“A alegria é una”: O poema em prosa e a poética da ironia / “Joy Is a Unity”: The Prose Poem and the Poetics of Irony

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Olga Kempinska
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引用次数: 0

Abstract

Resumo: O estudo propoe uma reflexao sobre diversas utilizacoes da metafora da imersao n’agua enquanto a chave para a compreensao da estrutura da subjetividade encenada no poema em prosa. Destarte, ao investigar a presenca da ironia romântica voltada para a falta de acabamento e para a representacao da dissimulacao, duas importantes caracteristicas da estrutura do poema em prosa, que surge em meados do seculo XIX enquanto uma forma de resistencia nao apenas as injuncoes do mercado literario do folhetim, como tambem ao espirito da massificacao em geral, o estudo debruca-se sobre a afirmacao da reunificacao subjetiva como o principal desafio da poetica hibrida. Os poetas tais como Stephane Mallarme, Paul Valery, Henri Michaux e, mais recentemente, a polonesa Ewa Lipska sao os principais interlocutores nessa tarefa proposta pelo texto de Charles Baudelaire O spleen de Paris . Seu principal desafio e a articulacao da estrutura paradoxal do espirito moderno composto da tendencia heretica e da autocritica. Palavras-chave: poema em prosa; literatura francesa; ironia; riso; subjetividade. Abstract: This paper establishes a reflection on the different uses of the metaphor of immersion in water as the key to understand the structure of the subjectivity staged in prose poems. In investigating the presence of the romantic irony aiming the lack of completion as well as the representation of dissimulation, characteristics of the prose poem structure, which emerges in the middle of the XIX Century as a form of resistance not only to the feuilleton literary market, but also to the massification spirit in general, the study analyzes the affirmation of the subjective reunification as the main challenge to poetic hybridity. Poets, such as Stephane Mallarme, Paul Valery, Henri Michaux and more recently the Polish author Ewa Lipska, are important participants of this fascinating task put forward in Charles Baudelaire’s Paris Spleen . Its main challenge is the paradoxical articulation of the modern spirit structure constituted both by the heretical tendency and self-criticism. Keywords: prose poem; French literature; irony; laughter; subjectivity.
“喜是一体”:散文诗与反讽诗
摘要:本研究对浸入水中的隐喻的几种用法进行了反思,这是理解散文诗中主体性结构的关键。因此,通过考察浪漫主义反讽的存在,重点关注散文诗结构的两个重要特征——完成的缺失和掩饰的表现,这两个特征出现在19世纪中期,不仅是对报纸文学市场的禁令,也是对大众精神的抵制本研究的重点是对主体统一的肯定,这是混合诗学的主要挑战。斯蒂芬·马拉梅(Stephane Mallarme)、保罗·瓦莱里(Paul Valery)、亨利·米肖(Henri Michaux)以及最近的波兰人埃瓦·利普斯卡(Ewa Lipska)等诗人是查尔斯·波德莱尔(Charles Baudelaire)的《巴黎的脾》(the Spleen of Paris)提出的这一任务的主要对话者。它的主要挑战是阐明由异端倾向和自我批评组成的现代精神的矛盾结构。关键词:散文诗;法国文学;讽刺笑主观性。摘要:本文对浸入水中隐喻的不同用法进行了反思,这是理解散文诗主体性结构的关键。在考察十九世纪中叶出现的散文诗结构的特征,即以完成的缺失和掩饰的表现为目标的浪漫讽刺的存在,这不仅是对费伊尔顿文学市场的抵抗,也是对大众化精神的抵抗,本研究分析了对主体统一的确认是对诗歌混合性的主要挑战。诗人,如Stephane Mallarme、Paul Valery、Henri Michaux以及最近的波兰作家Ewa Lipska,都是Charles Baudelaire的《巴黎脾脏》中提出的这一迷人任务的重要参与者。它的主要挑战是由异端倾向和自我批评构成的现代精神结构的矛盾表达。关键词:散文诗;法国文学;讽刺笑主观性。
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