SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies最新文献_第9页

Ludwig Tieck’s Herr Von Fuchs (1793) As the Perfect Embodiment of Romantic Irony 路德维希·提克的《冯·富克斯先生》(1793)是浪漫反讽的完美体现

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2010-01-01 DOI: 10.34136/sederi.2010.6

Purificación Ribes Traver

引用次数: 0

The French Influence on Early Shakespeare Reception in Spain: Three Cases of Unacknowledged Sources 法国对早期莎士比亚在西班牙接受的影响:三个未确认来源的案例

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2010-01-01 DOI: 10.34136/sederi.2010.5

Á. Pujante

引用次数: 2

The Pageant of History: Nostalgia, the Tudors, and the Community Play 历史的盛会:怀旧、都铎王朝和社区戏剧

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2010-01-01 DOI: 10.34136/sederi.2010.1

M. Dobson

引用次数: 2

"I have written the things which I did hear, see, tasted and HANDLED": Selfhood and Voice in Katherine Evans’ and Sarah Cheevers’ A Short Relation of Their Sufferings (1662) “我把我所听到的、看到的、尝到的和处理过的东西都写了下来”:凯瑟琳·埃文斯和萨拉·契弗斯《她们的苦难简记》中的自我和声音(1662)

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2010-01-01 DOI: 10.34136/sederi.2010.2

Carme Font Paz

引用次数: 0

Macbeth and the passions' "proper stuff" 麦克白和激情的“正当的东西”

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2010-01-01 DOI: 10.34136/sederi.2010.4

Zenón Luis Martínez

{"title":"Macbeth and the passions' \"proper stuff\"","authors":"Zenón Luis Martínez","doi":"10.34136/sederi.2010.4","DOIUrl":"https://doi.org/10.34136/sederi.2010.4","url":null,"abstract":"This essay examines early modern conceptions and representations of the passions in relation to issues of self-knowledge in texts ranging from Renaissance psychology to Shakespearean tragedy –with a particular focus on Macbeth. Considered in essence processes of the mind, the passions were believed to manifest themselves through material symptoms such as bodily effects, facial gestures and discourse. Accordingly, the early modern philosophy of man saw in the study of these material manifestations a vehicle to access the soul. By tracing the methodologies for translating the material side of human experience –words, gestures, bodily sensations and signals– into less material truths, early modern philosophy and theatre explored the certainties about inwardness as a necessary dimension of the self, as well as the uncertainties about the ultimate essence of such interiority. In this, Shakespeare’s Macbeth, for its constant focus on outward appearance and rhetoric, stresses the need to focus on matter as a vehicle to explore interiority. And yet –and in keeping with the principles of earlier Renaissance humanists– the play acknowledges the utter impossibility to know the ultimate essence of the inward self.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"47 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2010-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88937266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Henry Constable’s Sonnets to Arbella Stuart 亨利·康斯特布尔致阿贝拉·斯图尔特的十四行诗

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2009-01-01 DOI: 10.34136/sederi.2009.9

Mª Jesús Pérez Jáuregui

{"title":"Henry Constable’s Sonnets to Arbella Stuart","authors":"Mª Jesús Pérez Jáuregui","doi":"10.34136/sederi.2009.9","DOIUrl":"https://doi.org/10.34136/sederi.2009.9","url":null,"abstract":"Although the Elizabethan poet and courtier Henry Constable is best known for his sonnet-sequence Diana (1592), he also wrote a series of sonnets addressed to noble personages that appear only in one manuscript (Victoria and Albert Museum, MS Dyce 44). Three of these lyrics are dedicated to Lady Arbella Stuart – cousin-german to James VI of Scotland–, who was considered a candidate to Elizabeth’s succession for a long time. Two of the sonnets were probably written on the occasion of Constable and Arbella’s meeting at court in 1588, and praise the thirteen-year old lady for her numerous virtues; the other one seems to have been written later on, as a conclusion to the whole book, implying that Constable at a certain moment presented it to Arbella in search for patronage and political protection. At a time when the succession seemed imminent, Constable’s allegiance to the Earl of Essex, who befriended Arbella and yet sent messages to James to assure him of his circle’s support, raises the question of the true motivation of these sonnets. This paper will analyze these particular works in a political context rife with courtly intrigue.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"3 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2009-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73100470","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ariadne’s Adaptation of Alexander Oldys’s The Fair Extravagant in She Ventures and He Wins 阿里阿德涅在《她冒险而他获胜》中改编的亚历山大·奥德斯的《风流韵事》

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2009-01-01 DOI: 10.34136/sederi.2009.8

Jorge Figueroa Dorrego

引用次数: 1

Dividuated selves: on Renaissance criticism, critical finitude and the experience of ethical subjectivity 分化的自我:文艺复兴时期的批评、批判的有限性与伦理主体性的经验

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2009-01-01 DOI: 10.34136/sederi.2009.3

