{"title":"走向镜头：意大利演员培训的路径与语境","authors":"M. Pierini","doi":"10.1080/02614340.2021.1950427","DOIUrl":null,"url":null,"abstract":"ABSTRACT The article focuses on some basic questions related to the field of actors’ training in Italy. In order to investigate the various trajectories followed by young actors in their professional apprenticeship, the paper briefly illustrates what is specific to the Italian landscape, which features both a strong tradition in enrolling non-professional actors and a fluid professional interchange between actors who have a stage-oriented training and actors trained in film acting.","PeriodicalId":42720,"journal":{"name":"Italianist","volume":"41 1","pages":"260 - 263"},"PeriodicalIF":0.3000,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Towards The Camera: Paths and Contexts of the Actor’s Training in Italy\",\"authors\":\"M. Pierini\",\"doi\":\"10.1080/02614340.2021.1950427\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT The article focuses on some basic questions related to the field of actors’ training in Italy. In order to investigate the various trajectories followed by young actors in their professional apprenticeship, the paper briefly illustrates what is specific to the Italian landscape, which features both a strong tradition in enrolling non-professional actors and a fluid professional interchange between actors who have a stage-oriented training and actors trained in film acting.\",\"PeriodicalId\":42720,\"journal\":{\"name\":\"Italianist\",\"volume\":\"41 1\",\"pages\":\"260 - 263\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-05-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Italianist\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/02614340.2021.1950427\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Italianist","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/02614340.2021.1950427","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Towards The Camera: Paths and Contexts of the Actor’s Training in Italy
ABSTRACT The article focuses on some basic questions related to the field of actors’ training in Italy. In order to investigate the various trajectories followed by young actors in their professional apprenticeship, the paper briefly illustrates what is specific to the Italian landscape, which features both a strong tradition in enrolling non-professional actors and a fluid professional interchange between actors who have a stage-oriented training and actors trained in film acting.
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