Influence of the Lermontov tradition on the modern Iranian poet Shafiei Kadkani

IF 0.1 0 LANGUAGE & LINGUISTICS
Marzieh Yahyapour, Janolah Karimi-Motahhar, Svetlana V. Shustova
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Abstract

Man and nature are two inseparable elements of the world, and the unbreakable connection and coexistence between them is the origin of all kinds of literary works. From ancient times to the present day, we often see poems about nature both in Russian and Persian literature. Using the Natural objects and phenomena in the form of myths and symbols in literary works and giving them personality have various reasons, including political ones. Sometimes poems may be composed under the influence of a poet from another country. This influence can be seen in contemporary Iranian literature. Among the contemporary Iranian poets who are very familiar with the ideas and works of Russian poets and writers is the Iranian naturalist (пейзажист) poet Shafiei Kadkani. He composed his poem “Happy Journeys!”) based on Lermontov’s “The Rock” and “The black Clouds” poems. Both poets have used natural images such as plant (растение), breeze (ветерок), blossoms (цветения), rain (дождь), desert (пустыня), dust (пыль), horror desert (пустыня ужаса), rock / cliff (утес) and black clouds (тучи), which have a symbolic role. By comparing the poems, we can see that they are similar in terms of content and have the same message. And some of the symbols of Shafiei Kadkani are the same as the symbols of Lermontov, such as the desert, or they are chosen in terms of meaning very close to the symbols of Lermontov, such as “rock / cliff and milkvetch” or “small clouds and breeze”, as well as the dynamic movement of small clouds and breeze, which are the symbol of transition and change. Like Lermontov, Shafiei Kadkani also complains about the situation of his society, but symbols like “blossoms and rain” at the end of Shafiei Kadkani’s poem, unlike Lermontov’s poems, promise the morning of freedom, prosperity and transition, but with doubts.
莱蒙托夫传统对伊朗现代诗人卡德卡尼的影响
人与自然是世界上不可分割的两个要素,两者之间不可分割的联系和共存是各种文学作品的根源。从古至今,我们经常在俄罗斯和波斯文学中看到关于自然的诗歌。将自然物象以神话和符号的形式运用到文学作品中并赋予其个性有多方面的原因,其中也包括政治方面的原因。有时诗歌可能是在另一个国家诗人的影响下创作的。这种影响可以在当代伊朗文学中看到。在当代伊朗诗人中,非常熟悉俄罗斯诗人和作家的思想和作品的是伊朗自然主义者(пейзажист)诗人Shafiei Kadkani。他在莱蒙托夫的《岩石》和《乌云》的基础上创作了他的诗《快乐的旅程》。诗人用植物等自然图像(растение)、风(ветерок)、花(цветения),雨(дождь),沙漠(пустыня),尘埃(пыль),恐怖的沙漠(пустыняужаса),岩石/悬崖(утес)和黑色的云(тучи),一个象征性的角色。通过对这两首诗的比较,我们可以看出它们在内容上是相似的,具有相同的信息。而Shafiei Kadkani的一些符号与莱蒙托夫的符号相同,如沙漠,或者在意义上选择非常接近莱蒙托夫的符号,如“岩石/悬崖和云雀”或“小云和微风”,以及小云和微风的动态运动,这是过渡和变化的象征。与莱蒙托夫一样,Shafiei Kadkani也抱怨他的社会状况,但与莱蒙托夫的诗歌不同,Shafiei Kadkani诗末的“花与雨”等符号,承诺了自由、繁荣和转型的早晨,但也带着怀疑。
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