Cedille-Revista de Estudios Franceses最新文献

{"title":"Pour une archéologie des usages savants du littéraire*: remarques sur les présupposés d’un literary turn","authors":"A. Weber","doi":"10.25145/J.CEDILLE.2020.18.04","DOIUrl":"https://doi.org/10.25145/J.CEDILLE.2020.18.04","url":null,"abstract":"Many scholars in the social sciences, arts and humanities now exhibit their works by using literary forms, ranging from essays to novels. The history of the uses that scholars have given to literature, as disciplines have developed in the 18th and 19th centuries, allows us to assess the consequences that nowadays they have on different forms of sciences and literature.","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"1 1","pages":"57-77"},"PeriodicalIF":0.1,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49316231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La estética cuántica:Juan Larrea, Niels Bohr y el tercero incluido","authors":"C. Gala","doi":"10.25145/J.CEDILLE.2020.18.09","DOIUrl":"https://doi.org/10.25145/J.CEDILLE.2020.18.09","url":null,"abstract":"This essay explores notable coincidences in Juan Larrea’s poetics with some central points in quantum physics, such as, the correlation between the search in his inner self and the investigations on the atom taking place during the first decades of the twentieth-century, between leaving aside the monolithic subjectivity in favor of a universal and collective Spirit and the ‹‹entangled›› observer in the cosmic web, object of his/her observation, in modern physics, and, particularly, the role of the French language in dealing with the conflict with Western dualisms and their possible resolution in Bohr’s principle of complementarity, a parallel of Basarab Nicolescu’s theory of the hidden third. \u0000Keywords: Complementarity principle, The Atom Structure, Quantum Entanglements, Dualisms, Transdisciplinarity.","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"1 1","pages":"203-233"},"PeriodicalIF":0.1,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69074595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Don Quijote en el jazz francés","authors":"H. C. Hagedorn","doi":"10.25145/J.CEDILLE.2020.18.21","DOIUrl":"https://doi.org/10.25145/J.CEDILLE.2020.18.21","url":null,"abstract":"The intense reception that Don Quixote has had in French music is a well-known, well-documented and well-researched phenomenon. However, criticism has focused primarily on classical music and opera; few studies have been devoted to pop music, rock or folk, and none has so far dealt with the traces that the Cervantine novel has left in French jazz. In this paper we document, analyse and compare twenty examples of French jazz compositions that are inspired by the masterpiece of Cervantes, taking into account aspects such as its reception in jazz from other countries, or the interesting presence of the myth of Don Quixote in French jazz of the 21st century.","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"1 1","pages":"515-549"},"PeriodicalIF":0.1,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69074909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La méthode de Virgile: sciences naturelles et ordre du texte dans la poésie de Jacques Delille","authors":"Hugues Marchal","doi":"10.25145/J.CEDILLE.2020.18.12","DOIUrl":"https://doi.org/10.25145/J.CEDILLE.2020.18.12","url":null,"abstract":"Deplore par ses contemporains comme par la critique ulterieure, le desordre des poemes scientifiques de Jacques Delille peut-il trouver une motivation dans l'histoire naturelle ? C'est ce que l'on tente de proposer ici, en montrant que, si L'Homme des champs (1800) et Les Trois Regnes de la nature (1808) adoptent une marche capricieuse explicitement distincte de celle des traites savants, cette « methode de Virgile » n'est nullement etrangere aux agencements materiels ou discursifs mis en œuvre par les naturalistes eux-memes, et, surtout, elle implique une reflexion poussee sur la capacite du texte a mimer, avec la plus grande justesse, les formes du monde.","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"1 1","pages":"289-319"},"PeriodicalIF":0.1,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69074774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Traductoras en el gozne del cambio de paradigma científico","authors":"Lourdes Pérez González","doi":"10.25145/J.CEDILLE.2020.18.05","DOIUrl":"https://doi.org/10.25145/J.CEDILLE.2020.18.05","url":null,"abstract":"Between 17th and 18th centuries we witnessed a scientific revolution in all the branches of knowledge, whose most remarkable names history keeps record of. But behind, on the sidelines, in the distance, many other names – of women too – participated in this process of carrying out different tasks, including translation (especially to / from French, language of greater projection then). We will examine the paradigm shift in physics