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Realismi di un ‘mondo impreveduto’ “不可预见的世界”的现实主义
Italianist Pub Date : 2021-09-02 DOI: 10.1080/02614340.2021.2082053
B. Falcetto
{"title":"Realismi di un ‘mondo impreveduto’","authors":"B. Falcetto","doi":"10.1080/02614340.2021.2082053","DOIUrl":"https://doi.org/10.1080/02614340.2021.2082053","url":null,"abstract":"SOMMARIO Il saggio riflette sull’esperienza letteraria neorealista a partire dal rapporto vitale e contrastato con i lettori, comuni e specializzati, richiamando il ruolo propulsivo del possibile colloquio con un’utenza rinnovata e indicando la funzione di freno costituita, in vario modo, dagli orientamenti dominanti nell’opinione critica. Muovendo da qui si propone, per una buona manutenzione del concetto di neorealismo, una rilettura condotta con uno sguardo duttile, aperto a valorizzare la ricca e inquieta pluralità di forme – di immagini di mondo e di soluzioni narrative d’ispirazione realistica – che rispondono alle sollecitazioni del contesto. In questa prospettiva è necessario riconoscere l’incidenza decisiva dei procedimenti di soggettivizzazione e trasfigurazione nei modi ibridi di un realismo che punta a raccontare l’esperienza del reale, un rapporto con gli eventi che non di rado si rivela all’insegna di uno straniamento spaesante, dell’incontro con un ‘mondo impreveduto’.","PeriodicalId":42720,"journal":{"name":"Italianist","volume":"41 1","pages":"348 - 366"},"PeriodicalIF":0.0,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42322521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Faulkner Vincit Omnia: The Doing and Undoing of the Mondadori Edition of William Faulkner’s Collected Works 福克纳文西特·Omnia：福克纳文集蒙达多利版的做与废
Italianist Pub Date : 2021-09-02 DOI: 10.1080/02614340.2021.2030111
Cinzia Scarpino
{"title":"Faulkner Vincit Omnia: The Doing and Undoing of the Mondadori Edition of William Faulkner’s Collected Works","authors":"Cinzia Scarpino","doi":"10.1080/02614340.2021.2030111","DOIUrl":"https://doi.org/10.1080/02614340.2021.2030111","url":null,"abstract":"ABSTRACT This article focuses on an under-researched aspect of William Faulkner’s Italian publishing history, the publication of his collected works – the Opera Omnia – conceived by the author himself and Fernanda Pivano, his Italian editor at Mondadori, in 1955. By 1966, after a decade of intense editorial efforts, only four of the ten planned volumes had been published, and the project was abandoned. Based on extensive archival research carried out at the Mondadori Foundation, this article will demonstrate how the Opera Omnia publishing debacle was caused by several failures, including the publisher’s difficulty in keeping pace with the translation of a writer with such a complex style as Faulkner, and the growing tensions between Mondadori’s managing editors and Pivano, a highly competent and uncompromising editor.","PeriodicalId":42720,"journal":{"name":"Italianist","volume":"41 1","pages":"446 - 464"},"PeriodicalIF":0.0,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48928518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tradizione e sperimentalismo: le due vie di Feltrinelli alla letteratura in lingua inglese (1955–1965) 传统与实验主义：费尔特里内利的两种英国文学之路（1955-1965）
Italianist Pub Date : 2021-09-02 DOI: 10.1080/02614340.2021.2070837
R. Cesana
{"title":"Tradizione e sperimentalismo: le due vie di Feltrinelli alla letteratura in lingua inglese (1955–1965)","authors":"R. Cesana","doi":"10.1080/02614340.2021.2070837","DOIUrl":"https://doi.org/10.1080/02614340.2021.2070837","url":null,"abstract":"SOMMARIO Questo articolo analizza il processo di selezione di Feltrinelli e le politiche di traduzione messe in campo dalla casa editrice per la pubblicazione di romanzi tradotti dall’inglese, nei primi dieci anni di attività (1955–1965). La mia tesi è che questi esempi possano essere visti come una cartina di tornasole per due distinti indirizzi che la casa ha assunto nel periodo. Da un lato, la ‘Biblioteca di letteratura’ di Giorgio Bassani incarnava una preferenza per la tradizione modernista, testimoniata dalla scelta di alcuni scrittori di lingua inglese rappresentativi di questa tendenza (E. M. Forster, Wyndham Lewis, Ford Madox Ford tra gli altri). Dall’altro, le collane dirette da Valerio Riva (‘Narrativa’, ‘Le Comete’, ‘Narratori’) esprimevano il desiderio di cavalcare l’onda ‘sperimentale’ che stava per cambiare il panorama letterario italiano.","PeriodicalId":42720,"journal":{"name":"Italianist","volume":"41 1","pages":"389 - 405"},"PeriodicalIF":0.0,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42042436","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘The Pasolini Translation Problem’: From Una vita violenta to A Violent Life “帕索里尼翻译问题”:从“暴力生活”到“暴力生活”
Italianist Pub Date : 2021-09-02 DOI: 10.1080/02614340.2021.2129407
Daniela La Penna
