SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies最新文献_第8页

Shakespeare and Chess Again: A Proposal for an Alternative Reading of pawn(s) in King Lear, King John and The Winter’s Tale 再看莎士比亚与国际象棋:《李尔王》、《约翰国王》和《冬天的故事》中卒的另一种解读

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2011-01-01 DOI: 10.34136/sederi.2011.2

José Luis Oncins Martínez

引用次数: 1

Defrauding Daughters Turning Deviant Wives? Reading Female Agency in The Merchant of Venice 欺骗女儿变成变态妻子?解读《威尼斯商人》中的女性能动性

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2011-01-01 DOI: 10.34136/sederi.2011.7

Nicoleta Cinpoȩs

引用次数: 1

The Impact of Lord Burghley and the Earl of Leicester’s Spanish-Speaking Secretariats 伯利勋爵和莱斯特伯爵的西班牙语秘书处的影响

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2011-01-01 DOI: 10.34136/sederi.2011.1

H. Crummé

{"title":"The Impact of Lord Burghley and the Earl of Leicester’s Spanish-Speaking Secretariats","authors":"H. Crummé","doi":"10.34136/sederi.2011.1","DOIUrl":"https://doi.org/10.34136/sederi.2011.1","url":null,"abstract":"Whilst the literature of the Spanish Golden Age is itself filled with problems of representation, I will argue in this paper that the greatest misrepresentation of all did not occur in fiction but rather in the English court. During Elizabeth’s reign Lord Burghley, working with his secretary Sir Francis Walsingham, systematically misrepresented Spanish culture, deliberately obscuring the English perception of Spanish Golden Age and casting over it a veil of fear. The Earl of Leicester, by contrast, working only to improve his own reputation as a literary patron and man of letters, inadvertently increased English access to Spanish literature as he patronized a coterie of Spanish-speaking scholars at the University of Oxford. These Spanish secretaries translated Spanish literature and created Spanish dictionaries. By analysing the propaganda created under Burghley and the dictionaries created under Leicester, I will show how the English perception of the Spanish Golden Age developed. How, one might ask, was Antonio del Corro’s arrival at the university tied to the printing of the first Spanish books in England at the university press? Why did both Leicester and Burghley eventually sponsor Spanish-English dictionaries? How did these different media and dictionaries mediate the English perception of Spain? These are some of the questions my paper will address through examination of the Atye-Cotton manuscripts (now housed at the British Library), a series of pamphlets sponsored by Lord Burghley, and several English-Spanish dictionaries created in the late 16th century.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"49 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2011-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89081873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Performing Shakespeare in a Conflicting Cultural Context: Othello in Francoist Spain 在冲突的文化背景下表演莎士比亚:佛朗哥统治下的西班牙的奥赛罗

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2011-01-01 DOI: 10.34136/sederi.2011.6

Elena Bandín Fuertes

引用次数: 1

The Space of Identity and the Identity of Space in The City Wit by Richard Brome 《城市智慧》中身份的空间与空间的身份

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2011-01-01 DOI: 10.34136/sederi.2011.4

C. Paravano

引用次数: 1

In a Minor Key: Visual Effects in Shake-Speare’s Sonnets 小调:莎士比亚十四行诗的视觉效果

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2011-01-01 DOI: 10.34136/sederi.2011.8

A. Hickman

{"title":"In a Minor Key: Visual Effects in Shake-Speare’s Sonnets","authors":"A. Hickman","doi":"10.34136/sederi.2011.8","DOIUrl":"https://doi.org/10.34136/sederi.2011.8","url":null,"abstract":"Students of the sonnets are no doubt aware that they abound in wordplay that rewards multiple readings. They may be less aware, especially if they are unfamiliar with the original 1609 Quarto edition, that the poems may have been arranged to have a visual impact as well. The sonnet form itself is emblematic of a number of familiar referents, including an escutcheon, a “glass” (mirror), a leaf, and a seal. One might even see in the poems, as did Lady Mary Worth and John Donne in their “crowns” of sonnets, the links in a chain, or necklace. The sonnet form is roughly the poetic equivalent to the portrait miniature (a fad of the day) in art. I shall be pursuing these analogies in my paper. The most striking visual effect occurs in Sonnet 126, the last of the “fair youth” sonnets, which consists of six rhymed couplets followed by two empty sets of brackets. Katherine Duncan-Jones and others have, in recent years, argued authorial intent for this alleged “printer’s error.” Duncan-Jones suggests that the open parentheses may signify the poet and the fair youth’s “failure to couple,” while John Lennard sees in them “the silence of the grave.” I hope to demonstrate that, by thinking in visual terms, we might one day be able to unlock the story behind the most enigmatic verse sequence in English poetry.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"15 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2011-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88844091","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Film and the Uncanny, Shakespeare Making Possible Things Not so Held, Communicating with Dreams 电影与神秘，莎士比亚让不可能的事情成为可能，与梦交流

