Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education最新文献

{"title":"Instrumental-operational strategy for the implementation of a cognitive-pragmatic program: cognitive-mental tools (Article 2)","authors":"Dmitry I. Ivanov, Dmitry L. Lakerbai","doi":"10.20339/phs.5-23.003","DOIUrl":"https://doi.org/10.20339/phs.5-23.003","url":null,"abstract":"The present offers an understanding of one of the significant original author’s concept aspects of cognitive-pragmatic programs in the context of the theory of intentionality. The instrumental-operational strategy — a cognitive project (action plan) of the source subject, aimed at the successful implementation of one or several strategic goals of the cognitive-pragmatic programs is being studied. The direct object of study consideration is a complex of the instrumental-operational strategy cognitive-mental tools. The cognitive-mental indexing of the instrument-signal has two main levels: basic and specification. Each updated tool, in addition to the basic indexing (“how”), receives a triple specification indexing (target “how”, self-identifying “how”, and resultant “how”). The same cognitive-mental tool, when used in discourse signals of different intentionality, can be indexed differently. On this basis, according to the type of dominant index, four main types of cognitive-mental tools can be distinguished. The first type: the central level of indexing is “target”; peripheral level — “self-identification”, “result”, “assessment”. The second type: the central level of indexing is “self-identification”; peripheral level — “goal”, “result”, “assessment”. The third type: the central level of indexing is “result”; peripheral level — “self-identification”, “goal”, “assessment”. The fourth type: the central level of indexing is “assessment”; peripheral level — “self-identification”, “result”, “goal”. Each of the cognitive-mental tools can occupy two main positions in the space of an intentional discourse signal: discourse / program-forming; corrective and clarifying. The universality and adaptability of the cognitive-pragmatic program theory, applicable as a subjective cognitive-pragmatic matrix to any meaningful and directed activity, makes it possible to detect cognitive-mental tools in other areas. And the more “synthetic” the area under study is, the more clear the “tools” are.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135640496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Polygenre of A. Polyarinov ‘s prose","authors":"Angelina M. Shapiro","doi":"10.20339/phs.5-23.116","DOIUrl":"https://doi.org/10.20339/phs.5-23.116","url":null,"abstract":"In modern science fiction, dystopia occupies a special place, as evidenced by the works of T.T. Davydova and O.V. Bogdanova. Along with classic fiction, dystopia can be called the most popular genre modification in modern literature. Unlike utopia, which seeks to paint an image of an ideal society where there will be no place for wars, suffering, or injustice, dystopia is a nightmarish image of any society. This book review characterizes the polygenre of the prose of the modern writer Alexey Polyarinov — dystopian, fairy-tale and mythological features. To achieve this goal, two main novels are considered in detail — “Center of Gravity” and “Reef”, special attention was paid to the analysis of the images of the central characters of these works. The genre features of the dystopia of the novel “Center of Gravity” are identified and comprehensively considered, fragments of the text emphasizing the fabulous motives of the plot are also analyzed. In the novel “Reef” considers the problem of sectarianism and the methods of mental influence that the head of the sect uses to completely subjugate the will of the sectarians. The complex problem of relationships within the family is also explored. Examples of mythological images of the novel, important for the disclosure of the plot, are given. The relevance of this study is due to the interest in modern Russian literature, the main problems that are currently being addressed in it, its artistic trends.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135640298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Anna and Zakhar, or The hero of our time","authors":"Alexey Yu. Ovcharenko","doi":"10.20339/phs.5-23.138","DOIUrl":"https://doi.org/10.20339/phs.5-23.138","url":null,"abstract":"The article analyzes the proposed by the famous literary critic Anna Zhuchkova’s creative evolution research methodology of the artistic style of Zakhar Prilepin. The presented assessment of the writer’s literary work, based on a thorough knowledge of the texts, has an objective chronological form, which allows us to determine the role and significance of Z. Prilepin’s prose more accurately in the literary process of the early 21st century. It is clarified that the analysis of Z. Prilepin’s prose is based on the methodology of biographical research proposed by I.N. Rozanov, Russian formalists (G.O. Vinokur) and rethought in the works of Yu.M. Lotman. A. Zhuchkova updated the genre of “biography of the writer”, the concept of “writer’s reputation” in the dynamics of the historical and literary process of the first decades of the XXI century in Russia. Relevant for postmodern discourse is the analysis of the genesis and dynamics of the concept of “sincerity” in the Russian historical and literary process from Apollon Grigoriev to the theorists of the Commonwealth “The Pass” and Vladimir Pomerantsev’s textbook article “On the sincerity of literature” (1953), the emergence and evolution of “New Sincerity” in Russian literature from D.A. Prigov to D. Vodennikov, problems of restoration of classical romantic discourse, remythologization of the ideals of the “romantics of the revolution”, transformation of the “trench truth” genre in the texts of “new realism” by Z. Prilepin, A. Karasev, D. Gutsko, O. Ermakov, etc.