SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies最新文献_第7页

"A Kind of Character in thy Life": Shakespeare and the Character of History “你生命中的一种性格”:莎士比亚与历史的性格

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2013-01-01 DOI: 10.34136/sederi.2013.1

P. Holland

引用次数: 0

Cymbeline: Arithmetic, Double-Entry Bookkeeping, Counts, and Accounts 《辛白林:算术、复式记帐、计数和账目》

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2013-01-01 DOI: 10.34136/sederi.2013.5

Patricia Parker

引用次数: 1

Sites of transgression: The suburbs and the city in Thomas Dekker’s Shoemaker’s Holiday 犯罪的场所:托马斯·德克尔的《鞋匠的假期》中的郊区和城市

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2012-01-01 DOI: 10.34136/sederi.2012.7

P. Franssen

引用次数: 1

The re-birth of Shakespeare in India: celebrating and Indianizing the Bard in 1964 莎士比亚在印度的重生:1964年对诗人的庆祝和印度化

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2012-01-01 DOI: 10.34136/sederi.2012.3

Rosa M. García-Periago

{"title":"The re-birth of Shakespeare in India: celebrating and Indianizing the Bard in 1964","authors":"Rosa M. García-Periago","doi":"10.34136/sederi.2012.3","DOIUrl":"https://doi.org/10.34136/sederi.2012.3","url":null,"abstract":"While the Tercentenary of Shakespeare’s death (1916) was hardly celebrated in India and marked the beginning of a period in which Shakespeare was hidden, the Quartercentenary of his birth (1964) spawned a large number of collections, theatre performances and even exhibitions to pay homage to the Bard. Although a special issue of the journal Indian Literature published in 1964 contributed to the re-emergence of Shakespeare, the most revolutionary projects in the making of a vernacular Shakespeare occurred on the Indian stage via Utpal Dutt’s Shakespearean productions in Bengali. Following Arjun Appadurai, this paper argues that Utpal Dutt’s Bengali theatre productions in 1964 participate in a “decolonization” of Shakespeare, consisting in liberating Shakespeare “the text” and Shakespeare “the author” from the bonds of the empire, from restrictive colonial associations. Two out of his three theatre performances produced in 1964 – Romeo and Juliet and Julius Caesar – are symptomatic of the effects of “glocalizing” the Shakespearean texts since the original place names and names of the characters are combined with the Bengali language and some unavoidable localization. Thus, Shakespeare’s Quartercentenary in India not only saw the re-emergence of the Bard, but also took its first steps in his indigenization.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"217 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2012-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72665715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

Translata Proficit: Revisiting John Florio’s translation of Michel de Montaigne’s Les Essais Translata利润:重新审视约翰·弗洛里奥翻译的米歇尔·德·蒙田的《散文集》

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2012-01-01 DOI: 10.34136/sederi.2012.6

O. Zaharia

引用次数: 2

Disaster and after: Hamlet as metaphor in Fin-de-Siècle Spain 灾难与之后:《西班牙语》中哈姆雷特的隐喻

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2012-01-01 DOI: 10.34136/sederi.2012.8

Keith Gregor

{"title":"Disaster and after: Hamlet as metaphor in Fin-de-Siècle Spain","authors":"Keith Gregor","doi":"10.34136/sederi.2012.8","DOIUrl":"https://doi.org/10.34136/sederi.2012.8","url":null,"abstract":"The paper explores the philosophical debates raging in Spain following naval defeat by the US in 1898 and the subsequent loss of the country’s last remaining colonies in the Caribbean and the Pacific. Facing what the national press presented as a debilitating pessimism and paralysis – a result of humiliation by a vastly superior and technologically advanced power – a group of intellectuals known as the “Generation of ‘98” launched a strident campaign aimed at rebooting the nation’s social, economic and cultural identity, in which the Spanish nation was imaginatively recast as a kind of Hamlet awaiting the arrival of Fortinbras. The various implications of the Spain-as-Hamlet trope are considered, especially in the light of the play’s minimal impact on cultural production at the turn of the century. Not the least of the paradoxes surrounding the trope is the conflicting uses to which it was put: now a metaphor for the decadence of Spanish social and political life, now a source of inspiration for the call for regeneration; now a mode of emplotting the break-up of the nation-state, now a way of framing the question of national unity.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"48 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2012-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85273339","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Pro-match literature and royal supremacy: The case of Michael Du Val’s The Spanish English Rose (1622) 亲赛文学与王权:迈克尔·杜瓦尔的《西班牙英玫瑰》(1622)

