{"title":"在可爱的鸟儿的树荫下,或者是关于约瑟夫·布罗茨基的《告别颂》","authors":"Olga A. Gasselblat","doi":"10.20339/phs.5-23.085","DOIUrl":null,"url":null,"abstract":"This article is another effort to analyze the “Farewell Ode” by Joseph Brodsky. The internal and external contexts of the creation of the poem are described. Some text levels are analyzed to recognize the author’s intention. The stanza of the poem refers to Russian and Polish syllabic poetry of the 18th century. The lexico-semantic composition of the poem allows us to see the influence of poet’s many great precursors, primarily Dante and Tsvetaeva. The ode is also a stylization of the genre of prayer, as indicated by many lexical means. Brodsky’s first great poem can rightly be called the most complex “symphonic work”, in which the poet reaches the heights of Christian forgiveness.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"22 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"In the shade of lovely birds, or About the “Farewell Ode” by Joseph Brodsky\",\"authors\":\"Olga A. Gasselblat\",\"doi\":\"10.20339/phs.5-23.085\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article is another effort to analyze the “Farewell Ode” by Joseph Brodsky. The internal and external contexts of the creation of the poem are described. Some text levels are analyzed to recognize the author’s intention. The stanza of the poem refers to Russian and Polish syllabic poetry of the 18th century. The lexico-semantic composition of the poem allows us to see the influence of poet’s many great precursors, primarily Dante and Tsvetaeva. The ode is also a stylization of the genre of prayer, as indicated by many lexical means. Brodsky’s first great poem can rightly be called the most complex “symphonic work”, in which the poet reaches the heights of Christian forgiveness.\",\"PeriodicalId\":40803,\"journal\":{\"name\":\"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education\",\"volume\":\"22 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.20339/phs.5-23.085\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LANGUAGE & LINGUISTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.20339/phs.5-23.085","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
In the shade of lovely birds, or About the “Farewell Ode” by Joseph Brodsky
This article is another effort to analyze the “Farewell Ode” by Joseph Brodsky. The internal and external contexts of the creation of the poem are described. Some text levels are analyzed to recognize the author’s intention. The stanza of the poem refers to Russian and Polish syllabic poetry of the 18th century. The lexico-semantic composition of the poem allows us to see the influence of poet’s many great precursors, primarily Dante and Tsvetaeva. The ode is also a stylization of the genre of prayer, as indicated by many lexical means. Brodsky’s first great poem can rightly be called the most complex “symphonic work”, in which the poet reaches the heights of Christian forgiveness.