and chemistry, focusing on this dark zone of the hinge which is needed to explain how this long transformation took place, putting the focus on some female translators, self-taught scientists, whose indispensable role for transmission, dissemination and consolidation of knowledge was veiled or blurred.","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"1 1","pages":"79-111"},"PeriodicalIF":0.1,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69074816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La prosa científica de Pierre Teilhard de Chardin como texto sonoro: límites y cobordismos","authors":"Marta Cureses","doi":"10.25145/J.CEDILLE.2020.18.10","DOIUrl":"https://doi.org/10.25145/J.CEDILLE.2020.18.10","url":null,"abstract":"Artistic creation during the avant-garde years transgressed the traditional delimitation between forms and genres. Rene Thom’s cobordisms theory, a model of varieties sharing a common one, helps us in explaining the process for raising a scientific statement into a literary condition. At the border of poetry and sciencie, we consider here as an example Gonzalez Acilu’s composition Dilatacion fonetica, a work written during his years in Paris, on a French text by Pierre Teilhard de Chardin.","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"1 1","pages":"235-266"},"PeriodicalIF":0.1,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69074716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El epistemotexto literario","authors":"J. Camarero","doi":"10.25145/J.CEDILLE.2020.18.03","DOIUrl":"https://doi.org/10.25145/J.CEDILLE.2020.18.03","url":null,"abstract":"From the point of view of Epistemocriticism, a literary text is considered to be at a crossroads where different types of knowledge combine in a transverse dynamics (transknowledge). Such definition refers to the concept of «epistemotext», and extends to the field of literary fictionality (epistemofiction), a knowledge-based system from an epistemological perspective.","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"1 1","pages":"29-56"},"PeriodicalIF":0.1,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69074808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La importancia de la fase de comprensión y la documentación en el proceso traslativo: análisis de los errores surgidos en las aulas de LEA (Langues Étrangères Appliquées) en la traducción (español-francés) de un texto sobre natación artística","authors":"Jorge Valdenebro Sánchez","doi":"10.25145/j.cedille.2020.17.19","DOIUrl":"https://doi.org/10.25145/j.cedille.2020.17.19","url":null,"abstract":"espanolEl proceso traslativo cuenta con una serie de fases. La fase de comprension es la primera de este proceso y si no se realiza eficientemente, el resto de las fases tampoco podra efectuarse adecuadamente, lo que dara lugar a errores graves de traduccion como el falso sentido. Ademas, la fase de comprension y la documentacion estan estrechamente relacionadas, pues, a veces, para comprender sera necesario una documentacion apropiada capaz de solventar aquellas carencias que impiden seguir apropiadamente con el proceso traslativo. Creemos que los alumnos que inician su formacion en traduccion descuidan estas etapas decisivas de la actividad traductora y que estiman que este trabajo se reduce a una actividad meramente linguistica de trasposicion de una lengua a otra. Por ese motivo, para corroborar esta idea, hemos llevado a cabo un analisis con los errores de traduccion mas frecuentes que han cometido, a causa de una falta de comprension y documentacion, los alumnos de primer ano de Langues Etrangeres Appliquees (LEA), de la Univeriste de Lorraine (Nancy), en la asignatura de Initation a la traduction, en la traduccion de un texto hacia el frances cuya tematica es la natacion artistica. En el analisis se podra ver el fragmento original que se ha de traducir, una seleccion de propuestas de traduccion del alumnado, la grafica con los porcentajes de errores mas recurrentes, un apartado con comentarios acerca del origen u origenes de los errores y los pasos que se deberia hacer para solventarlos y, finalmente, nuestra propuesta de traduccion final. francaisLe processus de traduction comporte une serie de phases. La phase de comprehension est la premiere de ce processus et si elle n’est pas effectuee efficacement, la suite des phases ne pourra pas etre effectuee correctement non plus, ce qui entrainera de graves erreurs de traduction telles que le faux sens. En outre, la phase de comprehension et la documentation sont etroitement liees, car pour pouvoir comprendre, une documentation appropriee sera necessaire pour resoudre les problemes qui entravent le suivi du processus de traduction. Nous pensons que les etudiants qui commencent leur formation en traduction negligent ces etapes decisives du processus de traduction et ils croient que ce qui est essentiel c’est la simple activite de