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2011-01-01 DOI: 10.34136/sederi.2011.3

Martin R. Orkin

引用次数: 0

Learning to Scrawl: The Evolutionary Strain in Titus Andronicus 学习潦草:提图斯·安多尼克斯的进化菌株

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2011-01-01 DOI: 10.34136/sederi.2011.5

J. Sell

{"title":"Learning to Scrawl: The Evolutionary Strain in Titus Andronicus","authors":"J. Sell","doi":"10.34136/sederi.2011.5","DOIUrl":"https://doi.org/10.34136/sederi.2011.5","url":null,"abstract":"Much has been written on the semiotic obsessions of Shakespeare’s Titus Andronicus, less on their relationship with matters of theme. This paper argues first that the play’s engagement with the mutual relationships between language, labour and society draws on classical and early modern accounts of the symbiotic evolution of language and civilised society. It then suggests that the play’s particular rhetorical and kinesiological focus on hand and tongue anticipates the metonymies deployed in Darwinian accounts of human evolution. Key to this reading is the well-known scrawl/scrowl crux: far from opting for a definitive, exclusive meaning, the paper proposes that the semantic uncertainty unleashed at the crux mimics the play’s representation of Rome’s and, in the last resort, humanity’s hesitation between literate civilization and creeping barbarism. No longer a merely lexical quibble over the competing, variously obsolescent and emergent, notions of crawling, gesticulating and scribbling, the crux becomes the touchstone of an evolutionary reading of the play. Just as scrawl/scrowl debates endlessly between different stages on the human evolutionary scale, so Titus Andronicus leaves its readers and audience in uneasy contemplation of Rome’s¬ – and their own – perpetual teetering on the brink of degradation.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"871 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2011-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86519979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Baubles on the water: sea travel in Shakespeare’s time 水上的小玩意:莎士比亚时代的海上旅行

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2010-01-01 DOI: 10.34136/sederi.2010.3

A. Gurr

{"title":"Baubles on the water: sea travel in Shakespeare’s time","authors":"A. Gurr","doi":"10.34136/sederi.2010.3","DOIUrl":"https://doi.org/10.34136/sederi.2010.3","url":null,"abstract":"The technical features of travel by water, on sea and up rivers, are not registered as strongly as it should be in studies of the Shakespearean period. In his great edition of The Spanish Tragedy Philip Edwards mocked the author’s assumption that the Portuguese Viceroy would have travelled to Spain by sea rather than overland, since the play also notes that the two countries have contiguous boundaries. He did not know how tortuous travel overland from Badajoz to Lisbon could be. A similar ignorance of the routine use of travel by boat around the coast of England and up its main rivers is evident in the studies of playing company travels in the many Records of Early English Drama. Its editors take too little notice of the likelihood that the professional playing companies used London’s shipping to carry their personnel and properties on their journeys round the country. The official records of the Privy Council and other state papers show how important access by river was for all bulk transport through England’s rivers. Shakespeare could well have travelled from London home to Stratford upon Avon by water. John Taylor the Water Poet wrote several verses about his own travels from London by water that amply demonstrate the ease and the familiarity to travellers of going anywhere by sea and river. But it was never an easy business. Shakespeare himself twice used the word “bauble” or “bubble” in different plays to describe the fragile nature of the vessels used for sea travel.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"25 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2010-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80811278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

"The king has killed his heart": The Death of Falstaff in Henry V “国王杀死了他的心”:《亨利五世》中的福斯塔夫之死

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2010-01-01 DOI: 10.34136/sederi.2010.7

R. Fraser

引用次数: 2