电影与神秘，莎士比亚让不可能的事情成为可能，与梦交流

IF 0.1 3区社会学 0 LITERATURE, BRITISH ISLES

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2011-01-01 DOI:10.34136/sederi.2011.3

Martin R. Orkin

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引用次数: 0

摘要

本文支持这样一种观点，即当今电影作为一种独立的艺术形式——而不是总是作为文学文本的改编——为分析莎士比亚早期现代文本的各个方面提供了额外的教学和比较机会。这篇文章以电影体验中所唤起的神秘为出发点。然后，它侧重于经验和成长的各个方面，以及与语言和叙事有关的问题，这些问题在佩德罗Almodóvar和埃坦·福克斯的电影文本以及威廉·莎士比亚的戏剧中都得到了探讨。

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Film and the Uncanny, Shakespeare Making Possible Things Not so Held, Communicating with Dreams

This essay supports the view that present day cinema as an art form in its own right – rather than film always as adaptation of a literary text – provides an additional pedagogic and comparative opportunity for the analysis of aspects of Shakespeare’s early modern texts. The essay takes as point of departure aspects of the uncanny as evoked in the cinematic experience. It then focuses upon aspects of experience and growth, as well as upon problems attached to language and narrativity as these are explored both in film-texts by Pedro Almodóvar and by Eytan Fox, and also in plays by William Shakespeare.

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来源期刊

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Multiple-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies, is an annual open-access publication devoted to current criticism and scholarship on English Renaissance Studies. It is peer-reviewed by external referees, following a double-blind policy.