Cedille-Revista de Estudios Franceses最新文献

{"title":"André du Bouchet ou l’appartenance à l’air","authors":"Candela Salgado Ivanich","doi":"10.25145/J.CEDILLE.2020.18.15","DOIUrl":"https://doi.org/10.25145/J.CEDILLE.2020.18.15","url":null,"abstract":"The aim of this paper is to initiate an approximation to the figure of the air in Andre du Bouchet’s Air. In this collection of poems, this element has a double meaning for the lyric I: one more basic, associated to its condition of agent, and other one which is built by this subjectivity in relation to the perceptual, motor and kinaesthetic impressions that he collects from it and that turned the air into a space. In this way, « air » is configured as a total synonym of « landscape », the theme par excellence in the French poet’s work. The subject does not look for being par of it but for appropriating it to himself by means of a series of cognitive operations linked to his movement and perception that constantly revitalize it.","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"1 1","pages":"367-387"},"PeriodicalIF":0.1,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49049760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"À la veille de la Révolution la France était un pays heureux","authors":"Adriana Lastičová","doi":"10.25145/J.CEDILLE.2020.18.31","DOIUrl":"https://doi.org/10.25145/J.CEDILLE.2020.18.31","url":null,"abstract":"","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"1 1","pages":"705-710"},"PeriodicalIF":0.1,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69074967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"L’imaginaire d’images: une réflexion sur la photographie chez Barthes, Duras et Guibert","authors":"Antonella Lipscomb","doi":"10.25145/J.CEDILLE.2020.18.23","DOIUrl":"https://doi.org/10.25145/J.CEDILLE.2020.18.23","url":null,"abstract":"The aim of this paper is to analyse the relationship between autobiography, pho-tography and autofiction in a selection of 20th century French autobiographies, such as Roland Barthes par Roland Barthes by Roland Barthes, L’Amant by Marguerite Duras, L´Image fantôme by Hervé Guibert. I will examine the complex relationship these auto-biographers maintain with the photographic portraits they choose to integrate or simply allude to in their autobiographies and show how the conflict between textual and visual images of the self reinforce the fine line between autobiography and autofiction.","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"1 1","pages":"565-591"},"PeriodicalIF":0.1,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69075236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Una poética de las ruinas: el viaje en busca de la España medieval de Frédéric Ozanam","authors":"María Belén Navarro","doi":"10.25145/J.CEDILLE.2020.18.24","DOIUrl":"https://doi.org/10.25145/J.CEDILLE.2020.18.24","url":null,"abstract":"espanolEn Un pelerinage au pays du Cid Frederic Ozanam retrata su viaje de 1852 por tierras espanolas. En esta textualizacion no solo se registra la experiencia personal, sino tambien la reconstruccion de diversos discursos que la mediatizan: referencias historicas, literarias y legendarias, especialmente vinculadas con la Edad Media y concebidas segun el imaginario romantico de la epoca. El objetivo del presente trabajo es no solo determinar su clasificacion dentro de los discursos de viajes mediante un estudio de la configuracion textual, sino tambien analizar sus aspectos mas llamativos: las isotopias y los intertextos. Este abordaje nos permitira reconstruir el imaginario cultural del autor, su horizonte de expectativas, la funcionalidad de las isotopias e intertextos en el entramado discursivo como asi tambien la finalidad global del libro. EnglishIn Un pelerinage au pays du Cid, Frederic Ozanam depicts his journey of 1852 through Spanish lands. It records both his personal experience and the reconstruction of different discourses which intervened as well, such as historical, literary and legendary references, especially those linked to the Middle Age and perceived according to the romantic conception of the time. The aim of this paper is not only to establish its categorisation within the travel speeches by analyzing its textual configuration, but also to study its most striking aspects: the isotopies and intertexts. This approach will enable the reconstruction of the author's cultural imaginary, his horizon of expectations, the function of the isotopies and intertexts in the discursive framework as well as the overall purpose of the book. francaisDans Un pelerinage au pays du Cid, Frederic Ozanam decrit son voyage de 1852 en terres espagnoles. Dans ce texte, il y depeint non seulement son experience personnelle, mais aussi la reconstruction de divers discours qui la mediatisent tels que des references historiques, litteraires et legendaires liees plus particulierement au Moyen Âge et concues selon l’imaginaire romantique de l’epoque. L’objectif de cet article est double. Il s’agira tout d’abord de definir la classification de l’auteur dans les ecritures du voyage en analysant notamment la configuration textuelle et ensuite d’examiner ses aspects les plus frappants, a savoir les isotopies et les intertextes. Cette etude permettra