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135640301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Influence of the Lermontov tradition on the modern Iranian poet Shafiei Kadkani","authors":"Marzieh Yahyapour, Janolah Karimi-Motahhar, Svetlana V. Shustova","doi":"10.20339/phs.5-23.063","DOIUrl":"https://doi.org/10.20339/phs.5-23.063","url":null,"abstract":"Man and nature are two inseparable elements of the world, and the unbreakable connection and coexistence between them is the origin of all kinds of literary works. From ancient times to the present day, we often see poems about nature both in Russian and Persian literature. Using the Natural objects and phenomena in the form of myths and symbols in literary works and giving them personality have various reasons, including political ones. Sometimes poems may be composed under the influence of a poet from another country. This influence can be seen in contemporary Iranian literature. Among the contemporary Iranian poets who are very familiar with the ideas and works of Russian poets and writers is the Iranian naturalist (пейзажист) poet Shafiei Kadkani. He composed his poem “Happy Journeys!”) based on Lermontov’s “The Rock” and “The black Clouds” poems. Both poets have used natural images such as plant (растение), breeze (ветерок), blossoms (цветения), rain (дождь), desert (пустыня), dust (пыль), horror desert (пустыня ужаса), rock / cliff (утес) and black clouds (тучи), which have a symbolic role. By comparing the poems, we can see that they are similar in terms of content and have the same message. And some of the symbols of Shafiei Kadkani are the same as the symbols of Lermontov, such as the desert, or they are chosen in terms of meaning very close to the symbols of Lermontov, such as “rock / cliff and milkvetch” or “small clouds and breeze”, as well as the dynamic movement of small clouds and breeze, which are the symbol of transition and change. Like Lermontov, Shafiei Kadkani also complains about the situation of his society, but symbols like “blossoms and rain” at the end of Shafiei Kadkani’s poem, unlike Lermontov’s poems, promise the morning of freedom, prosperity and transition, but with doubts.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135640494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"To the question of intertextual relations of Russian phenomenological tradition and the philosophy of all-unity in B. Pasternak’s novel “Doctor Zhivago”","authors":"Tatiana I. Radomskaya, Maksim L. Fedorov","doi":"10.20339/phs.5-23.078","DOIUrl":"https://doi.org/10.20339/phs.5-23.078","url":null,"abstract":"The article shows how the peculiarities of the development of the Christian theme in Doctor Zhivago were predetermined not only by the author’s personality, but also by the philosophical and theological searches of the first third of the 20th century — the philosophy of the unity of S.N. Bulgakov, the phenomenological school of E. Husserl in the transmission of G. Shpet, as well as the domestic phenomenological tradition analyzed by S.L. Frank. In this regard, for the first time, we have attempted to compare the phenomenological image in Christian hymnography with the artistic image of the novel, which tried to capture the Divine in the earthly, which made it possible to identify the uniqueness of the phenomenological image in the work. The unity of man with the world and the Creator — this theme defines the range of thoughts of the author and his protagonist and corresponds to one of the main provisions of the “Philosophy of Economy” S.N. Bulgakov on the identity of subject and object, which determines the presence of intertextual links between the “Philosophy of Economy” and the text of the novel. A special Christian phenomenology, which creates a certain image of the world, is closely connected with the philosophy of unity. Thus, earthly life appears spiritualized by the Divine presence and, in a certain sense, becomes a phenomenon of the noumenal essence. The article shows that Pasternak’s comprehension of spiritual reality has its own distinctive features. In this regard, the article reveals similarities and differences between the spiritual texts of modern Pasternak — the Akathist of Mitr. Trifon (Turkestanov) “Thank God for everything!” and the text of the novel. Thus, if the Russian phenomenological tradition represented in the akathist, according to S.L. Frank, is characterized by a combination of “the immanent presence of the Divine principle <…> with a keen sense of transcendence”, then in the image of Pasternak, striving to capture the divine in the material, there is an immanent, soul-sensual comprehension of spiritual reality, the ideal domain of meanings becomes immanent to the earthly dimensions, the phenomenological image, sometimes, ceases to denote the noumenal essence. This development of the Christian theme in the novel, in particular, is associated with a sense of equality between man and God, but not with the hierarchy of the world, which is consonant with the general type of worldview of the beginning 20th century.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135640495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"In the shade of lovely birds, or About the “Farewell Ode” by Joseph Brodsky","authors":"Olga A. Gasselblat","doi":"10.20339/phs.5-23.085","DOIUrl":"https://doi.org/10.20339/phs.5-23.085","url":null,"abstract":"This article is another effort to analyze the “Farewell Ode” by Joseph Brodsky. The internal and external contexts of the creation of the poem are described. Some text levels are analyzed to recognize the author’s intention. The stanza of the poem refers to Russian and Polish syllabic poetry of the 18th century. The lexico-semantic composition of the poem allows us to see the influence of poet’s many great precursors, primarily Dante and Tsvetaeva. The ode is also a stylization of the genre of prayer, as indicated by many lexical means. Brodsky’s first great poem can rightly be called the most complex “symphonic work”, in which the poet reaches the heights of Christian forgiveness.