{"title":"‘The Pasolini Translation Problem’: From Una vita violenta to A Violent Life","authors":"Daniela La Penna","doi":"10.1080/02614340.2021.2129407","DOIUrl":"https://doi.org/10.1080/02614340.2021.2129407","url":null,"abstract":"ABSTRACT This article provides a microhistorical analysis of the English translation of Pier Paolo Pasolini's Una vita violenta, penned by William Weaver and published by British publisher Jonathan Cape in 1968. By evaluating the archival evidence surrounding this ‘translation event’, this study reconstructs the transatlantic alliances that the firm tried to forge with American firms between 1959 and 1968 to spread around the translation costs and ensure greater geographical diffusion. Furthermore, it maps the efforts made to secure the best translator for what was judged to be a linguistically challenging foreign title. The study contextualises the translators’ articulations of how best to interpret in English the mixture of dialect and slang characterising Pasolini’s novel. The analysis of the business and aesthetic discourses surrounding this translation event also takes into account Pier Paolo Pasolini’s evolving discourse on dialect and his position in the national and international cultural fields.","PeriodicalId":42720,"journal":{"name":"Italianist","volume":"41 1","pages":"465 - 489"},"PeriodicalIF":0.0,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41364317","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Natalia Ginzburg e Adriana Motti: due traduttrici per i romanzi di Ivy Compton-Burnett 娜塔莉亚·金兹伯格和阿德里安娜·莫蒂:由于她是艾薇·康普顿-伯内特的罗马人
Italianist Pub Date : 2021-09-02 DOI: 10.1080/02614340.2021.2004692
T. Franco
{"title":"Natalia Ginzburg e Adriana Motti: due traduttrici per i romanzi di Ivy Compton-Burnett","authors":"T. Franco","doi":"10.1080/02614340.2021.2004692","DOIUrl":"https://doi.org/10.1080/02614340.2021.2004692","url":null,"abstract":"ABSTRACT This article analyses the role played by Natalia Ginzburg and Adriana Motti in the Italian reception of the English writer Ivy Compton-Burnett during the 1960s. Drawing on archival documents held at the Fondazione Einaudi in Turin and on theories of translation that assimilate this literary practice to reading (Spivak, Calvino), my contribution aims to demonstrate how both Ginzburg and Motti responded to the same ideal of translation, as practised at the Einaudi publishing house. I also illustrate how a case of traduction manqué in Ginzburg’s career gave rise, on the one hand, to a new creative phase and, on the other, to a symbolic passing of the baton to Motti, a silent and expert translator, who was given the task of inventing an Italian voice for this brilliant writer.","PeriodicalId":42720,"journal":{"name":"Italianist","volume":"41 1","pages":"406 - 423"},"PeriodicalIF":0.0,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48407037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Reading for Translation: Assessing Italian Fiction for British Publishers (1945–1968) 翻译阅读：为英国出版商评估意大利小说（1945-1968）
Italianist Pub Date : 2021-09-02 DOI: 10.1080/02614340.2021.2052477
S. Sullam
{"title":"Reading for Translation: Assessing Italian Fiction for British Publishers (1945–1968)","authors":"S. Sullam","doi":"10.1080/02614340.2021.2052477","DOIUrl":"https://doi.org/10.1080/02614340.2021.2052477","url":null,"abstract":"ABSTRACT Based on extensive archival research, this article focuses on the key role that the professional reading of foreign fiction had in the cultural mediation that takes place within publishing houses, arguing that readers’ reports should be regarded as a form of specialised discourse on literature. It provides the first historical account of the cultural agency of the most important readers of Italian fiction working for British publishers with an interest in European literature in the period 1945–1968 (Jonathan Cape, Chatto & Windus, the Hogarth Press and The Bodley Head), assessing their educational and professional background and its influence on their critical perspective. To do this, it analyses three examples of professional reading, which concern the use of categories such as ‘realism’ and ‘neorealism’; the consideration of genre and readability (with a focus on the translation of Natalia Ginzburg’s Lessico famigliare); and the assessment of the political subtext of Vasco Pratolini’s trilogy Una storia italiana.","PeriodicalId":42720,"journal":{"name":"Italianist","volume":"41 1","pages":"367 - 388"},"PeriodicalIF":0.0,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47367163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: Literary Exchanges between the Italian and Anglo-American Publishing Markets: Readers, Translators, Mediators (1945–1970) 引言：意大利和英美出版市场之间的文学交流：读者、翻译家、调解员（1945-1970）
Italianist Pub Date : 2021-09-02 DOI: 10.1080/02614340.2021.2133470
Daniela La Penna, S. Sullam
{"title":"Introduction: Literary Exchanges between the Italian and Anglo-American Publishing Markets: Readers, Translators, Mediators (1945–1970)","authors":"Daniela La Penna, S. Sullam","doi":"10.1080/02614340.2021.2133470","DOIUrl":"https://doi.org/10.1080/02614340.2021.2133470","url":null,"abstract":"This special issue of The Italianist explores the role played by publishing houses in brokering literary translation for commercial purposes and the role of translation within the literary exchanges between Italy, the United Kingdom, and the United States in the years 1945 – 1970. The eight contributions in this number examine speci fi c aspects of the book trade occurring between these geo-linguistic areas to bring to light both the broad cultural questions in fl uencing and the speci fi c trade protocols utilised for the selection of foreign titles. Our studies also detail the often rich and complex network of relationships and professional resources, encompassing multiple geographies, involved in the translation work fl ow. Embracing the recent archival turn in translation history, the research showcased in this special issue addresses key and emerging questions informing the ongoing scholarly inquiry into comparative and international publishing history, translation history and translator studies, and the material conditions that make literary transfer amongst di ff erent linguistic systems possible. 