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2012-01-01 DOI: 10.34136/sederi.2012.1

Leticia Álvarez Recio

引用次数: 1

Poetic invention and translation in sixteenth-century England 十六世纪英国诗歌的发明与翻译

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2012-01-01 DOI: 10.34136/sederi.2012.5

Rocío G. Sumillera

引用次数: 1

Towards a Miltonic Mariology: the word and the body of Mary in Paradise Regain’d (1671) 走向弥尔顿的圣母学:《重返天堂》中圣母的话语和身体(1671)

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2012-01-01 DOI: 10.34136/sederi.2012.2

Joan Curbet Soler

{"title":"Towards a Miltonic Mariology: the word and the body of Mary in Paradise Regain’d (1671)","authors":"Joan Curbet Soler","doi":"10.34136/sederi.2012.2","DOIUrl":"https://doi.org/10.34136/sederi.2012.2","url":null,"abstract":"It is a recurring critical topos that John Milton’s Paradise Regain’d (1671) is a revisionist poem, one that works towards reframing and redefining the epic tradition; what has certainly been less noticed is the central function played by the character of Mary, the mother of Christ, in this revisionist process. This article will try to prove that Mary’s appearances in the poem are, though limited, essential to its content and to its perspective on the interrelated subjects of the revelation of God in history and the individual confrontation with historical forces; and it will try to do so by bringing together theological discussion and a gender-oriented approach. There have certainly been approaches to Paradise Regain’d that have explored some of the gender issues brought about by the poem’s modification of the heroic function: almost unanimously, these approaches have concentrated on the character of the Son. My intention here, however, is another: I will try to show how the function and voice of Mary in the poem set in motion a complex, rich network of implications (both ethical and theological) which are at the core of the poem’s discourse and ideology. This focus on the maternal in Paradise Regain’d will not be carried out from a psychoanalytical perspective (though it is by no means incompatible with such an approach), but rather through reading the text via literary and theological categories that are recurrent throughout Milton’s work. It should thus be possible to start working seriously towards establishing the presence of a serious and original Mariology (clearly not a Mariolatry) in Milton’s last epic poem. Overall, this will lead us to a reconsideration of Paradise Regain’d as an essentially innovative text, and one which is strongly heterodox in terms of its theology and gender discourse.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"74 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2012-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80665260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 4

Women in breeches and modes of masculinity in Restoration comedy 复辟时期喜剧中穿马裤的女人和男子气概的模式

IF 0.2 3区社会学

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2012-01-01 DOI: 10.34136/sederi.2012.4

Juan Antonio Prieto Pablos

{"title":"Women in breeches and modes of masculinity in Restoration comedy","authors":"Juan Antonio Prieto Pablos","doi":"10.34136/sederi.2012.4","DOIUrl":"https://doi.org/10.34136/sederi.2012.4","url":null,"abstract":"The dramatic tradition that featured female characters dressed in men’s costume was revived after the theatres reopened in the Restoration, with the difference that this time these roles were played by actresses. It has been argued that the contemplation of the female body reinforced the erotization of the actresses for the sake of predominantly male audiences. Their performances in “breeches roles” have also been interpreted as evidence of a progressive acknowledgement of the social possibilities of female agency. My own contention is that these roles did not only raise female agency to a level equal – if not superior, occasionally – to male agency, they also served to disrupt certain fashionable notions on the nature of masculinity, and therefore illustrate a trend that promoted new gender modes. To argue this thesis, I will focus on three comedies that represent as many stages in the development of this trend: the anonymous The Woman Turned Bully (1675), Thomas Shadwell’s The Woman Captain (1680), and Thomas Southerne’s Sir Anthony Love (1691), all of them featuring women wearing breeches and upsetting male order, with both comic and serious consequences.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"33 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2012-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79346142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1