de reconstruire l’imagerie culturelle de l’auteur, son horizon d’attentes, la fonctionnalite des isotopies et des intertextes dans la trame discursive ainsi que la finalite globale du livre.","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"1 1","pages":"593-621"},"PeriodicalIF":0.1,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69075334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La recepción de tres novelas de George Sand en España a través de sus ediciones y (re)traducciones","authors":"Caterina Riba, Carme Sanmartí","doi":"10.25145/J.CEDILLE.2020.18.25","DOIUrl":"https://doi.org/10.25145/J.CEDILLE.2020.18.25","url":null,"abstract":"This article is an analysis of the Spanish and Catalan retranslations of three works by the French writer George Sand (1804-1876): La mare au diable, Un hiver a Majorque and La petite Fadette. This study looks at various factors and at a number of interrelated individuals and groups, which played a role in determining the fate of these works. The analysis includes a look at the consequences of the inclusion of the author’s works on the Index Librorum Prohibitorum and at the effects of the Franco regime’s censorship. There is also a discussion of the feminist movement’s embrace of this author, the fact that her life and work have become the focus of tourist attractions, and the main translation challenges.","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"1 1","pages":"623-647"},"PeriodicalIF":0.1,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69075412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La neurohermenéutica de la sospecha. Una aproximación teórica","authors":"Renata Gambino, G. Pulvirenti","doi":"10.25145/J.CEDILLE.2020.18.16","DOIUrl":"https://doi.org/10.25145/J.CEDILLE.2020.18.16","url":null,"abstract":"In this paper we draw back to Ricœur’s hermeneutics of suspicion, considered as an act of mistrustful interpretation based on intersubjectivity and aiming at disclosing latent and hidden meanings in the literary text. In our opinion Ricœur’s theoretical frame is relevant for present-day neurocognitive studies about literature, with regard to the issues of embodiment, bodily simulation and interpretation of textual latent meanings hidden beyond the manifest ones. Ricœur’s practice of sus­picion is one of the two poles of our present inquiry about literary text, while the second is our neurohermeneutic approach (Gambino & Pulvirenti 2018; 2019). In the perspective of what we here define as neurohermeneutics of suspicion, the reader becomes an interpreter, questioning the text with regard to its multilayered surface features as marking inferential clues unveiling secondary meanings. The meaning-making process depends on a creative act of the reader’s imagination em­bodying the mental (re-)construction of the situation described by a text. Therefore, suspicious interpreting does not rely in either the text, the author, the reader or the cultural and cognitive context, but in their complex and dynamic relationship, pivoting around the common embodied faculties of being a human. We claim that particularly in the postcritical venture, Ricœur’s hermeneutics, may be helpful in refiguring the pleasure of deciphering the fictional worlds of literature, challenging the reader to ‘play’ with the literary text intended as a terra incognita of inexhaustible multiple meanings.","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"18 1","pages":"389-413"},"PeriodicalIF":0.1,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49262169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La chute dans la conscience. Animalité, philosophie et cognition dans l’oeuvre de Camus","authors":"Amelia Gamoneda Lanza","doi":"10.25145/J.CEDILLE.2020.18.17","DOIUrl":"https://doi.org/10.25145/J.CEDILLE.2020.18.17","url":null,"abstract":"Camus’s work contains « blind and instinctive » aspects that the author himself pointed out as insufficiently considered by the critics. The questioning of conscience from a cognitive and moral point of view runs through his entire production, often trying to situate itself in the uncertain division that separates and brings together the animal and man. This epistemic critical axis – which straddles philosophy and the cognitive sciences – will serve in this article to analyze the articulation between L'Etranger and La Chute that makes Clamence into Meursault’s reverse. The nostalgia for an innocent paradise, the ethical and moral problem of violence and the consideration of death receive in Camus’ thought a cognitive treatment that links the phenomenological phylosophie of his time with the current biology of consciousness or evolutionary anthropology.","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"1 1","pages":"415-443"},"PeriodicalIF":0.1,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69074836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Le discours institutionnel sur la migration*: la destruction du camp de migrants de la Lande à Calais","authors":"Antonio Gaspar Galán","doi":"10.25145/J.CEDILLE.2020.18.20","DOIUrl":"https://doi.org/10.25145/J.CEDILLE.2020.18.20","url":null,"abstract":"espanolEste articulo analiza el discurso politico institucional sobre la demolicion del campamento