transposition linguistique d’une langue vers une autre. Pour cette raison, pour corroborer cette idee, nous avons effectue une analyse avec les erreurs de traduction les plus frequentes, en raison d’un manque de comprehension et de documentation, des etudiants de premiere annee de Langues Etrangeres Appliquees (LEA), de l’Universite de Lorraine (Nancy), dans le cours d’Initation a la traduction, dans la traduction d’un texte en de l’espagnol vers le francais ayant pour sujet la natation artistique. Dans l’analyse, nous pourrons voir la phrase d’origine a traduire, une selection de propositions de traduction des etudiants, le graphique avec les pourcentages d’erreur les ","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"1 1","pages":"391-410"},"PeriodicalIF":0.1,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48246446","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La cruauté du geste dans L’Assommoir de Zola","authors":"Kateřina Valentová","doi":"10.25145/j.cedille.2020.17.20","DOIUrl":"https://doi.org/10.25145/j.cedille.2020.17.20","url":null,"abstract":"An essential part of nonverbal manifestations is the kinesics that encompasses movements of the human body and the gestures articulated in the face. In a communicative act, the gestures acquire a key importance in the interpretation of emitted messages, being able even to contradict what has been said. In a literary text, especially those of a realistic nature, these gestures correspond to the attitudes of the characters and provide a reliable image of their behaviour and personality. The choice of the kinesic apparatus in a specific work generates in the reader particular perceptual simulations that, in addition, complete the literary interpretation cognitively. The present article aims at examining the kinetic manifestations in the novel L'Assommoir by Emile Zola and to relate its characteristics to the aesthetics of naturalism.","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"1 1","pages":"405-431"},"PeriodicalIF":0.1,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69074564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Escritura epistolar y posmodernidad literaria. L’Espérance de beaux voyages de Yves Navarre: el roman épistolaire indécidable","authors":"Lourdes Monterrubio Ibáñez","doi":"10.25145/j.cedille.2020.17.16","DOIUrl":"https://doi.org/10.25145/j.cedille.2020.17.16","url":null,"abstract":"espanolLa obra literaria de Yves Navarre es una de las maximas representantes del uso de la materia epistolar en la literatura francesa de la posmodernidad. L’Esperance de beaux voyages (1984) es su unica obra propiamente epistolar, exclusivamente compuesta por misivas. El presente articulo pretende analizar como el autor crea un roman epistolaire indecidable en el que la carta materializa los diferentes elementos de la posmodernidad literaria –renarrativizacion, discontinuidad e hipertextualidad– hasta alcanzar su saturacion. Navare genera asi una experiencia limite del genero epistolar donde el diversel posmoderno surge de la transformacion de la ficcion y la autoficcion en una auto/alter-ficcion que permite explorar la alteridad escritural. EnglishYves Navarre’s oeuvre is one of the greatest representatives of the use of epistolary material in French postmodern literature. L’Esperance de beaux voyages (1984) is his only epistolary novel, exclusively composed of letters. The present article aims to analyse how the author creates a roman epistolaire indecidable in which the letter materialises the different elements of literary postmodernity –renarrativization, discontinuity and hypertextuality– until reaching its saturation. Thus, Navarre generates an experience of the epistolary genre in which the diversel postmoderne arises from the transformation of fiction and autofiction into an auto/alter-fiction that allows to explore the writing alterity. francaisL’œuvre litteraire d’Yves Navarre est l’une des plus grandes representantes de l’utilisation de la matiere epistolaire dans la litterature francaise postmoderne. L’Esperance de beaux voyages (1984) est son seul roman proprement epistolaire, compose exclusivement par lettres. Le present article se propose d’analyser comment l’auteur cree un roman epistolaire indecidable dans lequel la lettre materialise les differents elements de la postmodernite litteraire – renarrativisation, discontinuite et hypertextualite – jusqu’a atteindre sa saturation. Ainsi, Navarre genere une experience limite du genre epistolaire ou le diversel postmoderne surgit de la transformation de la fiction et l’autofiction en une auto/alter-fiction qui permet l’exploration de l’alterite scripturale.","PeriodicalId":40938,"journal":{"name":"Cedille-Revista de Estudios Franceses","volume":"1 1","pages":"307-345"},"PeriodicalIF":0.1,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69074494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}