J. Joughin

{"title":"Dividuated selves: on Renaissance criticism, critical finitude and the experience of ethical subjectivity","authors":"J. Joughin","doi":"10.34136/sederi.2009.3","DOIUrl":"https://doi.org/10.34136/sederi.2009.3","url":null,"abstract":"This paper situates the work of Renaissance criticism as a type of belated work of mourning or memorial aesthetics. In particular I want to focus on the emergence of a supposedly “modern” form of subjectivity during the theorisation of Renaissance criticism in the eighties –its distinctiveness as well as its occlusions. For the purpose of this essay I take the work of the British critic Francis Barker as, in some sense, broadly representative of a trend in political criticism that was focused on a recovery of the lost significance of the body as a site of subjection. However, I will also argue that the relocation of the mind-body split in the first wave theorisation of Renaissance criticism needs to be read again. The founding dividuation of self in this early criticism is now often criticised for positioning the subject in reductively functionalist or mechanistic terms, as the product of the discourse of power/knowledge that produced it. However, in much of the work that we label cultural materialist or new historicist, the experience of dualism also secreted an ethical standpoint that is worthy of our re-evaluation. In particular, and in building on the insights of Gillian Rose and Judith Butler on mourning, I suggest that the lyrical contemplation of lost bodies in radical criticism implicates our ties to others, as well as the relational ties to others implicit in any political sense of community. In turn, this suggests a more sophisticated account of political subjectivity, as well as a potential reparation of the concept of a political self for radical criticism.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"24 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2009-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84754858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Representing Native American Women in Early Colonial American Writings: Álvar Núñez Cabeza de Vaca, Juan Ortiz and John Smith 代表美洲土著妇女在早期殖民美国写作:Álvar Núñez卡贝萨·德瓦卡，胡安·奥尔蒂斯和约翰·史密斯

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2009-01-01 DOI: 10.34136/sederi.2009.2

Mª Carmen Gomez Galisteo

{"title":"Representing Native American Women in Early Colonial American Writings: Álvar Núñez Cabeza de Vaca, Juan Ortiz and John Smith","authors":"Mª Carmen Gomez Galisteo","doi":"10.34136/sederi.2009.2","DOIUrl":"https://doi.org/10.34136/sederi.2009.2","url":null,"abstract":"Most observers of Native Americans during the contact period between Europe and the Americas represented Native American women as monstrous beings posing potential threats to the Europeans’ physical integrity. However, the most well known portrait of Native American women is John Smith’s description of Pocahontas, the Native American princess who, the legend goes, saved Smith from being executed. Transformed into a children’s tale, further popularized by the Disney movie, as well as being the object of innumerable historical studies questioning or asserting the veracity of Smith’s claims, the fact remains that the Smith-Pocahontas story is at the very core of North American culture. Nevertheless, far from being original, John Smith’s story had a precedent in the story of Spaniard Juan Ortiz, a member of the ill-fated Narváez expedition to Florida in 1527. Ortiz, who got lost in America and spent the rest of his life there, was also rescued by a Native American princess from being sacrificed in the course of a Native American ritual, as recounted by the Gentleman of Elvas, member of the Hernando de Soto expedition. Yet another vision of Native American women is that offered by Álvar Núñez Cabeza de Vaca, another participant of the Narváez expedition who, during almost a decade in the Americas fulfilled a number of roles among the Native Americans, including some that were regarded as female roles. These female roles provided him with an opportunity to avert captivity as well as a better understanding of gender roles within Native American civilization. This essay explores the description of Native American women posed by John Smith, Juan Ortiz and Álvar Núñez Cabeza de Vaca so as to illustrate different images of Native American women during the early contact period as conveyed by these works.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"9 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2009-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84814665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

"Mine ear is much enamour'd of thy note": Shakespeare’s Intercultural Dream in the Indian Subcontinent “我的耳朵非常迷恋你的音符”:莎士比亚在印度次大陆的跨文化之梦

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2009-01-01 DOI: 10.34136/sederi.2009.5

Sofía Muñoz Valdivieso

{"title":"\"Mine ear is much enamour'd of thy note\": Shakespeare’s Intercultural Dream in the Indian Subcontinent","authors":"Sofía Muñoz Valdivieso","doi":"10.34136/sederi.2009.5","DOIUrl":"https://doi.org/10.34136/sederi.2009.5","url":null,"abstract":"Tim Supple’s 2006 production of A Midsummer Night’s Dream has been hailed by some critics as the successor of Peter Brook’s revolutionary 1970 version, a vision that changed perceptions of the play and became a classic in the history of its performance. Supple’s Midsummer uses about half of Shakespeare’s English text, with the rest translated into Hindi, Bengali, Marathi, Malayalam, Tamil, Sanskrit and Sinhala. It maintains the plot and characters intact, although it includes elements of local theatrical traditions in music, dance, martial arts and acrobatics. The production defies attempts at classification, since it presents features of “foreign” Shakespeare plays yet it braids the Indian-language dialogues into Shakespeare’s original English and extends the alienation effect of a foreign language production to audiences throughout the world. The international success of this production since it premiered in Britain as part of the 2006-07 Royal Shakespeare Company’s Complete Works Festival at Stratford is meaningful beyond considerations of aesthetic and theatrical value. The present paper discusses Tim Supple’s A Midsummer Night’s Dream within the contexts of foreign Shakespearean performance and intercultural theatre, and it analyses the contribution of the production to current debates about the importance of Shakespeare as international cultural capital.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"6 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2009-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88807359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1