de inmigrantes de la Lande en Calais. En marzo de 2016, varios meses antes de acometer su destruccion, el gobierno frances presento una pagina web dedicada al campamento, gestionada por el Ministerio del Interior. Este dispositivo de comunicacion institucional estaba formado por discursos oficiales, comunicados de prensa y reportajes de autoria anonima. El gobierno frances, al mismo tiempo que procedia a la destruccion del campamento, hablaba de la proteccion de las personas inmigrantes y calificaba el desmantelamiento como una accion humanitaria. Nuestro trabajo analiza el discurso institucional del gobierno y, de manera especial, las estrategias de construccion de un discurso en el que participan mas de un centenar de textos heterogeneos. El analisis pone de manifiesto que el discurso, basado en los topicos de la transparencia y la confianza, clasifica a la comunidad inmigrante para senalar entre ellos a los responsables del conflicto social, y utiliza el recurso al miedo como via para legitimar la actuacion de destruccion llevada a cabo. francaisCet article analyse le discours politique institutionnel sur la demolition du camp de migrants de la Lande a Calais. Avant de proceder a la destruction du camp, le gouvernement francais a mis en ligne, en mars 2016, un site internet consacre a Calais, gere par le ministere de l’Interieur. Le site est compose de discours du ministre de l’Interieur, communiques de presse et articles rediges par un journaliste anonyme. Le gouvernement francais, en meme temps qu’il procedait au demantelement du camp de la Lande, parlait de la protection des migrants et revendiquait le caractere humanitaire de l’intervention de l’Etat. Nous analysons ce dispositif de communication institutionnel suivant des premisses theoriques de l’analyse du discours, en soulignant specialement la maniere dont les differents types de discours s’y inscrivent et se completent pour contribuer a la coherence pragmatique du discours d’ensemble. L’analyse montre que le discours est construit sur une structure topique qui prone la transparence et fait appel a la confiance du public. Il opere un classement des immigrants afin de chercher parmi eux des responsables de la situation sociale et evoque la peur de la menace terroriste, visant a legitimer l’action de destruction accomplie a Calais. EnglishThis article analyses the institutional political discourse on the demolition of the Lande immigrant camp in Calais. In March 2016, several months before the destruction of the camp, the French government created a specific website dedicated to Calais, managed by the Ministry of the Interior. The institutional communication system consisted of official speeches, press releases and reports written by an anonymous journalist. The French government, while destroying the camp, talked about the protection of migrants and described the dismantling as a humanita","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"29 1","pages":"489-513"},"PeriodicalIF":0.1,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69074894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Les mécanismes du Naturalisme à l’épreuve*: la télégonie dans Madeleine Férat","authors":"María Rodríguez Álvarez","doi":"10.25145/J.CEDILLE.2020.18.06","DOIUrl":"https://doi.org/10.25145/J.CEDILLE.2020.18.06","url":null,"abstract":"One of the keys of Zola’s literary success relies on the integration of scientific developments from the 19th century into the narrative texts in such a natural way that only someone with a deep knowledge of both criticism and literature would be able to. This stylistic perfection is the result of a trial and error process that culminates in “Les Rougon Macquart” but in which Madeleine Ferat and its approach to telegony play an outstanding but unknown role. This reproductive theory is at the same time an excuse to undergo a deep analysis of the bourgeoisie but also the beginning of the productive relationship between science and literature, a major feature in Naturalism.","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"1 1","pages":"113-141"},"PeriodicalIF":0.1,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48673208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Performativité du droit. Efficacité de la littérature et de l image","authors":"C. Baron","doi":"10.25145/J.CEDILLE.2020.18.11","DOIUrl":"https://doi.org/10.25145/J.CEDILLE.2020.18.11","url":null,"abstract":"French literature seems to have abandoned the field of fiction to turn to investigation and testimony. Legal narratives are an important part of this, and the role of these narratives and movies in our perception of law might not be underestimated. There are several ways of conceiving the relationship between law and literature (or cinema). Literature and cinema embody the characters of a trial. To a certain extend, they also impose their interpretation of the facts. Finally, some trials have become symbols through literature and cinema; thus, the writer has sometimes the power to shape our conception of justice.","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"1 1","pages":"267-287"},"PeriodicalIF":0.1,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48719568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}