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135640293","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Review of the collective monograph “Discursive foundations of speech production: scientific text — new knowledge — translation”","authors":"Vera D. Tabanakova","doi":"10.20339/phs.5-23.149","DOIUrl":"https://doi.org/10.20339/phs.5-23.149","url":null,"abstract":"A review of the collective monograph “Discursive foundations of speech production: scientific text – new knowledge – translation” under the general editorship of M.P. Kotyurova (Perm: PSNIU, 2023. 300 p.) is presented. Two scientific directions are investigated — stylistics of scientific text and speech studies. This gives an opportunity to study the significance of the influence of extra-linguistic factors on text formation. An experimental study is described strategies of translation of a scientific text, which aims to create a portrait of the translator as a “linguocultural and functional-speech phenomenon”.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135640303","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The image of Stalingrad in journalism 1942–1943: Stable images and topos","authors":"Inessa N. Korzhova","doi":"10.20339/phs.5-23.131","DOIUrl":"https://doi.org/10.20339/phs.5-23.131","url":null,"abstract":"In the article, based on the materials of the central press of 1942–1943, the leading images, motives, toposes (verbal formulas) forming the image of the warring Stalingrad are identified. The special significance of the Volga image as an image closely connected, on the one hand, with military realities, and on the other — based on folklore tradition and topos of the song generation (“Russian river”) is revealed. The main components of the Stalingrad landscape are established: the image of a raging river, the remains of houses, a red or smoky sky. The landscape also contains a sound image — the roar of a cannonade. These elements are perceived by the publicists themselves as somewhat canonical, so the essays about the victorious Stalingrad (late January — early February) emphasize the transformation of these components or a change in the tone of their description. It was found that the main metaphors that serve to create the image of the city are associated with the concepts of “living – dead – mutilated” and “fortress – stone”. Frequent use of motives generates phrases approaching the verbal formulas “Stalingrad is alive”, “Stalingrad is not a fortress, its people are a fortress”. The emphasis is not so much on the ideologies as on the deep images of the mythological genesis in the formation of the image of the city.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"187 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135640499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Literary heritage of the 19–20 centuries: classification of raster images for intellectual analysis and thematic modeling of the corpus of handwritten texts","authors":"Elena N. Penskaya, Lyubov V. Khachaturian","doi":"10.20339/phs.5-23.160","DOIUrl":"https://doi.org/10.20339/phs.5-23.160","url":null,"abstract":"The article examines the current trends in working with digital forms of handwritten heritage on the history of Russian literature of the second half of the 19 — mid-20 century. The process of forming virtual archives is analyzed as a gradual accumulation of the “big date” of scientific research — an unrecognized information array of raster documents containing tens of thousands of digital forms of archival documents. New approaches to classifying raster images of handwritten documents for use in intelligent analysis systems, experimental methods of visualization of archival documents, as well as previously unused capabilities of the search engine are proposed. Much attention is paid to the architectonics of the manuscript: the transition from graphic elements of a raster image to semantic ones, which allows the use of data mining elements for an unrecognized data array.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135640504","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Disdemona in Cinzio’s tale and Desdemona in Shakespeare’s play: The etymology and allusive character of the name","authors":"Andrey A. Sapelkin","doi":"10.20339/phs.5-23.039","DOIUrl":"https://doi.org/10.20339/phs.5-23.039","url":null,"abstract":"The article deals with certain aspects of a tale (novella) by Giraldi Cinthio, an Italian author and humanist of the 16th century, of which the plot was developed by Shakespeare into his tragedy Othello. It is focused on the main female character of the tale named Disdemona. The examination of the etymology of the name and the consideration of the details to be found in the tale has made it possible to reveal that hers in not a proper name as it was believed earlier, but a nickname used by the author with the specific allusive intent. It has been revealed that the translation of the tale into Russian contains a number of disorienting mistakes, so that the information on the character contradicts the true circumstances of her life and destiny. The differences between the tale character of Cinthio and the heroine of Shakespeare’s play have been considered and the causes of the transformation of her name in the English text have been explained. Besides, it is sought to determine if Cinthio and Shakespeare were aware of the meaning of the name of their heroine. The article contains certain information on Cinthio, which is not available in the domestic works on literary history and theory: in particular, the origin of his literary pseudonym. The research methods include the survey and analysis of a wide range of studies in the field of Italian and English literature, the creative activities of Cinthio and Shakespeare, the systematisation and generalisation of data as well as the contextual analysis of the considered works.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135640502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}