1 By recuperating hidden, or hitherto ignored, documentation preserved in publishers ’ archives located in Italy, the United Kingdom, and the United States, the contributors to this special issue have been able to illuminate for the fi rst time speci fi c translation events that cast in sharp relief crucial factors in the publication of a foreign title in translation, such as asymmetries of power and prestige in the fi rms ’ hierarchies, gender imbalances a ff ecting professional relationships, and too-often-unful fi lled expectations of fair fi nancial reward. With our research, we wish to contribute to ‘ raising the awareness of the human factor ’ in translation intended as a business and social activity. 2 We","PeriodicalId":42720,"journal":{"name":"Italianist","volume":"41 1","pages":"339 - 347"},"PeriodicalIF":0.0,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47133540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Old Age and Italian (Film) Comedy: Why Cry When You Can Laugh? 老年与意大利（电影）喜剧：能笑为什么哭？
Italianist Pub Date : 2021-05-04 DOI: 10.1080/02614340.2021.1922155
Lisa Dolasinski
{"title":"Old Age and Italian (Film) Comedy: Why Cry When You Can Laugh?","authors":"Lisa Dolasinski","doi":"10.1080/02614340.2021.1922155","DOIUrl":"https://doi.org/10.1080/02614340.2021.1922155","url":null,"abstract":"ABSTRACT This article contributes to an understudied topic in Italian film studies: representations of older people in contemporary comedies. After contextualising Italian cinema’s enduring tendency to employ laughter to cope with tragedy, I cast a spotlight on three of the few Italian film comedies that address the topics of old age and ageing in sustained, purposeful, and original ways. Beginning with an analysis of Fantozzi va in pensione (Neri Parenti, 1988) as a kind of precursor to more recent features, I examine the interconnected themes of work, retirement, intergenerational conflict, and death. Close readings of Metti la nonna in freezer (Giancarlo Fontana and Giuseppe Stasi, 2018) and Buoni a nulla (Gianni Di Gregorio, 2014) follow. These comedies recycle tropes addressed in Fantozzi va in pensione. Yet, when interpreted in the context of contemporary Italy, the latter two films are also innovative in their grotesque depiction of older persons as ‘human capital’.","PeriodicalId":42720,"journal":{"name":"Italianist","volume":"41 1","pages":"284 - 307"},"PeriodicalIF":0.0,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44328369","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Towards The Camera: Paths and Contexts of the Actor’s Training in Italy 走向镜头：意大利演员培训的路径与语境
Italianist Pub Date : 2021-05-04 DOI: 10.1080/02614340.2021.1950427
M. Pierini
{"title":"Towards The Camera: Paths and Contexts of the Actor’s Training in Italy","authors":"M. Pierini","doi":"10.1080/02614340.2021.1950427","DOIUrl":"https://doi.org/10.1080/02614340.2021.1950427","url":null,"abstract":"ABSTRACT The article focuses on some basic questions related to the field of actors’ training in Italy. In order to investigate the various trajectories followed by young actors in their professional apprenticeship, the paper briefly illustrates what is specific to the Italian landscape, which features both a strong tradition in enrolling non-professional actors and a fluid professional interchange between actors who have a stage-oriented training and actors trained in film acting.","PeriodicalId":42720,"journal":{"name":"Italianist","volume":"41 1","pages":"260 - 263"},"PeriodicalIF":0.0,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45874353","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
(Feminist) Academic Friendships: Discussing and Re-Thinking the Labour of Love (女权主义者)学术友谊:对爱的劳动的讨论与再思考
Italianist Pub Date : 2021-05-04 DOI: 10.1080/02614340.2021.1962049
Giovanna Maina, Dalila Missero
{"title":"(Feminist) Academic Friendships: Discussing and Re-Thinking the Labour of Love","authors":"Giovanna Maina, Dalila Missero","doi":"10.1080/02614340.2021.1962049","DOIUrl":"https://doi.org/10.1080/02614340.2021.1962049","url":null,"abstract":"The act of collaboration is complex, as are the reasons academics engage in the practice. Some scholars form collaborative relationships to combat loneliness and isolation. Others view collaboration as a means of expanding their knowledge or abilities, or as an avenue to compensate for weakness. Still others enjoy working with one or more persons in areas of shared interest, believing that the result will be more meaningful, satisfying, and significant than what would be accomplished individually.","PeriodicalId":42720,"journal":{"name":"Italianist","volume":"41 1","pages":"241 - 246"},"PeriodicalIF":0.0,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44613481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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