that liberate it, while recognizing the alienation that haunts it. Writing for Duras becomes a new symphony that opens the doors of memory. Let us listen to it both in its imprisonment and its liberation. Keywords: discourse; identity; body; sexuality; feminism.","PeriodicalId":40506,"journal":{"name":"Caligrama-Revista de Estudos Romanicos","volume":"24 1","pages":"87-103"},"PeriodicalIF":0.1,"publicationDate":"2019-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67550209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“A alegria é una”: O poema em prosa e a poética da ironia / “Joy Is a Unity”: The Prose Poem and the Poetics of Irony","authors":"Olga Kempinska","doi":"10.17851/2238-3824.24.3.125-138","DOIUrl":"https://doi.org/10.17851/2238-3824.24.3.125-138","url":null,"abstract":"Resumo: O estudo propoe uma reflexao sobre diversas utilizacoes da metafora da imersao n’agua enquanto a chave para a compreensao da estrutura da subjetividade encenada no poema em prosa. Destarte, ao investigar a presenca da ironia romântica voltada para a falta de acabamento e para a representacao da dissimulacao, duas importantes caracteristicas da estrutura do poema em prosa, que surge em meados do seculo XIX enquanto uma forma de resistencia nao apenas as injuncoes do mercado literario do folhetim, como tambem ao espirito da massificacao em geral, o estudo debruca-se sobre a afirmacao da reunificacao subjetiva como o principal desafio da poetica hibrida. Os poetas tais como Stephane Mallarme, Paul Valery, Henri Michaux e, mais recentemente, a polonesa Ewa Lipska sao os principais interlocutores nessa tarefa proposta pelo texto de Charles Baudelaire O spleen de Paris . Seu principal desafio e a articulacao da estrutura paradoxal do espirito moderno composto da tendencia heretica e da autocritica. Palavras-chave: poema em prosa; literatura francesa; ironia; riso; subjetividade. Abstract: This paper establishes a reflection on the different uses of the metaphor of immersion in water as the key to understand the structure of the subjectivity staged in prose poems. In investigating the presence of the romantic irony aiming the lack of completion as well as the representation of dissimulation, characteristics of the prose poem structure, which emerges in the middle of the XIX Century as a form of resistance not only to the feuilleton literary market, but also to the massification spirit in general, the study analyzes the affirmation of the subjective reunification as the main challenge to poetic hybridity. Poets, such as Stephane Mallarme, Paul Valery, Henri Michaux and more recently the Polish author Ewa Lipska, are important participants of this fascinating task put forward in Charles Baudelaire’s Paris Spleen . Its main challenge is the paradoxical articulation of the modern spirit structure constituted both by the heretical tendency and self-criticism. Keywords: prose poem; French literature; irony; laughter; subjectivity.","PeriodicalId":40506,"journal":{"name":"Caligrama-Revista de Estudos Romanicos","volume":"24 1","pages":"125-138"},"PeriodicalIF":0.1,"publicationDate":"2019-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49611894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Aquel locus horribilis de la modernización: la gran ciudad en dos textos de José Martí / That locus horribilis of Modernization: The Big City in Two Texts by José Martí","authors":"Leonor Taiano","doi":"10.17851/2238-3824.24.3.157-176","DOIUrl":"https://doi.org/10.17851/2238-3824.24.3.157-176","url":null,"abstract":"Resumen: Este estudio analiza la relacion inversamente proporcional que, segun Jose Marti, existe entre modernizacion y desarrollo humano. Por consiguiente, estudia el encuentro/desencuentro entre el espacio moderno (la ciudad), la modernizacion (sistema economico marcado por el desarrollo tecnologico e industrial) y la alienacion del individuo desde la perspectiva del “ flâneur martiano” que observa con admiracion-repulsion el espectaculo urbano-festivo en “Coney Island” y desde la perplejidad que invade la voz poetica de “Amor de ciudad grande”. Para llevar a cabo este estudio, se ha tomado como punto de partida el topos descriptivo del locus horribilis . El cual ha servido como marco estructural para explicar la manera como Jose Marti describe Nueva York como un simbolo de la degradacion humana creada por la modernizacion. En lugar de abordar directamente los motivos que hacen de la ciudad modernizada un locus horribilis , este ensayo examina los elementos que sugieren que la modernizacion ha hecho de la urbe un lugar en el que domina la tergiversacion de los conceptos de carpe diem, hedonismo y locus amoenus y la afirmacion de los conceptos de fasto y tempus fugit . Palabras clave: Jose Marti; modernizacion; ciudad; locus horribilis . Abstract: This article analyzes the inversely proportional relationship that, according to Jose Marti, exists between modernization and human development. Therefore, this paper studies the way the Martinian flâneur perceives, by observing the urban-frenetic atmosphere in “Coney Island” and “Amor de ciudad grande”, the encounter and disagreement between modern space (the city), modernization (economic system marked by the industrial and technological development) and social alienation. In order to carry out this research, I took as starting point the descriptive topos of locus horribilis , which constitutes a useful tool to explain how Jose Marti describes New York as a symbol of human degradation created by the process of modernization. Instead of analyzing the motifs that make the modernized city a locus horribilis , this paper examines the motifs that suggest that modernization has turned the city into a place dominated by distortion of the concepts of carpe diem , hedonism, locus amoenus and affirmation of the concepts of splendor and tempus fugit . Keywords: Jose Marti; modernization; city; locus horribilis .","PeriodicalId":40506,"journal":{"name":"Caligrama-Revista de Estudos Romanicos","volume":"24 1","pages":"157-176"},"PeriodicalIF":0.1,"publicationDate":"2019-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47594044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}